New to this edition | |
Preface to the Enhanced Sixth Edition: | |
Preface: | |
Keyboard Basics | |
Keyboard Posture | |
Finger Numbers | |
Basic Note Values | |
The Keyboard | |
The Major Five-Finger Pattern | |
Dynamics | |
Reading Notes | |
IntervalsKeeping Time | |
Slur and Phrase Markings | |
Key Signature | |
Transposition | |
Eighth Notes and Eighth Rests | |
Drone Bass | |
Repertoire | |
Improvisation | |
Harmonization | |
Sightreading Stud | |
Rhythmic Studies | |
Ensemble Pieces | |
Worksheet Review | |
Reading | |
A Jazz Waltz | |
Keveren | |
Beethoven, Shepherd''s Song ("Pastoral" from Symphony No. 6) | |
Classic Miniatures: Gurlitt, The Contest, Op. 136, No. 3; Beyer, Two Etudes | |
Repertoire | |
Bartok, Melody (No. 1 from First Term at the Piano) | |
Ensemble Pieces | |
Wohlfahrt, Waltz, Op. 87, No. 39 (from The Children''s Musical Friend) | |
Mach, Ancient Chinese Bells | |
The Five-Finger Pattern | |
Playing in Different Registers | |
Tempo Markings | |
More Dynamic Markings | |
Dotted Quarter Notes | |
AccidentalsSlurs | |
Parallel Motion6/8 Time | |
Identifying Flat Key Signatures | |
Change of Dynamics | |
Contrary Motion | |
Major Triads | |
Five-Finger Studies and Triads in Major | |
The Minor Five-Finger Pattern | |
Minor TriadsFive-Finger Studies and Triads in Major and Minor | |
More Tempo Markings | |
Pieces Using Major and Minor Triads | |
The Dominant Seventh Chord | |
Block-Chord Accompaniment with I and V6/5Music Chord Symbols | |
Five-Finger Melodies with Letter-Name Chord Symbols for I and V6/5 Chord | |
Accompaniments | |
The Subdominant Chord | |
Cadences | |
The Circle of Fifths and Major Key Signatures | |
Pieces with I-IV6/4-V6/5 Accompaniments | |
Five-Finger Melodies with Letter-Name Chord Symbols for I, IV6/4, and V6/5 Chord | |
Accompaniments | |
Changing Five-Finger Positions | |
Repertoire | |
Improvisation | |
Creative Music and Harmonization | |
Sightreading Studies | |
Rhythmic Studies | |
Technical Studies | |
Ensemble Pieces | |
Worksheet Review | |
Reading | |
Mach, Sahara | |
Mach, Shoestring Boogie | |
Classic Miniatures: Reinagle, Minuet; Beyer, Etude in A Minor, Op. 101, No. 60Repertoire | |
Beyer, Etude in DEnsemble Piece | |
Diabelli, Scherzo, Op. 149, No. 6 (from Melodious Pieces) | |
Pieces with Easy Accompaniments | |
Major Scales | |
Major Scales in Tetrachord Position | |
Major Scales with Fingerings for Both Hands Together | |
Scale Studies in Clusters | |
Triads on Major-Scale Degrees | |
Intervals of a Sixth, Seventh, and Eighth (Octave) | |
Extending the Five-Finger Position | |
Sixteenth Notes and Sixteenth Rests | |
The Dotted Eighth Note | |
Musical Forms: AB and ABA | |
Melodies with Letter-Name Chord Symbols for I, IV6/4, and V6/5 Chords | |
Broken-Chord Accompaniment Patterns | |
Waltz Pattern | |
Arpeggio Accompaniment Patterns | |
Syncopation | |
The Damper PedalOther Accompaniment Patterns | |
Secondary Chords | |
Intervals Within the Scale | |
Melodic Lines with Intervals | |
Chord Inversions | |
The Damper Pedal (Indirect Pedaling)Hymn Style | |
Augmented and Diminished Triads | |
Repertoire | |
Improvisation | |
Creative Music and Harmonization | |
Sightreading Studies | |
Rhythmic Studies | |
Technical Studies | |
Ensemble Pieces | |
Worksheet Review | |
Reading | |
Gurlitt, Moving Along | |
Mach, Apple Street Rag | |
Classic Miniatures: Kuhlau, Scotch Dance; Turk, TeasingRepertoire | |
Mach, Perpetual Motion | |
Oesten, Hunting HornsEnsemble Pieces | |
Au Clair de la Lune: | |
Howard, Hello, Ma'' Baby | |
Tonality and Atonality | |
Minor Scales | |
Minor Key Signatures | |
Natural Minor Scales in Tetrachord Positions | |
Harmonic Minor Scalesi-iv6/4-i-V6/5-i Chord Progression | |
Parallel Major and Minor Scales | |
Other Scale Forms (Modes) | |
The Chromatic ScaleJazz | |
Pandiatonicism | |
The Whole-Tone Scale | |
Bitonality | |
Atonality | |
Innovative Notations | |
Quartal Harmony | |
Repertoire | |
Bitonal Improvisation | |
Sightreading Studies | |
Ensemble Pieces | |
Worksheet Review | |
Reading | |
Dark Eyes | |
Classic Miniatures: Kohler, Etude, Op. 190, No. 31; Rousseau, The VillageProphetRepertoire | |
Salutrinskaya, Shepherd PipesEnsemble Pieces | |
Tchaikovsky, Sugar Plum Fairy Dance (from The Nutcracker Suite) | |
Wells, Gallop | |
Letter-Name Chord Symbols | |
Letter Names of I, IV, and V7 Chords | |
Melodies with Letter-Name Chord Symbols | |
Famous Themes | |
Strumming Accompaniments | |
Arpeggio Accompaniments | |
Major and Minor Seventh Chords | |
Letter-Name Chord Chart | |
Ensemble Pieces | |
Melodies to Harmonize | |
Dona Nobis Pacern | |
Hush Littl | |
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