Usually Ships in 3-5 Business Days
Questions About This Book?
Why should I rent this book?
Renting is easy, fast, and cheap! Renting from eCampus.com can save you hundreds of dollars compared to the cost of new or used books each semester. At the end of the semester, simply ship the book back to us with a free UPS shipping label! No need to worry about selling it back.
How do rental returns work?
Returning books is as easy as possible. As your rental due date approaches, we will email you several courtesy reminders. When you are ready to return, you can print a free UPS shipping label from our website at any time. Then, just return the book to your UPS driver or any staffed UPS location. You can even use the same box we shipped it in!
What version or edition is this?
This is the edition with a publication date of 8/26/2012.
What is included with this book?
- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
- The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.
The peoples who inhabited Europe during the two millennia before the Roman conquests had established urban centers, large-scale production of goods such as pottery and iron tools, a money economy, and elaborate rituals and ceremonies. Yet as Peter Wells argues here, the visual world of these late prehistoric communities was profoundly different from those of ancient Rome's literate civilization and today's industrialized societies. Drawing on startling new research in neuroscience and cognitive psychology, Wells reconstructs how the peoples of pre-Roman Europe saw the world and their place in it. He sheds new light on how they communicated their thoughts, feelings, and visual perceptions through the everyday tools they shaped, the pottery and metal ornaments they decorated, and the arrangements of objects they made in their ritual places--and how these forms and patterns in turn shaped their experience. How Ancient Europeans Saw the Worldoffers a completely new approach to the study of Bronze Age and Iron Age Europe, and represents a major challenge to existing views about prehistoric cultures. The book demonstrates why we cannot interpret the structures that Europe's pre-Roman inhabitants built in the landscape, the ways they arranged their settlements and burial sites, or the complex patterning of their art on the basis of what these things look like to us. Rather, we must view these objects and visual patterns as they were meant to be seen by the ancient peoples who fashioned them.
Table of Contents
|List of Illustrations||p. vii|
|Theory and Method|
|Of Monsters and Flowers||p. 1|
|Seeing and Shaping Objects||p. 18|
|The Visual Worlds of Early Europe||p. 34|
|Frame, Focus, Visualization||p. 52|
|Material: Objects and Arrangements|
|Pottery: The Visual Ecology of the Everyday||p. 72|
|Attraction and Enchantment: Fibulae||p. 99|
|Status and Violence: Swords and Scabbards||p. 112|
|Arranging Spaces: Objects in Graves||p. 131|
|Performances: Objects and Bodies in Motion||p. 155|
|New Media in the Late Iron Age: Coins and Writing||p. 176|
|Interpreting the Patterns|
|Changing Patterns in Objects and in Perception||p. 188|
|Contacts, Commerce, and the Dynamics of New Visual Patterns||p. 200|
|The Visuality of Objects, Past and Present||p. 222|
|Bibliographic Essay||p. 231|
|References Cited||p. 249|
|Table of Contents provided by Ingram. All Rights Reserved.|