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A Century of Russian Ballet: Documents and Eyewitness Acoounts, 1810-1910
by Wiley, Roland JohnISBN13:
9781852731205
ISBN10:
1852731206
Format:
Paperback
Pub. Date:
2/18/2008
Publisher(s):
Princeton Book Co Pub
List Price: $45.00
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Summary
An exciting, wonderfully researched look onstage and backstage at the Russian Ballet between 1810 and 1910. The story is built on a framework of famous ballets by such celebrated choreographers as Charles Didelot, Filippo Taglioni, Jules Perrot, Arthur Saint-Leon, Marius Petipa and Mikhail Fokine. Onto this framework are placed eyewitness accounts and criticisms, including biographies of choreographers, accounts of life in the imperial theater school, reminiscences of important artists, and reviews of first performances. Each of the ten chapters is introduced with further commentary that draws on press accounts and literature of the time. Out of the mists of time, this story of the fabled Russian Ballet comes as close as possible to the reality of being a student, dancer and choreographer in its richest period. This is a reprint of a book first published by Oxford University Press in 1990, and long out of print.
Table of Contents
| List of Illustrations | |
| Charles Didelor in Russia | p. 1 |
| 'Recollections of the Great Choreographer Ch. L. Didelot and Some Deliberations Concerning the Art of Dance' | p. 5 |
| Libretto of Raoul de Crequi, or The Return from the Crusades | p. 50 |
| Libretto of The Captive of the Caucasus, or The Bride's Shade | p. 68 |
| Marie and Filippo Taglioni in Russia | p. 79 |
| Libretto of La Fille du Danube | p. 90 |
| The Life of a Russian Artist | p. 105 |
| 'Recollections of T. A. Stukolkin, Artist of the Imperial Theatres' | p. 108 |
| From the 'Recollections of the Artiste A. P. Nararova' | p. 135 |
| Fanny Elssler and Jules Perrot in Russia | p. 171 |
| Libretto of Esmeralda | p. 178 |
| Nadezhda Bogdanova | p. 183 |
| 'The Bogdanov Artistic Family' | p. 188 |
| The 1860s | p. 215 |
| Libretto of The Pharaoh's Daughter | p. 220 |
| 'The First Performance of the Ballet The Pharaoh's Daughter' | p. 234 |
| Libretto of The Little Humpbacked Horse, or The Tsar-Maiden | p. 238 |
| 'The Petersburg Ballet During the Production of The Little Humpbacked Horse (Recollections)' | p. 250 |
| The 1870s | p. 277 |
| From the Memoirs of a Ballerina of the St Petersburg Bolshoy Theatre 1867-1884 | p. 280 |
| Libretto of La Bayadere | p. 291 |
| The 1880s | p. 305 |
| From In the Theatre World | p. 309 |
| Libretto of The Vestal | p. 323 |
| 'Marius Ivanovich Petipa' | p. 350 |
| The 1890s | p. 357 |
| Libretto of The Sleeping Beauty | p. 360 |
| Skalkovsky's Review of The Sleeping Beauty | p. 373 |
| 'A Musical Letter from Petersburg. Apropos The Sleeping Beauty, the ballet of M. Petipa, with music by P. Tchaikovsky' | p. 377 |
| 'The Sleeping Beauty' from My Reminiscences | p. 385 |
| Libretto of Raymonda | p. 392 |
| The Twentieth Century | p. 403 |
| Libretto of The Magic Mirror | p. 408 |
| 'Letter to the Editor' | p. 417 |
| Libretto of Le Pavilion d'Armide | p. 422 |
| Postscript | p. 429 |
| Index | p. 431 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
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