GIANNALBERTO BENDAZZI is a founding member of the Society for Animation Studies and a former member of the board of directors of ASIFA (Association internationale du film d'animation).
Foreword | |
Preface | |
The first four decades (1888-1929) | p. 1 |
Origins | p. 3 |
Animation in the United States of America | p. 15 |
The European individualists | p. 25 |
Argentina: the world's first animated feature film | p. 49 |
The United States of America: breaking the sound barrier | p. 53 |
Walt Disney: The world's most successful animation studio | p. 61 |
Animation in the 1930s | p. 71 |
Europe | p. 73 |
The United States of America: animation heads west | p. 83 |
Talent in other pre-war nations | p. 101 |
The masters of animation | p. 107 |
The next three decades (1940-1970) | p. 127 |
The United States of America | p. 129 |
The Canadian Phenomenon | p. 149 |
Western Europe | p. 151 |
Eastern Europe | p. 163 |
Animation in Asia | p. 181 |
Animation in Latin America | p. 187 |
Colour Plates | p. 193 |
A new wave of animation (1970s and 1980s) | p. 229 |
The United States of America | p. 231 |
Canada | p. 261 |
Western Europe: the new generation | p. 273 |
Eastern Europe | p. 333 |
Latin America | p. 383 |
Africa | p. 391 |
New realities in Asia | p. 397 |
Australasia | p. 419 |
The Globe Trotters of Animation | p. 429 |
Afterword | p. 435 |
The electronic age | p. 437 |
Computers and animation | p. 439 |
Reference | p. 445 |
A bibliography | p. 447 |
Indexes: Names and Titles | p. 457 |
Table of Contents provided by Blackwell. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.