Acknowledgments | p. ix |
Representing the "Unrepresentable" | p. 1 |
Introduction | p. 1 |
Film | p. 9 |
France and Film | p. 15 |
France, Film, and the Holocaust | p. 19 |
Resistance and Repression, 1940-1960 | p. 25 |
Introduction | p. 25 |
Film during the Occupation | p. 26 |
Liberation and the Postwar Era | p. 36 |
Alain Resnais's Nuit et brouillard (1955) | p. 46 |
Revisiting Collaboration: Vichy and the Holocaust, 1960-1980 | p. 53 |
Introduction | p. 53 |
The 1960s | p. 54 |
Le Chagrin et la pitié (1969) | p. 64 |
La mode rétro and the 1970s Shift | p. 70 |
The Rise of the Holocaust in Global Memory | p. 82 |
From Lanzmann's Shoah to la Shoah, 1980-2000 | p. 87 |
Introduction | p. 87 |
Mixed Narratives of the Early 1980s | p. 90 |
Shoah (1985) | p. 93 |
The Shoah after Shoah: History, Politics, and the Visual Text | p. 101 |
Klaus Barbie and Ophüls's Hôtel Terminus (1987) | p. 109 |
The War for Memory | p. 114 |
The Holocaust at the End of the Century | p. 127 |
The "Century of Genocide" and beyond, 2000- | p. 133 |
Introduction | p. 133 |
The Holocaust in France: Survival as Resistance | p. 134 |
Resistance and the Last Call to Action | p. 147 |
Conclusion | p. 159 |
Notes | p. 161 |
Bibliography | p. 177 |
Film Index | p. 185 |
Index | p. 189 |
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