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Griselda Pollock is Professor of Social and Critical Histories of Art, University of Leeds, and Director of the AHRB CentreCATH project. Her numerous books include Mary Cassatt, Vision and Difference: Femininity, Feminism, and Histories of Art and, as co-editor, Encountering Eva Hesse.
Table of Contents
|List of Illustrations||p. ix|
|Series Preface-New Encounters: Arts, Cultures, Concepts||p. xiii|
|Editors' Introduction||p. 1|
|Traumas of Code||p. 23|
|Of Mice and Mien: Or Perhaps of Mouses and Mien? (anyway with apologies to John Steinbeck)||p. 42|
|A Virtual Indication||p. 63|
|The Future Birth of the Affective Fact: The Political Ontology of Threat||p. 79|
|For a Comparative Film Studies||p. 93|
|Night Passage: The Depth of Time||p. 111|
|Tension, Time and Tenderness: Indexical Traces of Touch in Textiles||p. 134|
|Look, No Wires! Some Notes Around the Idea of a Sign (1, 2, Nothing)||p. 149|
|Dossier: Mary Kelly Circa 1968||p. 183|
|On Fidelity: Art, Politics, Passion and Event||p. 189|
|Legacies of Resistance||p. 194|
|Mary Kelly's Ballad of Kastriot Rexhepi: Virtual Trauma and Indexical Witness in the Age of Mediatic Spectacle||p. 200|
|List of Contributors||p. 277|
|Table of Contents provided by Ingram. All Rights Reserved.|