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9780321350251

Final Cut Pro 5 for Mac OS X Visual QuickPro Guide

by
  • ISBN13:

    9780321350251

  • ISBN10:

    0321350251

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2005-07-26
  • Publisher: Peachpit Press

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Supplemental Materials

What is included with this book?

Summary

Top-selling reference guide, updated to cover the brand new version of Apple's video editing powerhouse: Final Cut Pro 5.

Author Biography

Lisa Brenneis wrote the five best-selling previous editions of this guide, as well as three editions of the Final Cut Express for Mac OS X: Visual QuickStart Guide. Her production credits range from interactive digital media to educational films, animation to live action, and documentary to poetic fantasy. Her clients have included Disney, MCA/Universal, the Getty Museum, the Library of Congress, the International Olympic Committee, and Mattel.

Table of Contents

Introduction xxi
Welcome to Final Cut Pro
1(18)
Your First Final Cut Pro Project: Start to Finish
2(3)
What Is Nonlinear, Nondestructive Editing?
4(1)
The Final Cut Pro 5 Suite
5(1)
The Final Cut Studio Option, or ``What Happened to Soundtrack?''
5(1)
Touring Your Desktop Post-Production Facility
6(3)
Useful features
7(1)
Menus, shortcuts, and controls
8(1)
Customizable interface
8(1)
Onscreen help
8(1)
Editing and Effects Windows
9(7)
The Browser
9(1)
The Viewer
10(2)
The Viewer's Effects tabs
12(1)
The Canvas
13(1)
The Timeline
14(1)
The Tool palette
15(1)
The Tool Bench
15(1)
Input and Output Windows
16(1)
Log and Capture
16(1)
Media Management Tools
17(2)
Media Manager
17(1)
Other media management tools
17(1)
Import and export options
18(1)
Installing and Setting Up
19(26)
System Requirements
20(3)
HDV: HD for the Masses
20(1)
Real-Time Effects: More Hardware Options
21(1)
Real-Time System Requirements
22(1)
What's the Difference Between DV and Digital Video?
22(1)
Hardware Selection and Connection
23(10)
Monitor Video on a Computer Display
26(1)
FCP Protocol: Disk Names
26(2)
Storage Strategy for Final Cut Pro
28(1)
Connecting video devices
29(1)
FireWire Cables: Handle with Care
29(2)
Connecting an external NTSC or PAL video monitor
31(1)
FCP Protocol: Controlling External Video Output
32(1)
Controlling Video Devices with Final Cut Pro
33(2)
FCP Protocol: Device Control
33(1)
About Apple FireWire
34(1)
Installing Final Cut Pro
35(5)
FCP Protocol: Installing the FCP Suite of Applications
35(1)
Where to install FCP?
36(1)
Upgrading to Final Cut Pro 5
37(1)
Registering and choosing an initial setup
38(1)
What's an Easy Setup?
39(1)
Optimizing Performance
40(2)
The Bottom Line: Running FCP on a ``Base-Case'' Mac
41(1)
Troubleshooting
42(3)
Presets and Preferences
45(58)
About Easy Setups, Presets, Settings, and Preferences
46(4)
Easy Setup
46(1)
How to ``Trash Your Prefs''
46(1)
Audio/Video settings
47(1)
User Preferences and System Settings
47(1)
Modifying the Settings of an Existing Item
47(1)
Accessing preferences and settings
48(1)
Finding Additional and Third-Party Presets
49(1)
Using Easy Setups
50(4)
How to choose an Easy Setup
50(1)
Easy Setups to Go
51(3)
Using Audio/Video Presets
54(4)
Specifying Sequence Settings
58(4)
Specifying video processing settings for a Sequence preset
60(1)
RGB or YCrCb: Choosing a Color Space
61(1)
Specifying Capture Settings
62(2)
Specifying QuickTime Settings for Video and Audio Capture
62(2)
Specifying Device Control Settings
64(3)
Using Video and Audio Playback Settings
67(2)
Specifying Audio/Video Output Settings
69(2)
Specifying User Preferences and System Settings
71(4)
Setting Editing Preferences
75(2)
Setting Label Preferences
77(1)
Customizing the Timeline Display
78(2)
Specifying Render Control Settings
80(2)
Specifying Audio Output Settings
82(1)
Setting Scratch Disk Preferences
83(3)
FCP Protocol: Scratch Disks
83(3)
Specifying Search Folder Preferences
86(1)
Specifying Memory & Cache Settings
87(1)
Specifying Playback Control Settings
88(3)
Setting External Editors Preferences
91(1)
Specifying Effects-Handling Preferences
92(1)
Customizing Final Cut Pro
93(1)
Creating Custom Screen Layouts
94(3)
Creating Custom Keyboard Layouts
97(4)
Creating Custom Shortcut Buttons
101(2)
Projects, Sequences, and Clips
103(52)
Anatomy of an FCP Project
104(2)
Project item types
104(2)
About Projects
106(6)
Using Save As to Protect Your Work
108(2)
Viewing and setting project properties
110(2)
Using the Autosave Vault
112(2)
Setting Autosave Vault location and preferences
112(1)
Using Autosave to recover from a crash
113(1)
You Need Backup
113(1)
Undoing Changes
114(1)
FCP Protocol: Undoing Changes in Multiple Projects
114(1)
Setting Up for Multiple Projects and Users
115(3)
File access
115(1)
Creating and saving files
116(2)
What's a Sequence?
118(3)
Creating a new sequence
118(1)
Time Stamp for Sequences
119(2)
Changing the Settings of an Existing Sequence
121(2)
Working with Multiple Sequences
123(10)
Nesting and Sequences: A Glossary
123(1)
Creating nested sequences
124(1)
FCP Protocol: Selecting Items for Nesting
124(2)
Making changes to a nested sequence
126(1)
Copying and pasting from sequence to sequence
127(2)
Editing a sequence into another sequence
129(2)
FCP Protocol: Updating Nested Sequences
131(1)
Assembling Nested Sequences with Transitions
132(1)
About Clips
133(8)
FCP Protocol: Sequence Clip Terminology
135(1)
FCP Protocol: Clips and Sequences
136(5)
Viewing and Setting Item Properties
141(6)
About Timecode Viewing Options
145(2)
Changing Your Source Timecode
147(3)
Help Importing Audio-Only Files with Timecode
149(1)
Working with Merged Clips
150(5)
Syncing up clips before merging
151(4)
Capturing Video
155(52)
Anatomy of the Log and Capture Window
156(7)
Preview section
157(1)
Log and Capture controls
157(1)
Logging tab
158(2)
Capture Settings tab
160(1)
Clip Settings tab
161(2)
Setting Up for Capture
163(10)
Is Your System Capture-Ready?
165(1)
Capture Settings: Try These First
166(1)
Checking preferences
167(1)
Calibrating the timecode signal input
168(2)
Calibrating capture settings with color bars and audio tone
170(1)
FCP Protocol: Luminance Measurement--Analog vs. Digital
170(3)
Logging Clips
173(12)
FCP Protocol: What Are Offline Clips?
174(1)
The Art of File Naming
175(1)
Selecting a logging bin
176(1)
Speed Logging Tips
177(1)
Logging
178(1)
FCP Protocol: Auto-Incrementing on the Logging Tab
179(3)
Modifying logged clip data
182(3)
Capture Clip: Capturing Video with Device Control
185(2)
Capture Now: Capturing Video without Device Control
187(6)
FCP Alert: Audio Format Changes
187(4)
Capturing audio
191(2)
Capturing HDV Video
193(1)
Batch Capturing Clips
194(7)
The Wonders of Batch Recapture
195(1)
Preparing for a batch capture
196(1)
``Additional Items Found''--What Are Your Options?
197(4)
Using DV Start/Stop Detection
201(3)
What Is Offline RT?
202(2)
Troubleshooting Capture Problems
204(3)
Importing Digital Media
207(16)
Importing Still Images
209(2)
FCP Protocol: File Location Is Critical
209(1)
Setting the default duration for stills
210(1)
Working with Adobe Photoshop Files
211(7)
Preparing a Photoshop file for use in FCP
211(3)
FCP Protocol: Updating Photoshop Files in FCP
214(2)
Importing a layered Photoshop file into Final Cut Pro
216(1)
Really Live Type
217(1)
FCP Protocol: Layered Photoshop Files
217(1)
Importing Audio Files
218(1)
Convert Audio to 48 kHz on Import with iTunes
219(2)
Importing an iMovie Project
221(2)
Organizing Clips in the Browser
223(20)
Anatomy of the Browswer
224(3)
Browser columns
224(2)
Browser window icons
226(1)
What Does ``Not Set'' Mean?
226(1)
Using the Browser to Organize Your Project
227(2)
Sorting items
228(1)
Customizing the Browser Display
229(5)
Searching for Items in the Browser
234(3)
Using the Find Results window
236(1)
Search the Project or Search the Sequence?
236(1)
Working with Bins
237(2)
What's That Little Doodad?
237(2)
Working with Browser Items
239(4)
Mouseless Browser Navigation
239(4)
Working with Clips in the Viewer
243(34)
Anatomy of the Viewer
244(5)
Transport controls
245(1)
Clip-marking controls
246(1)
Pop-up selectors
246(1)
View selectors
247(1)
Playhead Sync pop-up menu
247(1)
Timecode navigation and display
248(1)
Working with Clips in the Viewer
249(10)
FCP Protocol: Saving Clip Changes
253(2)
Playing clips
255(1)
JKL Keys: The Way to Move
256(2)
Other ways to move: jogging, scrubbing, and shuttling
258(1)
Navigating with Timecode
259(2)
FCP Protocol: Entering Timecode Numbers
260(1)
Working with In and Out Points
261(2)
Other Ways to Set In and Out Points
262(1)
About Subclips
263(3)
Marking Shortcuts
263(1)
FCP Protocol: Subclips Are Master Clips, Too
264(2)
Using Markers
266(4)
Adjusting the Viewer Display
270(7)
Changing magnification and window size in the Viewer or Canvas
270(2)
Wireframes in the Viewer
272(2)
Viewing overlays
274(1)
Viewing Title Safe and Action Safe boundaries
275(1)
Viewing Timecode overlays
276(1)
Viewing with different backgrounds
276(1)
Basic Editing
277(42)
Basic Editing Overview
278(1)
Basic Editing Step-by-Step
279(7)
Many Ways to Make an Edit
280(2)
FCP Protocol: Three-Point Editing
282(1)
Specifying target tracks
283(1)
Moving the playhead
284(1)
FCP Protocol: Editing Multiple Tracks in Final Cut Pro
285(1)
Using FCP's Many Edit Types
286(12)
Insert edit
287(1)
Overwrite edit
288(1)
Replace edit
289(1)
Hate Your Edit? Do Undo
289(2)
What's a Backtime Edit?
291(1)
Fit to Fill edit
292(1)
Superimpose edit
293(1)
Transition edits
294(2)
Deleting clips from a sequence
296(2)
Performing Edits in the Timeline
298(5)
Performing split edits
300(1)
Tips for Quicker Split Edits
301(2)
Shortcuts for Marking Sequence Edit Points
303(4)
Locating a Match Frame
305(2)
Basic Multiclip Editing
307(7)
Multiclip editing overview
308(1)
Make Multiclip Sequence: Industrial-Strength Multicamera Editing
308(1)
Creating Multiclips with the Make Multiclip Command
309(1)
Working with Multiclips in the Viewer
310(1)
FCP Protocol: Multiclips
310(1)
FCP Protocol: Multiclip Auto-Naming Convention
311(3)
Multiclip-Editing
314(5)
Real-Time multiclip editing
316(1)
FCP Protocol: Switch vs. Cut
316(3)
Editing in the Timeline and the Canvas
319(74)
Anatomy of the Canvas
320(6)
Onscreen controls and displays
321(2)
Timecode navigation and display
323(1)
Editing controls
324(1)
Anatomy of the Canvas edit overlay
325(1)
Using the Canvas Window
326(3)
Creating and exporting still frames
327(1)
Adjusting the Canvas Display
328(1)
Anatomy of the Tool Palette
329(2)
Selection tools
330(1)
Edit tools
330(1)
View tools
330(1)
Image modifiers
330(1)
Keyframe tools
330(1)
Using the Tool Palette
331(1)
Anatomy of the Timeline
332(8)
Onscreen controls and displays
333(6)
Color coding in the Timeline
339(1)
Customizing Timeline Display Options
340(7)
Custom track layouts
343(1)
Timeline scaling and scrolling
344(1)
Best Zoom Shortcuts
345(2)
Navigating in the Timeline
347(7)
Positioning the playhead in a sequence
347(2)
Navigating with timecode in the Timeline
349(1)
About snapping in the Timeline
350(1)
Using markers in the Timeline and the Canvas
351(3)
Working with Timeline Tracks
354(10)
FCP Protocol: Lock vs. Target
358(1)
Mapping Timeline target track assignments
359(1)
FCP Protocol: Target Tracks
360(1)
Making a Timeline track invisible
361(1)
Dragging Is Different
361(3)
Working with Items in the Timeline
364(27)
Selecting items in the Timeline
364(1)
Selecting items with the track selection tools
365(3)
FCP Protocol: Cut, Copy and Paste, and Auto-Select
368(1)
FCP Protocol: Auto-Select Protocol Summary
369(1)
Linking clips
370(1)
Merged Clips and Linking
370(1)
Using linked selection
371(1)
FCP Protocol: Linked Clips
371(1)
Moving Timeline clips
372(4)
Finding and closing gaps
376(1)
FCP Protocol: Gaps and Track Gaps
376(4)
FCP Protocol: Deleting Items in the Timeline
380(1)
Copying and pasting clip attributes
381(2)
Adjusting levels or opacity of multiple clips
383(3)
Changing the playback speed of a clip
386(2)
Using offline clips
388(1)
Using duplicate frame detection
389(1)
Working with keyframes in the Timeline
390(1)
Searching for Items in the Timeline
391(2)
Fine Cut: Trimming Edits
393(32)
Types of Trimming Operations
394(2)
Selecting an Edit for Trimming
396(3)
Tips on Tools
396(1)
Quick Navigation Keys
397(1)
All Keys: Mouseless Trimming in FCP
398(1)
Anatomy of the Trim Edit Window
399(3)
Audio Monitoring Options in the Trim Edit Window
401(1)
Using the Trim Edit Window
402(6)
FCP Protocol: Trimming Error Messages
402(6)
Trimming Edits in the Timeline
408(11)
About through edits
418(1)
Trimming Edits in the Viewer
419(2)
Ganging Viewer and Canvas
421(2)
FCP Protocol: Auto Select Behavior with Ganged Playheads
421(1)
Selecting a gang mode
422(1)
Correcting Out-of-Sync Clips
423(2)
Audio Tools and Techniques
425(48)
Audio Tracks vs. Timeline Tracks
426(1)
FCP's Audio Formats
427(5)
Modifying audio channel formats
428(2)
The Browser's audio format columns
430(1)
What's Bit Depth and Sampling Rate Got to Do with My Audio Quality?
431(1)
About 16-bit, 24-bit, and 32-bit Resolution
431(1)
Anatomy of the Viewer's Audio Tab
432(3)
Onscreen controls and displays
433(2)
Using the Audio Tab
435(5)
Scaling and scrolling an audio file
436(1)
Setting edit points in the Audio tab
437(1)
Lost in the Waveforms? Audio Tab Editing Tips
437(2)
Sounds Good: Scrubbing Audio with JKL Keys
439(1)
Editing Audio in the Timeline
440(2)
Editing Clips with Multiple Audio Channels
442(2)
Recording Audio with the Voice Over Tool
444(7)
Anatomy of the Voice Over tool
444(3)
Voice Over tool setup checklist
447(1)
Cue Beep Choreography
448(3)
Mixing and Finishing Audio
451(7)
Setting audio levels
451(1)
FCP Protocol: Measuring Digital Audio in Decibels (dB)
452(1)
Monitor levels and mixing
453(1)
Adjusting levels and pan in the Audio tab
454(2)
Adjusting the pan position
456(1)
Adjusting stereo spread
457(1)
Using Audio Peak Detection
458(1)
Adjusting Audio Filters
459(3)
Smart Filter Tweaking Tips
461(1)
Anatomy of the Audio Mixer
462(5)
Using the Audio Mixer
467(6)
About Soundtrack Pro
467(2)
Audio Mixer Tip: Setting Levels Across Edit Points
469(1)
Other Ways to Set Levels
469(1)
Why Are My Track Strip Faders Disabled?
469(2)
How Many Keyframes Do You Want to Record?
471(2)
Creating Transitions
473(18)
Adding Transition Effects
474(4)
FCP Protocol: Transitions
474(2)
FCP Protocol: Saving Changes to Modified Transitions
476(2)
Working with Default and Favorite Transitions
478(4)
About transition edits
481(1)
Editing Video Transitions
482(7)
Using the Transition Editor
483(5)
Editing transitions in the Timeline
488(1)
Modifying Audio Transitions
489(1)
FCP Protocol: r u YUV?
489(1)
Rendering Transitions
490(1)
Real-Time Transitions
490(1)
Compositing and Effects Overview
491(26)
Basic Building Block of Effects Creation
492(2)
Locating and Applying Effects
494(6)
Onscreen effects controls
495(1)
Effects Production Shortcuts
495(4)
Tuning in Effects: Using Dial, Slider, and Point Controls
499(1)
Using Keyframes
500(2)
Working with Keyframes in the Viewer's Effects Tabs
502(7)
Working with basic keyframe commands
503(1)
Keyframing Cheatsheet
503(2)
Smoothing keyframes
505(1)
Using keyframes to set a single parameter
506(1)
Setting keyframes with timecode entry
507(2)
Working with Keyframes in the Timeline
509(5)
Precision control of a keyframe's positioning
512(1)
Keyframe navigation shortcuts
513(1)
Saving Effects Settings as Favorites
514(1)
About FXBuilder
515(2)
Independent Developers of Final Cut Pro Plug-ins
516(1)
Motion
517(40)
Setting Motion Properties
518(3)
Locating x, y coordinates
519(1)
Motion Properties Modify an Image or Make it Move
520(1)
Using Wireframes
521(2)
Wireframe keyframe indicators
522(1)
Using Motion Properties to Change a Clip's Appearance
523(14)
Pressin', Clickin', and Draggin': Using Keyboard Shortcuts with Wireframes
523(2)
Positioning clips
525(1)
Scaling clips
526(1)
FCP Protocol: Center Point vs. Anchor Point vs. Origin Point
526(1)
Rotating clips
527(1)
Cropping clips
528(2)
Distorting a clip's shape
530(1)
Adjusting opacity
531(1)
Setting a clip's opacity in the Timeline
532(1)
Adding a drop shadow to a clip
533(2)
Adding a motion blur effect
535(2)
Animating Clip Motion with Keyframes
537(4)
Working with basic motion keyframe commands
537(1)
The Best Way to Fine-Tune a Motion Sequence: Jump Around
537(4)
Creating Motion Paths
541(4)
Editing a Motion Path
545(3)
Adjusting motion path curves and corners
545(1)
Adjusting speed along a motion path
546(1)
Setting a Single Motion Path for Multiple Clips
546(2)
Creating Variable Speed Playback Effects
548(9)
Anatomy of the time remapping tools
548(1)
FCP Protocol: Reading Time Graphs
549(6)
FCP Mystery Theater: Why Must a Variable Speed Clip Maintain Its Duration?
555(2)
Filters and Compositing
557(24)
Using keyframes to animate filters
561(1)
Useful Filters
562(1)
Using Color Correction Filters
563(11)
Always Be Color Safe!
564(1)
About image-quality measurement tools
565(2)
The Color Correction filter suite
567(1)
Using the Broadcast Safe filter
568(1)
Monitors and Color Correction
568(1)
Anatomy of the Color Corrector tab
569(5)
Compositing
574(3)
Setting Composite mode
574(1)
Using alpha channels
575(2)
Working with Mattes
577(3)
Travel mattes
578(2)
Using Third-Party After Effects Filters
580(1)
FCP Protocol: Third-Party After Effects Filters
580(1)
Titles and Generators
581(20)
Particle Noise = Generator Fun
583(1)
Always Be Title Safe!
583(1)
About LiveType 2
584(1)
Generating Text
585(5)
Complex Text: Other Options
585(1)
Using Generator Favorites
586(1)
Text generator options checklist
587(1)
FCP 3 Projects in FCP 5: Your Text May Vary
587(2)
Tips for Better-Looking Titles
589(1)
The Wonders of Outline Text
590(3)
Using Animated Text Generators
593(8)
Creating scrolls
593(2)
Creating crawl titles
595(2)
Creating animated typewriter text
597(2)
Creating titles with Boris Calligraphy
599(2)
Real Time and Rendering
601(20)
Using Real-Time Effects
602(4)
Real-Time Hardware Systems for FCP
602(2)
Controlling real-time playback quality
604(2)
Rendering
606(3)
Setting up image quality of rendered material
606(1)
Rendering Protocols
606(1)
Rendering indicators
607(1)
FCP Protocol: Audio Rendering Options
608(1)
Using Render Commands
609(5)
Quick Preview Tips
612(1)
FCP Protocol: Estimating Render Processing Time
612(1)
Rendering audio
613(1)
FCP Protocol: Track Costs
613(1)
Managing Render Files
614(2)
FCP Protocol: Render Manager File Tracking
614(2)
Rendering Strategies
616(5)
Avoiding unnecessary rendering
616(2)
Reducing Rendering Time
618(1)
FCP Protocol: Nested Sequences and Rendering
618(1)
Preserving render files
619(2)
Creating Final Output
621(58)
Using Tape Output Modes
622(4)
Output Options for HDV
622(1)
Setting up for recording to tape
623(2)
Other Export Options
625(1)
Recording Timeline Playback
626(2)
Touching Up Your Timeline Playback
627(1)
Printing to Video
628(6)
Print to Video: Rendering Tips
628(1)
Print to Video settings checklist
629(5)
Editing to Tape
634(2)
Insert vs. Assemble Editing
634(2)
Anatomy of the Edit to Tape Window
636(6)
Onscreen controls and displays
637(1)
Editing controls
638(1)
Setting up for Edit to Tape
639(1)
Using the Black and Code feature
640(1)
Preparing your sequence for editing to tape
641(1)
Performing an Edit to Tape
642(4)
Exporting Sequences and Clips
646(7)
What's a Reference Movie?
648(1)
Codec vs. File Format
649(1)
Exporting a QuickTime movie
650(2)
FCP Protocol: DVD Chapter Markers
652(1)
Exporting Other QuickTime Formats
653(6)
FCP Alert: Web Video Uses the Whole Video Frame
655(4)
Exporting Audio Files
659(7)
Exporting audio in OMF format
663(1)
FCP Protocol: OMF Audio Export
663(2)
Destination: Pro Tools?
665(1)
Batch Exporting
666(7)
Using the Export Queue window display
671(2)
Exporting for LiveType
673(2)
Exporting for Soundtrack Pro
675(4)
Final Cut Pro's Gateway to Final Cut Studio
675(3)
Third-Party XML and OMF Interchange Applications
678(1)
Managing Complex Projects
679(48)
Using Media Management Tools
680(1)
Using the Media Manager
681(30)
Setting up for a Media Manager procedure
681(3)
Media Manager window options
684(4)
FCP Protocol: Deleting Unused Media in Projects Containing Affiliate Clips
688(2)
FCP Protocol: Media Manager Operation Processing Order
690(1)
Copying or moving an entire project and its media
691(3)
Deleting media from a project
694(3)
Trimming unused media from a sequence
697(3)
Trimming unused media from subclips
700(3)
Tips for Subclippers
703(1)
Creating an offline trimmed sequence
704(2)
Working with Graphics in Offline RT
706(1)
Offline RT and media management
707(1)
Recompressing a project in Offline RT format
708(3)
Reconnecting Offline Files
711(7)
FCP Protocol: Broken Links
711(3)
Reconnecting Online Files
714(1)
Using the Offline Files dialog box to reconnect
715(1)
FCP Protocol: Offline vs. Missing Clips
716(1)
FCP Protocol: Deleting Media
717(1)
Deleting Media
718(2)
Project Maintenance Tips
720(7)
Editing in stages
722(1)
The Last Mile: Tips for Final Assembly of BIG Projects
722(1)
Restoring a sequence
723(1)
Modifying an offline clip before recapture
724(1)
Tracking used and unused clips
724(1)
Removing a project from your drives
724(3)
Appendix A: Online Resources 727(4)
Appendix B: Keyboard Shortcuts 731(8)
Index 739

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