More New and Used
from Private Sellers
Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
Questions About This Book?
Why should I rent this book?
Renting is easy, fast, and cheap! Renting from eCampus.com can save you hundreds of dollars compared to the cost of new or used books each semester. At the end of the semester, simply ship the book back to us with a free UPS shipping label! No need to worry about selling it back.
How do rental returns work?
Returning books is as easy as possible. As your rental due date approaches, we will email you several courtesy reminders. When you are ready to return, you can print a free UPS shipping label from our website at any time. Then, just return the book to your UPS driver or any staffed UPS location. You can even use the same box we shipped it in!
What version or edition is this?
This is the edition with a publication date of 12/15/2008.
What is included with this book?
- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
- The Used copy of this book is not guaranteed to include any supplemental materials. Typically, only the book itself is included.
- The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.
Film emerged in pre-Revolutionary Russia to become the "most important of all arts" for the new Bolshevik regime and its propaganda machine. The 1920s saw a flowering of film experimentation, notably with the work of Eisenstein, and a huge growth in the audience for film, which continued into the 1930s with the rise of musicals. The films of the World War II and Cold War periods reflected a return to political concerns in their representation of the "enemy". The 1960s and 1970s saw the rise of art-house films. With glasnost came the collapse of the state-run film industry and an explosion in the cinematic treatment of previously taboo topics. In the new Russia, cinema has become genuinely independent, as a commercial as well as an artistic medium.The History of Russian Cinema is the first complete history from the beginning of film to the present day and presents an engaging narrative of both the industry and its key films in the context of Russia's social and political history.
Birgit Beumers is Reader in Russian in the School of Modern Languages at Bristol University. She is author of Nikita Mikhalkov: Between Nostalgia and Nationalism. and PopCulture: Russia! and editor of Russia on Reels: The Russian Idea in Post-Soviet Cinema and 24 Frames: Russia and the Soviet Union. She is also editor of the journals, KinoKultura and Studies in Russian and Soviet Cinema.
Table of Contents
|List of Illustrations||p. iv|
|Note on Transliteration||p. viii|
|The Beginnings of Russian Cinema (1908-19)||p. 5|
|Revolutionary Cinema, or Cinema for the Masses (1919-29)||p. 38|
|The Purges, the Second World War and the Cold War, or How Stalin Entertained the People (1930-53)||p. 75|
|The Thaw - New Beginnings, New Lives (1954-66)||p. 112|
|The Stagnation: Mainstream and Auteur Cinema (1967-82)||p. 146|
|Glasnost and Before (1983-92)||p. 184|
|Post-Soviet Russian Cinema (1992-2000)||p. 214|
|Cinema in the Putin Era (2001-8)||p. 241|
|Russian Films in International Festivals||p. 260|
|Chronology of Events||p. 265|
|Table of Contents provided by Ingram. All Rights Reserved.|