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|Editor's Note||p. vii|
|The Song of a Caged Bird: Maya Angelou's Quest After Self-Acceptance||p. 3|
|Maya Angelou's I Know Why the Caged Bird Sings and Black Autobiographical Tradition||p. 15|
|Role-Playing as Art in Maya Angelou's """"Caged Bird""""||p. 25|
|Death as a Metaphor of Self in I Know Why the Caged Bird Sings||p. 31|
|The Daughter's Seduction: Sexual Violence and Literary History||p. 47|
|Call and Response: Intertextuality in Two Autobiographical Works by Richard Wright and Maya Angelou||p. 69|
|Maya Angelou's I Know Why the Caged Bird Sings: Paths to Escape||p. 81|
|A Song of Transcendence: Maya Angelou||p. 93|
|Con Artists and Storytellers: Maya Angelou's Problematic Sense of Audience||p. 111|
|Someplace to Be a Black Girl||p. 141|
|Reembodying the Self: Representations of Rape in Incidents in the Life of a Slave Girl and I Know Why the Caged Bird Sings||p. 153|
|Maya Angelou is Three Writers: I Know Why the Caged Bird Sings||p. 167|
|Learning to Live: When the Bird Breaks from the Cage||p. 173|
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Excerpted from I Know Why the Caged Bird Sings by Maya Angelou
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