Just as love is very much part of any human life, for the soviet citizen it was often accompanied by another powerful emotion--fear. For various reasons, as this collection shows, the two have always gone hand in hand in Russia. Here love is seen from various angles: the imprisonment of the first Soviet president's wife under Stalin (Razgon), homosexual love punishable by Soviet law (Kharitonov), unrequited love driving man to disaster (Makanin), adolescent longing for love and fear of rejection (Gareyev), an old granny's love for the shopping bag which is her provider (Gorenstein), love as adventure and misunderstanding (Zinik), anti-love among the dregs of society (Miloslavsky), trans-sexuals' surreal experiences (Pelevin), and love in that typically Soviet institution, the communal flat.

Each person models his or her own world to live in, alone with oneself. Only writing gives us the chance to discover these innumerable unique worlds--from cancer wards to prison camps, those hells on Earth to which we are drawn by a strange fascination. Literature has been written for centuries, yet each generation's authors still manage to find new angles of vision and new literary idioms. This has been aptly demonstrated by the recent awarding of the first Russian Booker Prize. Two short listed authors--Makanin and Gorenstein--have been included in this issue, while Vladimir Sorokin, another short listed author, was published in the second issue of Glas. The closing interview with Alla Latynina, the first chairman of the Russian Booker Prize jury, gives a reflection into Russia's literary scene today. Despite Russia's present problems, the literary process continues.