More New and Used
from Private Sellers
Usually Ships in 3-5 Business Days
Questions About This Book?
Why should I rent this book?
Renting is easy, fast, and cheap! Renting from eCampus.com can save you hundreds of dollars compared to the cost of new or used books each semester. At the end of the semester, simply ship the book back to us with a free UPS shipping label! No need to worry about selling it back.
How do rental returns work?
Returning books is as easy as possible. As your rental due date approaches, we will email you several courtesy reminders. When you are ready to return, you can print a free UPS shipping label from our website at any time. Then, just return the book to your UPS driver or any staffed UPS location. You can even use the same box we shipped it in!
What version or edition is this?
This is the Revised edition with a publication date of 10/7/2010.
What is included with this book?
- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
- The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.
There is more to sound recording than just recording sound. Far from being simply a tool for the preservation of music, the technology is a catalyst. In this award-winning text, Mark Katz provides a wide-ranging, deeply informative, consistently entertaining history of recording's profound impact on the musical life of the past century, from Edison to the Internet. Fully revised and updated, this new edition adds coverage of mashups and Auto-Tune, explores recent developments in file-sharing, and includes an expanded conclusion and bibliography. A new companion web site features illustrative sound and film clips.
Mark Katz is Associate Professor of Music at the University of North Carolina, Chapel Hill, and the author of the forthcoming Groove Music.
Table of Contents
|List of Illustrations||p. xi|
|Making America More Musical: The Phonograph and "Good Music"||p. 56|
|Capturing Jazz||p. 80|
|Aesthetics Out of Exigency: Violin Vibrato and the Phonograph||p. 94|
|The Rise and Fall of Grammophonmusik||p. 109|
|The Turntable as Weapon: Understanding the Hip-Hop DJ Battle||p. 124|
|Music in 1s and 0s: The Art and Politics of Digital Sampling||p. 146|
|Listening in Cyberspace||p. 177|
|List of Supplementary Web Materials||p. 305|
|Table of Contents provided by Ingram. All Rights Reserved.|