Notes on Contributors | p. 8 |
For Ever Divided | p. 11 |
Introduction | p. 14 |
Illustrated Filmography | p. 18 |
Work and Works | |
The Godard Paradox | p. 68 |
Godard and Asynchrony | p. 72 |
The Commerce of Cinema | p. 94 |
Home-Movies: The Curious Cinematic Collaboration of Anne-Marie Mieville and Jean-Luc Godard | p. 100 |
Godard in the Museum | p. 118 |
Here and Elsewhere: Projecting Godard | p. 126 |
Form and Figure | |
A Cinema of Memory in the Future Tense: Godard, Trailers, and Godard Trailers | p. 144 |
The Forms of the Question | p. 160 |
Procession and Projection: Notes on a Figure in the Work of Jean-Luc Godard | p. 178 |
"Gravity and Grace": On the "Sacred" and Cinematic Vision in the Films of Jean-Luc Godard | p. 188 |
Altered Motion and Corporal Resistance in France/Tour/Detour/Deux/Enfants | p. 200 |
Godard, Hitchcock, and the Cinematographic Image | p. 214 |
The Written Screen: JLG and Writing as the Accursed Share | p. 232 |
Sound and Music | |
Recital: Three Lyrical Interludes in Godard | p. 252 |
JLG/ECM | p. 272 |
Music, Love, and the Cinematic Event | p. 288 |
"Sa Voix" | p. 312 |
History and Memory | |
Godard's Two Historiographies | p. 334 |
The (Im)possible History | p. 350 |
Anamnesis and Bearing Witness: Godard/Lanzmann | p. 364 |
The Index and Erasure: Godard's Approach to Film History | p. 380 |
"A Form That Thinks": Godard, Blanchot, Citation | p. 396 |
Notes | p. 416 |
Selective Bibliography | p. 438 |
Picture Credits | p. 444 |
Index | p. 454 |
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