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Table of Contents
|Introduction: Ballet in Tin Cans||p. 1|
|A Channel for Progress: Theatrical Dance, Popular Culture, and (The) American Ballet||p. 34|
|The Lot of a Ballerina Is Indeed Tough: Gender, Genre, and the Ballet Film through 1947, Part I||p. 62|
|The Man Was Mad-But a Genius!: Gender, Genre, and the Ballet Film through 1947, Part II||p. 104|
|If You Can Disregard the Plot: The Red Shoes in an American Context||p. 133|
|The Second Act Will Be Quite Different: Cinema, Culture, and Ballet in the 1950s||p. 172|
|Turning Points: Ballet and Its Bodies in the "Post-Studio" Era||p. 215|
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