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How did Roman poets create character? The mythological figures that dot the landscape of Roman poetry entail their own predetermined plotlines and received characteristics: the idea of a gentle, maternal Medea is as absurd as a spineless and weak Achilles. For Roman poets, the problem is even more acute since they follow on late in a highly developed literary tradition. The fictional characters that populate Roman literature, such as Aeneas and Oedipus, link text and reader in a form of communication that is strikingly different from a first person narrator to an addressee. With Exemplary Traits, Mira Seo addresses this often overlooked question. Her study offers an examination of how Roman poets used models dynamically to create character, and how their referential approach to character reveals them mobilizing the literary tradition. Close readings of Virgil, Lucan, Seneca, and Statius offer a more nuanced discussion of the expectations of both authors and audiences in the Roman world than those currently available in scholarly debate. By tracing the philosophical and rhetorical concepts that underlie the function of characterization, Exemplary Traits allows for a timely reconsideration of it as a fruitful literary technique.
J. Mira Seo is Associate Professor in the Humanities at Yale-NUS college.
Table of Contents
Abbreviations and Texts Introduction 1. We'll Always Have Paris: Aeneas and the Roman Legacy 2. Lucan's Cato and the Poetics of Exemplarity 3. Seneca's Oedipus: Characterization and Decorum 4. Parthenopaeus and Mors immatura in Statius' Thebaid 5. Amphiaraus, Predestined Prophet, Didactic Vates Conclusions Appendix: Seneca's Hippolytus and Fatal Attraction Bibliography Passages Cited Index