(0) items

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.




Pub. Date:
Oxford University Press
List Price: $44.75

Buy New Textbook

Usually Ships in 3-5 Business Days

Rent Textbook

We're Sorry
Sold Out

Used Textbook

We're Sorry
Sold Out


We're Sorry
Not Available

More New and Used
from Private Sellers
Starting at $24.77

Questions About This Book?

What version or edition is this?
This is the edition with a publication date of 4/8/2013.
What is included with this book?
  • The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.


The foremost composer under the reign of Elizabeth I and James I, William Byrd (c. 1540 - 1623) produced countless masses, motets, polyphonic songs, and works for keyboard and instrumental consort, all of which rank among the most unique and inspired works of the late Renaissance. His output was widely admired both at the time and now, and the influence he exerted on his contemporaries and on future generations of English composers was profound. Byrd was especially well-known for his motets, a musical form which he - a practicing Catholic in Anglican England and composer for the English Chapel Royal - especially favored, in spite of the threats of religious persecution he routinely faced. This biography takes a new look at Byrd's music - instrumental and vocal, sacred and secular - and the various documents of his long life. Exploring the musical world in which Byrd grew up, author Kerry McCarthy traces his influence on the English musicians of the early Baroque, many of whom were his students, and takes on the uncomfortable paradoxes of the composer's life as a devout and influential Catholic who spent much of his career in the service of the English Protestant establishment. McCarthy also pays special attention to Byrd's literary background and activities as an older contemporary of Shakespeare who enjoyed close ties to the Elizabethan and Jacobean literary world. A detailed, fresh, and readable account of a composer who was revered by his colleagues as "our Phoenix" and "a Father of Music",Byrdis essential reading for scholars, students, and performers of early music, as well as general readers interested in the musical world of Renaissance England.

Author Biography

Kerry McCarthy has taught at Duke University since 2003. Her research explores the music of the English Renaissance and its cultural contexts. Her first book, Liturgy and Contemplation in Byrd's Gradualia, was published by Routledge in 2007.

Please wait while the item is added to your cart...