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Directing and Producing for Television : A Format Approach,9780240802817

Directing and Producing for Television : A Format Approach

by Cury
ISBN13:

9780240802817

ISBN10:
0240802810
Format:
Paperback
Pub. Date:
3/19/1998
Publisher(s):
Elsevier Science
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    Directing and Producing for Television : A Format Approach
  • Directing and Producing for Television : A Format Approach
    Directing and Producing for Television : A Format Approach




Summary

Directing & Producing for Television affords the reader a step-by-step approach to television direction and production. The emphasis is on the hands-on portion of the director's job in pre-production, production, and post-production. It approaches those tasks through the formats and the procedures that each format requires, including panel shows, music formats, standard television, public service announcements, and news programs, etc. The emphasis is on multiple camera television, although serious considerations is given to single camera production in those formats where single camera production is the predominant production technique (i.e. documentaries and commercials/PSAs). The material in the book comes from the author's own experience in the industry and in university settings. Finding that students are adept at handling equipment but often lacking in actual production technique, this text addresses what outlines are needed by whom and why; how to mark a script; what a rehearsal agenda ought to be, and more. This approach to television production, which outlines the demands of each format, gives the students the tools they need to help them direct and produce efficiently in a variety of settings. Ivan Cury has taught in the radio/TV department at Cal State, Los Angeles for the past seven years. He is also the producer and director of commercials, sitcoms, variety shows and documentaries. His credits include "The Young & The Restless" (CBS), "The Doctors" (NBC), major variety programs, major documentaries such as "Violence in America" (NBC), and numerous other documentaries and commercials. He has served as a judge for the Emmys, ACE, and the DGA awards. Before joining the radio/tv department at Cal State, he taught for eleven years at the MPTV department at UCLA. He lives in Encino, California. Hands-on approach based on author's many years as a TV director Focuses on the production techniques, not the hardware

Author Biography

Ivan Cury is a professor in the Communication Department of California State University, Los Angeles, where he has taught for the past eleven years

Table of Contents

Preface and Acknowledgments xi
1 Introduction
1(11)
The Director-Producer's Job
1(2)
Television Formats
2(1)
First Big Divide
2(1)
Second Big Divide
2(1)
Basics for All Formats
3(8)
The Quarter-Inch Ground Plan
3(5)
Cross-Shooting
8(1)
The 180-Degree Rule
8(2)
Some Conventions
10(1)
Overall Scope and Plan of the Text
11(1)
2 Panel Programs
12(30)
Set Considerations
12(1)
Seating Arrangements
13(3)
Seating Arrangements and Camera Coverage
16(3)
180 Degrees with the Host at the End
16(1)
Shooting 180 Degrees with the Host at the End
17(1)
180 Degrees with the Host in the Middle
17(1)
Shooting 180 Degrees with the Host in the Middle
18(1)
360 Degrees--Host Surrounded
18(1)
Shooting 360 Degrees
18(1)
Program Routine
19(20)
Rehearsal Procedure
39(2)
The Shoot
41(1)
3 Demonstration Format
42(12)
Director in Control
42(1)
Show-and-Tell Material: Guideline for Creation
43(3)
Preproduction
43(1)
Production
43(3)
The Demonstration
46(2)
Single-Camera Demonstration Programs
48(6)
The Outline
48(2)
The First Draft
50(1)
Shooting Script
50(4)
4 Scripted Format
54(33)
Drama
54(1)
Conventions
55(2)
Marking Scripts
55(2)
The Ground Plan
57(1)
The Shooting Script
57(2)
Pencil Exercise
59(21)
Marking the Blocking
61(6)
Marking the Cameras
67(13)
Shot Sheets
80(2)
Rehearsal Room
82(1)
Studio Walk-Through
83(1)
Studio Run-Through
83(1)
Taping/Live
83(1)
Rehearsal Schedules
84(1)
Daytime Drama Rehearsals
84(1)
Sitcom Rehearsals
84(1)
Scored Music
85(1)
Dance Script
86(1)
Rehearsing
86(1)
5 Music
87(24)
Preproduction
87(4)
Variety America: Routine Considerations
91(2)
The Rehearsal
93(5)
Set and Lighting Designer
94(1)
Audio
94(4)
Recording Steps
98(4)
Audio
98(2)
Video
100(1)
Shot List
100(1)
Shooting Schedule
101(1)
Stock Shots
102(2)
Music Stock Libraries
103(1)
Video Stock Libraries
103(1)
Non-Library Material
103(1)
The Production
104(2)
Production Rehearsal
106(3)
Editing
109(2)
6 Commercials and PSAs
111(12)
Commercials and Public Service Announcements-Similarities and Differences
111(1)
Preproduction
112(3)
Cost Analysis
115(1)
Specialized Gear
116(2)
Sweep Table
116(1)
Light Tent
116(1)
Image Motion Control
117(1)
Animation
118(1)
Production
118(1)
Shooting
118(4)
Shot Procedure
119(2)
Multiple-Camera Shoots
121(1)
Keeping a Log
121(1)
Extra Shots and Wrapping Up
121(1)
Postproduction
122(1)
7 News
123(10)
News Program Characteristics
123(1)
Preproduction
124(7)
The Director
124(1)
The Producer
125(1)
Production/Presentation
131(2)
The Producer: On Air
131(1)
The Director
132(1)
8 Documentaries
133(25)
The Idea
134(1)
Documentary Production Plan
135(2)
Shooting
137(1)
Notes on Shooting Techniques
138(1)
Labels
139(1)
Notes on Interviewing Techniques
139(1)
Viewing
139(2)
Editing
141(5)
Formats
146(10)
Found Footage
146(1)
Coverage
146(1)
Creation
147(1)
Re-Creation
148(1)
Montage
148(8)
Postproduction: Trends
156(2)
Technical Advances
156(1)
New Conventions
157(1)
9 The Facility
158(21)
The Studio
158(1)
The Control Room
158(1)
The Support Area
159(1)
The Studio
160(4)
The Floor
160(2)
Walls
162(1)
The Grid
162(1)
Electric Outlets
163(1)
Circuits
164(1)
The Ceiling
164(1)
The Control Room
164(4)
Audio Gear: Control Room
165(1)
Video Gear
165(3)
The Studio Complement
168(6)
Camera Equipment
168(1)
Camera Mounts
168(2)
Audio Equipment
170(1)
Stage Equipment
171(3)
Props
174(1)
Support Areas
174(4)
Entrance and Lobby
174(1)
Office Space
174(1)
Green Room
175(1)
Dressing Rooms
175(1)
Makeup
175(1)
Hair
175(1)
Wardrobe
175(1)
Master Control/Tape Room
176(1)
Tape Recording
176(1)
Feeds
176(1)
Library
176(1)
Telecine
177(1)
Graphics
177(1)
The Audience
177(1)
Screening Rooms
178(1)
Conclusion
178(1)
10 Who's Who
179(26)
Preproduction
179(1)
The Executive
180(1)
The Executive Producer
180(1)
The Producer
180(1)
Production Executive or Executive-in-Charge of Production
180(1)
Line Producer
180(1)
Associate Producer/Assistant Producer
181(1)
Production/Program Assistants
181(1)
The Director
182(1)
The Production Manager
182(1)
Operations/Scheduling
182(3)
Engineering
185(1)
Accounting
186(1)
Set Designer
186(4)
Art Director/Set Decorator
190(1)
Lighting Designer
190(1)
Optional Attendees
190(1)
Graphics
190(1)
Makeup/Hair
191(1)
Wardrobe
191(1)
Talent
191(1)
Music
191(1)
Special Effects
191(1)
Guests
192(1)
Production
192(7)
Reception
192(1)
Studio Manager
193(1)
Engineering Crew
193(6)
Postproduction
199(6)
The Account Executive/Sales
199(1)
Scheduling
200(1)
Reception
200(1)
Library
200(1)
Shipping
200(1)
Editor-Graphics
200(3)
Sound Mixer
203(1)
Management Services
203(2)
Index 205


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