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Engaging Cinema Pa

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Edition:
00
ISBN13:

9780393934915

ISBN10:
0393934918
Format:
Textbook Paperback
Pub. Date:
1/17/2010
Publisher(s):
W W NORTON
List Price: $22.07

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Customer Reviews

Simply the best  May 9, 2011
by


This excellent Film Studies Introduction. In Engaging Cinema, Bill Nichols offers the first textbook for introductory film students that tackle these topics head-on. Engaging Cinema is inexpensive and utterly unique in the field a perfect complement to or replacement for standard film texts. Engaging Cinema emphasizes the interactions between society and cinema and introduces students to film studies as it is actually done by scholars and critics. As for me, I'm very happy to deal with ecampus. This used textbook looks as if it is new and the price was good. Thanks.






Engaging Cinema Pa: 5 out of 5 stars based on 1 user reviews.

Summary

Engaging Cinema emphasizes the interactions between society and cinema and introduces students to film studies as it is actually done by scholars and critics.

In what ways do films influence and interact with society? What social forces determine the kinds of movies that get made? How do movies reinforce—and sometimes overturn—social norms? As societies evolve, do the films that were once considered ‘great’ slip into obscurity? Which ones? Why? These questions, and many others like them, represent the mainstream of scholarly film studies today. In Engaging Cinema, Bill Nichols offers the first book for introductory film students that tackles these topics head-on.

Published in a handy 'trade paperback' format, Engaging Cinema is inexpensive and utterly unique in the field—a perfect complement to or replacement for standard film texts.

Engaging Cinema offers a brisk and helpful one-chapter overview of the basic principles of film form (and a thorough glossary that includes formal terms and concepts), three chapters on the three major categories of film form (avant-garde, documentary, and narrative fiction film, in that order), and seven chapters on various social aspects of cinema—such as stereotyping, ethnicity, masculinity, feminism, and ideology. No other book devotes this amount of space or attention to the subject.



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