Foreword | p. vii |
Acknowledgments | p. ix |
About the Website | p. xi |
Introduction: The HDSLR Cinema Revolution | p. xiii |
DSLR Shooter's Toolkit | |
Composition, Blocking, and Camera Movement | p. 5 |
Lighting Your DSLR Shoot | p. 23 |
Exposing Your Shots with DSLRs | p. 39 |
Using DSLR Picture Styles | p. 65 |
Recording Quality Audio with DSLRs: Yes, It's Possible! | p. 85 |
DSLR Postproduction Workflow and Techniques | p. 105 |
Telling Better Stories with Your DSLR | p. 137 |
Master DSLR Shooters at Work: Case Studies | |
Crafting the Film Look with Postproduction | p. 161 |
Crafting the Film Look by Building a Rapport with Characters | p. 177 |
Crafting the Film Look with Cinema Lenses | p. 185 |
Crafting the Film Look with Location and CGI Art | p. 195 |
Crafting the Film Look with Light; Composition, and Blocking | p. 207 |
Crafting the Film Look with Sound Design | p. 229 |
Crafting the Film Look with Puppets and Miniature Sets | p. 241 |
Getting the Gear | |
DSLR Cinema Gear for Low Budget Shooters | p. 253 |
Conclusion | p. 267 |
Image Resolution | p. 273 |
ISO Tests for the Canon 5D Mark II and 7D | p. 279 |
Exposure and Dynamic Range | p. 281 |
Luminance and Chrominance Compression | p. 283 |
Story Treatment to The Last 3 Minutes by Po Chan | p. 285 |
Twelve Steps for HDSLR Shooting | p. 291 |
Index | p. 293 |
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