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Winner of the 2010 Man Booker Prize
Julian Treslove, a professionally unspectacular former BBC radio producer, and Sam Finkler, a popular Jewish philosopher, writer, and television personality, are old school friends. Despite a prickly relationship and very different lives, they've never lost touch with each other, or with their former teacher, Libor Sevcik.
Dining together one night at Sevcik's apartment—the two Jewish widowers and the unmarried Gentile, Treslove—the men share a sweetly painful evening, reminiscing on a time before they had loved and lost, before they had prized anything greatly enough to fear the loss of it. But as Treslove makes his way home, he is attacked and mugged outside a violin dealer's window. Treslove is convinced the crime was a misdirected act of anti-Semitism, and in its aftermath, his whole sense of self will ineluctably change.
The Finkler Question is a funny, furious, unflinching novel of friendship and loss, exclusion and belonging, and the wisdom and humanity of maturity.
“The Finkler Question is often awfully funny, even while it roars its witty rage at the relentless, ever-fracturing insanity of anti-Semitism, which threatens to drive its victims a little crazy, too. This is, after all, a comedy that begins and ends in grief.” -Washington Post
“A wry, devastating novel… Jacobson’s prose is effortless—witty when it needs to be, heartbreaking where it counts—and the Jewish question becomes a metaphor without ever being overdone.”-Publishers Weekly, starred review
“Jacobson uses Julian’s transformation as a way of examining, often with a mordant wit reminiscent of comedian Larry David’s, what it means to be Jewish. Winner of the 2010 Man Booker Prize, this novel also offers poignant insights into the indignities of aging, the competitiveness of male friendship, and the yearning to belong.” -Booklist
Howard Jacobson was born in Manchester, England, and educated at Cambridge. His many novels include The Mighty Walzer (winner of the Bollinger Everyman Wodehouse Prize), Who’s Sorry Now? and Kalooki Nights (both longlisted for the Man Booker Prize), and, most recently, The Act of Love. Jacobson is also a respected critic and broadcaster, and writes a weekly column for the Independent. He lives in London.
“The Finkler Question tackles an uncomfortable issue [Jewish identity] with satire that is so biting, so pointed, that it pulls you along for 300 pages and leaves a battlefield of sacred cows in its wake… Like all great Jewish art… it is Jacobson’s use of the Jewish experience to explain the greater human one that sets it apart…It’s a must read, no matter what your background.”—National Public Radio
“Rare is a work of fiction that takes on the most controversial issues facing Jews so directly—and with enough humor, intelligence, and insight—that it changes a reader’s mind or two. Be warned: The Finkler Question will probably distress you on its way to disarming you. Can we pay a novel any greater compliment?”—Barnes & Noble Review
“Let’s hope that this recognition for The Finkler Question... gets Jacobson the recognition he deserves—not as a comic novelist, or a Jewish novelist, or a British Philip Roth—but on his own terms.”—New Yorker "Book Bench"
“The Finkler Question, a clever, canny, textured, subtle, and humane novel exploring the friendship of three ageing male friends…is a work of greatness… Although The Finkler Question is by no means a straightforward comic novel, it once again demonstrates Jacobson’s mastery of the form… Jacobson’s capacity to explore the minutiae of the human condition while attending to the metaphysics of human existence is without contemporary peer.”—Daily Beast
“[A] wry, devastating novel… Jacobson’s prose is effortless—witty when it needs to be, heartbreaking where it counts—and the Jewish question becomes a metaphor without ever being overdone.”—Publishers Weekly, starred review
“It is tempting—after reading something as fine as The Finkler Question—not to bother reviewing it in any meaningful sense but simply to urge you to put down this paper and go and buy as many copies as you can carry … Full of wit, warmth, intelligence, human feeling and understanding. It is also beautifully written … Indeed, there’s so much that is first rate in the manner of Jacobson’s delivery that I could write all day on his deployment of language without once mentioning what the book is about.”—Observer (UK)
“Another masterpiece … The Finkler Question is further proof, if any was needed, of Jacobson’s mastery of humor. But above all it is a testament to his ability to describe—perhaps it would be better to say inhabit—the personal and moral worlds of his disparate characters.”—Times (UK)
“Howard Jacobson [is] a writer able to recognize the humor in almost any situation and a man as expansive as most on the nature of Jewishness.”—Telegraph (UK)
“This charming novel follows many paths of enquiry, not least the present state of Jewish identity in Britain and how it integrates with the Gentile population. Equally important is its exploration of how men share friendship. All of which is played out with Jacobson’s exceptionally funny riffs and happy-sad refrains … Jacobson’s prose is a seamless roll of blissfully melancholic interludes. Almost every page has a quotable, memorable line.”—Independent on Sunday (UK)
“Both an entertaining novel and a humane one.”—Financial Times
“There are some great riffs and skits in The Finkler Question … But at the heart of the book is Julian the wannabe Jew, a wonderful comic creation precisely because he is so tragically touching in his haplessness. The most moving (and funniest) scenes are those in which he and Libor, the widower with nothing more to live for, ruminate on love and Jewishness.”—Sunday Times (UK)
“[A] bleakly funny meditation on loss, belonging and personal identity.”—Daily Mail (UK)
“For some writers a thorough investigation of the situation of British Jews today might do as the subject for a single book. In The Finkler Question it’s combined with his characteristically unsparing—but not unkindly—ruminations on love, aging, death and grief. He also manages his customary—but not easy—trick of fusing all of the above with genuine comedy … No wonder that, as with most of Jacobson’s novels, you finish The Finkler Question feeling both faintly exhausted and richly entertained.”—Sunday Telegraph (UK)
“A terrifying and ambitious novel, full of dangerous shallows and dark, deep water. It takes in the mysteries of male friendship, the relentlessness of grief and the lure of emotional parasitism.”—Guardian (UK)
“The Finkler Question balances precariously a bleak moralizing with life-affirming humor.”—Independent (UK)
“The Finkler Question is very funny, utterly original, and addresses a topic of contemporary fascination … The writing is wonderfully mobile, and inventive, and Jacobson’s signature is to be found in every sentence … The Finkler Question is a remarkable work.”—Anthony Julius, Jewish Chronicle
“Jacobson is at the height of his powers … As the men tussle with women and their absence, and their own identities, Jacobson’s wit launches a fusillade of hard-punching aperçus on human nature and its absurdities that only he could have written.”—Metro (UK)
“The Finkler Question, which is as provocative as it is funny, as angry as it is compassionate, offers a moving testimony to a dilemma as ancient as the Old Testament. It also marks another memorable achievement for Jacobson, a writer who never fires blanks and whose dialogue, which reads like an exchange between Sigmund Freud and Woody Allen, races along like a runaway train.”—Herald Scotland
“Here are three men who are in varying ways miserably womanless. This is rich soil for comedy, and Jacobson tills it for every regretful laugh he can muster … Perhaps [Jacobson’s] Leopold Bloom time has come at last.”—Irish Independent
“The Finkler Question is characterized by [Jacobson’s] structuring skill and unsimplifying intelligence—this time picking through the connections and differences, hardly unremarked but given fresh treatment here, between vicariousness and parasitism, and between Jewishness, Judaism and Zionism.”—New Statesman
“Full of caustic moments … that are also, essentially, funny … No matter the book’s themes, the way Jacobson weds humor to seriousness makes it affecting for anyone.”—Jewish Week