9780472071111

Embodying Black Experience : Stillness, Critical Memory, and the Black Body

by
  • ISBN13:

    9780472071111

  • ISBN10:

    0472071114

  • Format: Hardcover
  • Copyright: 2010-07-01
  • Publisher: Univ of Michigan Pr
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Summary

"Young's linkage between critical race theory, historical inquiry, and performance studies is a necessary intersection. Innovative, creative, and provocative." ---Davarian Baldwin, Paul E. Raether Distinguished Professor of American Studies, Trinity CollegeIn 1901, George Ward, a lynching victim, was attacked, murdered, and dismembered by a mob of white men, women, and children. As his lifeless body burned in a fire, enterprising white youth cut off his toes and, later, his fingers and sold them as souvenirs. InEmbodying Black Experience, Harvey Young masterfully blends biography, archival history, performance theory, and phenomenology to relay the experiences of black men and women who, like Ward, were profoundly affected by the spectacular intrusion of racial violence within their lives. Looking back over the past two hundred years---from the exhibition of boxer Tom Molineaux and Saartjie Baartman (the "Hottentot Venus") in 1810 to twenty-first century experiences of racial profiling and incarceration---Young chronicles a set of black experiences, or what he calls, "phenomenal blackness," that developed not only from the experience of abuse but also from a variety of performances of resistance that were devised to respond to the highly predictable and anticipated arrival of racial violence within a person's lifetime.Embodying Black Experiencepinpoints selected artistic and athletic performances---photography, boxing, theater/performance art, and museum display---as portals through which to gain access to the lived experiences of a variety of individuals. The photographs of Joseph Zealy, Richard Roberts, and Walker Evans; the boxing performances of Jack Johnson, Joe Louis, and Muhammad Ali; the plays of Suzan-Lori Parks, Deal McCauley, and Dael Orlandersmith; and the tragic performances of Bootjack McDaniels and James Cameron offer insight into the lives of black folk across two centuries and the ways that black artists, performers, and athletes challenged the racist (and racializing) assumptions of the societies in which they lived.Blending humanistic and social science perspectives,Embodying Black Experienceexplains the ways in which societal ideas of "the black body," an imagined myth of blackness, get projected across the bodies of actual black folk and, in turn, render them targets of abuse. However, the emphasis on the performances of select artists and athletes also spotlights moments of resistance and, indeed, strength within these most harrowing settings.Harvey Young is Assistant Professor of Theatre, Performance Studies, and Radio/Television/Film at Northwestern University.A volume in the series Theater: Theory/Text/Performance

Table of Contents

The Black Bodyp. 1
Still Standing: Daguerreotypes, Photography, and the Black Bodyp. 26
Between the Ropes: Staging the Black Body in American Boxingp. 76
Touching History: Staging Black Experiencep. 119
Housing the Memory of Racial Violence: The Black Body as Souvenir, Museum, and Living Remainp. 167
Epiloguep. 209
Notesp. 213
Bibliographyp. 239
Indexp. 255
Table of Contents provided by Ingram. All Rights Reserved.

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