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List of contributors | p. ix |
Opening the lens: cultural criminology and the image | p. 1 |
Crime, punishment and the force of photographic spectacle | p. 17 |
The decisive moment: documentary photography and cultural criminology | p. 36 |
Hindley's ghost: the visual construction of Maxine Carr | p. 53 |
Screening crime: cultural criminology goes to the movies | p. 68 |
The scene of the crime: is there such a thing as 'just looking'? | p. 83 |
Imagining the 'war on terror': fiction, film, and framing | p. 98 |
Framing the crimes of colonialism: critical images of aboriginal art and law | p. 115 |
'Drive it like you stole it': a cultural criminology, of car commercials | p. 138 |
Staging an execution: the media at McVeigh | p. 156 |
Fighting with images: the production and consumption of violence among online football supporters | p. 172 |
A reflected gaze of humanity: cultural criminology and images of genocide | p. 189 |
Index | p. 208 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.