The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
Penguin Drop Caps collect twenty-six stunning hardcovers-one for each letter of the alphabet-featuring cover art by lettering superstar Jessica Hische.It all begins with a letter. Penguin Drop Caps is a series of twenty-six collectable hardcover editions, each featuring a specially commissioned illustrated letter of the alphabet by type designer Jessica Hische. A collaboration between Hische and Penguin Art Director Paul Buckley, whose series design encompasses a rainbow-hued spectrum across all twenty-six book spines, Penguin Drop Caps debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brontë's Jane Eyre, and a 'C' for Willa Cather's My Ántonia, and now continues with a 'D' for Charles Dickens' Great Expectations, an 'E' for George Eliot's Middlemarch, and an 'F' for Gustave Flaubert's Madame Bovary.D is for Dickens. A terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor-these form a series of events that changes the orphaned Pip's life forever, and he eagerly abandons his humble origins to begin a new life as a gentleman. Dickens's haunting late novel depicts Pip's education and development through adversity as he discovers the true nature of his 'great expectations.'
CHARLES DICKENS was born at Portsmouth on 7 February 1812, the second of eight children. Dickens's childhood experiences were similar to those depicted in David Copperfield. His father, who was a government clerk, was imprisoned for debt and Dickens was briefly sent to work in a blacking warehouse at the age of twelve. He received little formal education, but taught himself shorthand and became a reporter of parliamentary debates for the Morning Chronicle. He began to publish sketches in various periodicals, which were subsequently republishes as Sketches by Boz. The Pickwick Papers was published in 1836-7 and after a slow start became a publishing phenomenon and Dickens's characters the centre of a popular cult. Part of the secret of his success was the method of cheap serial publication which Dickens used for all of his novels. He began Oliver Twist in 1837, followed by Nicholas Nickleby (1838-9) and The Old Curiosity Shop (1840-41). After finishing Barnaby Rudge (1841) Dickens sets off for America; he went full of enthusiasm for the young republic but, in spite of a triumphant reception, he returned disillusioned. His experiences are recorded in American Notes (1842). Martin Chuzzlewit (1843-4) did not repeat its predecessors' success but this was quickly redressed by the huge popularity of the Christmas Books, of which the first, A Christmas Carol, appeared in 1842. During 1844-6 Dickens travelled abroad and he began Dombey and Son (1846-8) while in Switzerland. This and David Copperfield (1849-50) were more serious in theme and more carefully planned than his early novels. In later works, such as Bleak House (1852-3) and Little Dorrit (1855-7), Dickens's social criticism became more radical and his comedy more savage. In 1850 Dickens started the weekly periodical Household Words, succeeded in 1859 by All the Year Round; in there he published Hard Times (1854), A Tale of Two Cities (1859) and Great Expectations (1860-61). Dickens's health was failing during the 1860s and the physical strain of public readers which he began in 1858 hastened his decline, although Our Mutual Friend (1864-5) retained some of his best comedy. His last novel, The Mystery of Edwin Drood, was never completed and he died on 9 June 1870. Public grief at his death was considerable and he was buried in the Poet's Corner of Westminster Abbey.
JESSICA HISCHE is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a Forbes Magazine "30 under 30" in art and design as well as an ADC Young Gun and one of Print Magazine's "New Visual Artists". She has designed for Wes Anderson, McSweeney's, Tiffany & Co, Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn.