Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
Purchase Benefits
What is included with this book?
Preface | |
Film Language | |
Film Technique [On Editing] | |
Film Form Beyond the Shot [The Cinematographic Principle and the Ideogram] The Dramaturgy of Film Form [The Dialectic Approach to Film Form] | |
What is Cinema? The Evolution of the Language of Cinema | |
Toward a Non-Bourgeois Camera Style | |
Film Language Some Points in the Semiotics of Cinema Problems of Denotation in the Fiction Film | |
Semiotics and the Cinema | |
The Discourse of Pictures: Iconicity and Film Studies | |
The Tutor-Code of Classical Cinema | |
Against "The System of Suture" | |
The Spectator-in-the-Text: The Rhetoric of Stagecoach | |
Film and Reality | |
Theory of Film The Establishment of Physical Existence | |
What is Cinema? The Ontology of the Photographic Image The Myth of Total Cinema | |
Film As Art The Complete Film | |
The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema | |
Mystifying Movies Jean-Louis Baudry and "The Apparatus" | |
Modernizing Vision | |
Cinema Preface to the English Edition The Origin of the Crisis: Italian Neo-realism and the French New Wave Beyond the Movement-Image | |
The Film Medium: Image And Sound | |
Style and Medium in the Motion Pictures | |
Theory of Film The Establishment of Physical Existence | |
Theory of the Film The Close-up The Face of Man | |
Film As Art Film and Reality The Making of a Film | |
Philosophical Problems of Classical Film Theory The Specificity Thesis | |
Film/Cinema/Movie Projection | |
The World Viewed Photograph and Screen Audience, Actor, and Star Types: Cycles as Genres Ideas of Origin | |
Statement on Sound | |
The Voice in the Cinema: The Articulation of Body and Space | |
Technology and Aesthetics of Film Sound | |
Film Narrative and the Other Arts | |
What is Cinema? Theater and Cinema | |
The World in a Frame Acting: Stage vs. Screen | |
Dickens, Griffith, and Ourselves [Dickens, Griffith, Film Today] | |
Concepts in Film Theory Adaptation | |
Novel to Film | |
Narrative Discourse and the Narrator System | |
Film Music and Narrative Agency | |
Godard and Counter Cinema: Vent d'est | |
Cognition and Comprehension: Viewing and Forgetting in Mildred Pierce | |
The Film Artist | |
Notes on the Auteur Theory in 1962 | |
Signs and Meaning in t | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.