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Common Culture : Reading and Writing about American Popular Culture
by Petracca, Michael F.; Sorapure, MadeleineEdition:
5th
ISBN13:
9780132202671
ISBN10:
0132202670
Format:
Paperback
Pub. Date:
1/1/2007
Publisher(s):
Prentice Hall
List Price: $85.80
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What version or edition is this?
This is the 5th edition with a publication date of 1/1/2007.
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Summary
POP GOES THE READER! This composition reader calls on our daily experiences with popular culture to help you understand culture in general and to promote critical thinking, reading, and writing. Offering thought-provoking essays for the classroom, the authors of Common Culture explore our world of iPods and hip-hop, of reality TV, and blockbuster movies to help create a course that is meaningful and challenging. . .and fun. This outstanding learning tool is key to your success in class and will help you think, read, and write clearly both in college and beyond.
Table of Contents
| Preface | ix | ||||
| 1 Reading and Writing About American Popular Culture | 1 | (46) | |||
|
2 | (2) | |||
|
4 | (2) | |||
|
6 | (16) | |||
|
7 | (1) | |||
|
8 | (14) | |||
|
9 | (1) | |||
|
9 | (1) | |||
|
10 | (1) | |||
|
10 | (1) | |||
|
11 | (1) | |||
|
12 | (3) | |||
|
13 | (2) | |||
|
15 | (12) | |||
|
16 | (6) | |||
|
22 | (5) | |||
|
22 | (1) | |||
|
23 | (2) | |||
|
25 | (1) | |||
|
26 | (1) | |||
|
27 | (20) | |||
|
27 | (5) | |||
|
28 | (1) | |||
|
29 | (1) | |||
|
29 | (3) | |||
|
32 | (5) | |||
|
32 | (1) | |||
|
33 | (1) | |||
|
33 | (1) | |||
|
34 | (2) | |||
|
36 | (1) | |||
|
37 | (1) | |||
|
37 | (1) | |||
|
38 | (1) | |||
|
39 | (3) | |||
|
42 | (1) | |||
|
43 | (1) | |||
|
44 | (7) | |||
|
44 | (138) | |||
|
|||||
| 2 Advertising | 47 | (97) | |||
|
51 | (54) | |||
|
51 | (5) | |||
|
56 | (17) | |||
|
73 | (18) | |||
|
91 | (14) | |||
|
105 | (35) | |||
|
105 | (10) | |||
|
115 | (8) | |||
|
123 | (17) | |||
|
140 | (4) | |||
| 3 Television | 144 | (91) | |||
|
146 | (36) | |||
|
146 | (3) | |||
|
149 | (9) | |||
|
158 | (11) | |||
|
169 | (13) | |||
|
182 | (49) | |||
|
182 | (19) | |||
|
182 | (11) | |||
|
193 | (8) | |||
|
201 | (36) | |||
|
201 | (18) | |||
|
219 | (12) | |||
|
231 | (4) | |||
| 4 Popular Music | 235 | (102) | |||
|
237 | (47) | |||
|
237 | (15) | |||
|
252 | (9) | |||
|
261 | (23) | |||
|
284 | (50) | |||
|
284 | (7) | |||
|
291 | (25) | |||
|
316 | (18) | |||
|
334 | (3) | |||
| 5 Technology | 337 | (82) | |||
|
339 | (33) | |||
|
339 | (4) | |||
|
343 | (8) | |||
|
351 | (21) | |||
|
372 | (43) | |||
|
372 | (27) | |||
|
372 | (13) | |||
|
385 | (14) | |||
|
399 | (22) | |||
|
399 | (8) | |||
|
407 | (8) | |||
|
415 | (4) | |||
| 6 Sports | 419 | (102) | |||
|
421 | (60) | |||
|
421 | (11) | |||
|
432 | (8) | |||
|
440 | (27) | |||
|
467 | (6) | |||
|
473 | (8) | |||
|
481 | (19) | |||
|
481 | (10) | |||
|
491 | (9) | |||
|
500 | (18) | |||
|
500 | (4) | |||
|
504 | (6) | |||
|
510 | (8) | |||
|
518 | (3) | |||
| 7 Movies | 521 | (104) | |||
|
523 | (67) | |||
|
523 | (10) | |||
|
533 | (10) | |||
|
543 | (22) | |||
|
565 | (25) | |||
|
590 | (32) | |||
|
590 | (8) | |||
|
598 | (8) | |||
|
606 | (6) | |||
|
612 | (10) | |||
|
622 | (3) | |||
| For Further Reading: A Common Culture Bibliography | 625 | (6) | |||
| Acknowledgments | 631 | (5) | |||
| Index by Author and Title | 636 | (3) | |||
| Index by Academic Discipline | 639 | (2) | |||
| Index by Rhetorical Mode | 641 |
Excerpts
When we started teaching composition courses that examined television, pop music, movies, and other media-generated artifacts, we looked for a text that would cover a full range of topics in the field of popular culture from a variety of theoretical perspectives. We discovered that no satisfactory text existed, and therefore we began putting together assignments and reading materials to meet our needs. From this compilation Common Culture emerged. The more we've taught writing courses based on popular culture, the more convinced we've become that such courses are especially appealing for students and effective in improving their critical thinking, reading, and writing skills. Students come into the writing classroom already immersed in the culture of Britney, Benetton, Beastie Boys, and Barry Bonds. The advantage, then, is that we don't have to sell” the subject matter of the course and can concentrate on the task at handnamely, teaching students to think critically and to write clear and effective prose. Obviously, a course that panders to the lowest common denominator of students' taste would be a mindless, unproductive enterprise for all concerned. However, the underlying philosophy of a pop culture-based writing course is this: By reading, thinking, and writing about material they find inherently interesting, students develop their critical and analytical skillsskills which are, of course, crucial to their success in college. Although students are already familiar with the many aspects of popular culture, few have directed sustained, critical thought to its influence or implicationsthat is, to what shopping malls might tell them about contemporary culture or to what they've actually learned from watching The Jerry Springer Show.” Survivor.” Because television shows, advertisements, and music videos, for example, are highly crafted artifacts, they are particularly susceptible to analysis; and because so much in contemporary culture is open to interpretation and controversy, students enjoy the opportunity to articulate and argue for their own interpretations of objects and institutions in the world around them. Although popular culture is undeniably a sexy (or, at least, lively) subject, it has also, in the past decade, become accepted as a legitimate object of academic discourse. While some may contend that it's frivolous to write a dissertation on Buffy the Vampire Slayer,” most scholars recognize the importance of studying the artifacts and institutions of contemporary life. Popular culture is a rich field of study, drawing in researchers from a variety of disciplines. Because it is also a very inviting field of study for students, a textbook that addresses this subject in a comprehensive and challenging way will be especially appealing both to them and to their writing teachers. Common Culture, fourth edition, contains an introductory chapter that walks students through one assignmentin this case, focusing on the Barbie dollwith step-by-step instruction in reading carefully and writing effectively. The chapters that follow open with a relevant and catchy cultural artifact (for example, a cartoon, an ad, an album cover) that leads into a reader-friendly, informative introduction; a selection of engaging essays on an issue of current interest in the field of pop culture; carefully constructed reading and discussion questions; and writing assignments after each reading and at the end of the chapter. This fourth edition also contains new sections on visual literacy and conducting research on popular culture, along with a selection of color and black & white images that students can analyze and enjoy. Common Culture approaches the field of popular culture by dividing it into its constituent parts. The book contains chapters on advertising, television, music, cyberculture technology, sports, and movies. Most of the chapters are divided into two parts: the first pre
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