|
|
|
9 | (10) |
|
Forsta varningen/The First Warning-an Effective Drama |
|
|
19 | (19) |
|
Imagery in Fadren/The Father |
|
|
38 | (12) |
|
Speech Situations in Froken Julie/Miss Julie |
|
|
50 | (14) |
|
Den starkare/The Stronger-a Monodrama |
|
|
64 | (7) |
|
Till Damaskus I/To Damascus I-a Drama of Half-Reality |
|
|
71 | (25) |
|
|
|
96 | (23) |
|
The Opening of Dodsdansen I/The Dance of Death I |
|
|
119 | (28) |
|
The Coherence of Ett dromspel/A Dream Play |
|
|
147 | (16) |
|
The Web of Branda tomten/The Burned House |
|
|
163 | (18) |
|
Sein and Schein in Spoksonaten/The Ghost Sonata |
|
|
181 | (26) |
|
Theme and Structure of Pelikanen/The Pelican |
|
|
207 | (9) |
|
The Modernity of Strindbergian Drama |
|
|
216 | (4) |
| Appendix: Translating Strindbergian Drama. Spoksonaten in English |
|
220 | (22) |
| Notes |
|
242 | (8) |
| Strindberg's Plays |
|
250 | (2) |
| Strindberg's Plays in English Translation |
|
252 | (3) |
| Bibliography |
|
255 | |