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Related Topics: Art
Louise Bourgeois: Memory and Architecture,9788480031882
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Louise Bourgeois: Memory and Architecture


Author(s): Gorovoy, Jerry
ISBN10:  8480031883
ISBN13:  9788480031882
Format:  Paperback
Pub. Date:  11/1/2000
Publisher(s): Actar-D

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SummaryTable of ContentsEditorial Reviews
Louise Bourgeois has been on a journey inspired by architecture for six decades, from the early realistic drawings of interiors she made upon her arrival in New York in the late 1930s, to the plaster Lairs of the 1960s, to the Cells and recent commissioned works of the 1990s In her figurative work she has drawn, painted, printed, and sculpted everything from skyscrapers, courthouses, and greenhouses to labyrinths, sanatoriums, towers, nests and of course the many different houses and buildings she has lived in over the years. Throughout her career Bourgeois' work has always had a strong and essential autobiographical element -- and this book illuminates an area of her life that has heavily informed her work, in addition to exploring the relationship of her sculpture to architectural forms.
There's No Place Like Home
15(19)
Jerry Gorovoy
Danielle Tilkin
Louise Bourgeois: Architecture as a Study in Memory
19(10)
Joseph Helfenstein
The Architecture of Trauma
29(24)
Beatriz Colomina
Louise Bourgeois: Woman at Work
53(10)
Christiane Terrisse
Farewell to the Doll House
63(12)
Lynne Cooke
Beckoning Bernini
75(12)
Mieke Bal
Passages Impliques
87(18)
Jennifer Bloomer
Plates 105(170)
Works in the Exhibition 275(6)
Chronology 281(25)
Solo Exhibitions 306(5)
Bibliography, Videotapes and Others 311
Bourgeois (b. 1911) is a leading American sculptor best known for her definition and exploration of female/male relationships in wood, marble, and multimedia. Many of the works involve figures concurrently seen as an abstractly built environment, like the famous "The Blind Leading the Blind." This exhibition catalog from the Museo Nacional Centro de Arte Reina Sofia in Madrid records a total of 86 pieces from her "Femme Maison" series, the later "cells," the immediately recognizable spiders, and the highly successful recent environmental works. Bourgeois's symbolism is derived from painful autobiographical memories often related through the structures of home, work, and hallways. The lavish, full-page illustrations and color plates are bolstered by seven essays on her creative power. Three chapters "There's No Place Like Home," "The Architecture of Trauma," and "Passages Impliqués" are particularly relevant to untangling the Bourgeois world. Recommended as a fine, complete study of the artist with excellent references. For general art collections with an interest in contemporary art as well as feminist collections. Mary Hamel-Schwulst, formerly with Towson Univ., MD Copyright 2001 Cahners Business Information.

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