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Integrating Music into the Elementary Classroom, 004,9780534525965
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Integrating Music into the Elementary Classroom, 004

by Charles R. Hoffer
Edition:
4th
ISBN13:

9780534525965

ISBN10:
0534525962
Format:
Paperback
Pub. Date:
12/23/1997
Publisher(s):
Schirmer
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Table of Contents

INTRODUCTION 1(4)
The Importance of Music and Other Arts in the Elementary School 2(1)
An Integrated Approach to Learning and Teaching 3(1)
The Plan for This Book 3(2)
1 HOW CHILDREN LEARN
5(14)
Basic Types of Learning
5(2)
Psychomotor Learning
5(1)
Cognitive Learning
6(1)
Affective Learning
6(1)
Learning in Music Needs to Be Active
7(1)
Teacher-Centered and Child-Centered Learning
7(1)
The Structure of Musical Learning
8(7)
Make What You Teach Meaningful
8(1)
Organize Material Sequentially
8(1)
Experience Music Before Labeling It
8(1)
Use a Conceptual Approach to Learning
9(1)
Design Learning Experiences with a Spiral Approach
9(1)
Use a Multisensory Approach to Learning
9(1)
Use a Multicultural Approach to Learning
10(1)
Provide Reinforcement
11(1)
Teach for Transfer
11(1)
Cooperative Learning
12(1)
Musical Experiences for Inclusive Learning
12(1)
The Gifted Student
13(1)
The Mentally Challenged Student
14(1)
Instructional Technology for the Classroom
15(3)
Questions for Discussion
18(1)
2 GUIDELINES FOR TEACHING MUSIC
19(20)
Designing Integrated Learning Experiences with Music
19(6)
Identifying Long- and Short-term Goals
19(1)
Deciding on Musical Concepts
20(1)
Developing Objectives
21(1)
Choosing Appropriate Musical Materials and Activities
22(1)
Teaching and Learning in Logical Sequence
23(1)
Deciding on Length and Frequency of Lessons
23(1)
Relating Music to Students' Personal Lives
23(1)
Developing Multisensory Experiences
24(1)
Developing Multicultural Experiences
24(1)
Designing Audiovisual Media
24(1)
Bringing Closure to a Learning Experience
24(1)
Assessing Learning
24(1)
National Standards in Music Education
25(1)
Writing Lesson Plans
26(8)
Reminders for Planning and Teaching Lessons
34(1)
Some Options to Use When Teaching Music
35(1)
Making Good Teaching Great Teaching
36(1)
Questions for Discussion
37(2)
3 FUNDAMENTALS OF MUSIC: UNDERSTANDING HOW SOUNDS ARE ORGANIZED IN A MUSICAL COMPOSITION
39(46)
Experiences with Melody
39(22)
A Melody Is Based on a Set of Pitches
39(1)
A Melody Moves by Steps and Skips
40(1)
A Melody Has Shape
41(2)
A Melody Has Range
43(2)
A Melody Is Made Up of Phrases
45(1)
A Melody May Be Based on a Scale
45(7)
A Melody May Contain Accidentals
52(2)
A Melody Has a Key
54(6)
A Melody May Be Atonal
60(1)
Experiences with Rhythm
61(9)
Rhythm Has a Beat
61(1)
Rhythm Has Tempo
61(1)
Rhythm Has Meter
62(2)
Rhythm May Have Syncopation
64(2)
Rhythm Patterns May Repeat
66(2)
Reading Rhythms
68(2)
Experiences with Texture
70(2)
Texture May Be Monophonic
70(1)
Texture May Be Homophonic or Harmonic
70(1)
Texture May Be Polyphonic
71(1)
Experiences with Tone Color
72(2)
Tone Color Varies with the Type and Size of Material Producing the Sound
72(2)
Tone Color Varies with Different Types of Instruments
74(1)
Tone Color Varies with Different Types of Voices
74(1)
Experiences with Dynamics
74(2)
Dynamic Levels May Be Soft or Loud
74(1)
Dynamic Level May Gradually Get Louder (Crescendo) or Softer (Decrescendo)
75(1)
Experiences with Musical Forms
76(7)
Repeated Musical Ideas Unify Compositions, and Contrasting Ideas Provide Variety
76(7)
Questions for Discussion
83(2)
4 TEACHING MUSIC THROUGH SINGING
85(58)
Characteristics of the Child Voice and Children's Song Interests
85(5)
Preschool and Kindergarten (Ages Four and Five)
87(1)
Early Primary: First and Second Grades (Ages Six and Seven)
88(1)
Intermediate: Third and Fourth Grades (Ages Eight and Nine)
89(1)
Upper Elementary: Fifth and Sixth Grades (Ages Ten and Eleven)
89(1)
Techniques for Teaching Children to Sing
90(9)
Creating an Environment for Singing Experiences
90(1)
Improving Posture
90(1)
Teaching Good Breathing Habits to Support the Tone
90(1)
Finding the Head Voice
91(1)
Developing the Ability to Match Tones
92(3)
Developing the Concepts of High and Low
95(2)
Discovering Patterns
97(2)
Preparing to Teach a Song
99(4)
Leading a Song
103(3)
Teaching Songs to Children
106(11)
Teaching a Song by Rote (Nonconceptual)
106(3)
Teaching a Song by Rote (Conceptual)
109(2)
Teaching a Song by Rote-Note
111(1)
Teaching a Song by Note: The Kodaly Approach
112(5)
Singing Additive Songs
117(1)
Teaching Part Singing
117(25)
Lining Out a Song
117(4)
Singing Canons
121(3)
Singing Dialogue Songs or Echo Songs
124(2)
Singing Call-Response Songs
126(2)
Adding Descants
128(4)
Adding Countermelodies
132(2)
Singing Ostinato Chants
134(2)
Singing Rounds
136(2)
Singing Partner Songs
138(4)
Questions for Discussion
142(1)
5 INTEGRATING SONGS WITH OTHER SUBJECTS AND ACTIVITIES
143(78)
Integrative Category: Action
144(4)
Integrative Category: Animals
148(10)
Integrative Category: Circus
158(2)
Integrative Category: Geography
160(5)
Integrative Category: History
165(2)
Integrative Category: Holidays
167(31)
Rosh Hashanah (Jewish New Year)
167(1)
Halloween
167(3)
Thanksgiving, Sukkot, and Shavuot
170(4)
Hanukkah
174(2)
Christmas
176(5)
Kwanzaa
181(2)
New Year's Day
183(2)
Martin Luther King Jr. Day
185(2)
Chinese New Year
187(2)
Valentine's Day
189(2)
Presidents' Day: George Washington
191(3)
Presidents' Day: Abraham Lincoln
194(2)
Saint Patrick's Day
196(2)
Integrative Category: Patriotic Songs of the United States of America
198(2)
Integrative Category: Getting Acquainted
200(3)
Integrative Category: Human Relationships and Emotions
203(1)
Integrative Category: Language Arts
204(2)
Integrative Category: Mathematics
206(1)
Integrative Category: Science
207(2)
Integrative Category: Seasons
209(1)
Integrative Category: Transportation
210(10)
Questions for Discussion
220(1)
6 TEACHING MUSIC THROUGH PLAYING CLASSROOM INSTRUMENTS
221(50)
Melody Instruments
222(21)
Piano and Electronic Keyboards
222(7)
Melody Bells
229(2)
Resonator bells
231(1)
Xylophones
231(1)
Glockenspiels
232(1)
Metallophones
232(1)
Handbells
232(1)
Tone Chimes
233(1)
Recorder
233(4)
Using Melody Instruments in the Classroom
237(6)
Harmonic Instruments
243(11)
The Omnichord
243(1)
The Guitar
244(10)
Percussion Instruments
254(5)
Woods
254(2)
Metals
256(2)
Skins
258(1)
How to Select an Appropriate Instrument
259(1)
Playing Rhythm Accompaniments to Songs
260(2)
Developing a Rhythm Ensemble (Grades K-3)
262(1)
Methods and Materials for Integrating Instrumental Experiences into the Classroom
263(3)
Language Arts (Grades 4-6)
263(1)
Science: Sound (Grades 4-6)
264(2)
History: Medieval/Renaissance (Grades 4-6)
266(1)
Geography: American West (Grades 4-6)
266(1)
Sample Lessons
266(4)
Questions for Discussion
270(1)
7 TEACHING MUSIC THROUGH LISTENING
271(60)
The Chain of Events in Musical Expression
272(1)
The Composer
272(1)
The Performer
272(1)
The Composer/Performer
273(1)
The Listener
273(1)
Sounds Produced by Voices
273(1)
Sounds Produced by Western Orchestral Instruments
273(11)
Stringed Instruments
273(1)
Wind Instruments
274(5)
Percussion Instruments
279(3)
Keyboard Instruments
282(2)
Electric Instruments
284(1)
Performing Ensembles
284(4)
Orchestra
284(3)
Band
287(1)
Chorus
287(1)
How to Guide Listening
288(1)
Levels of Listening
288(1)
The Teacher's Role
288(1)
Guidelines for Planning Listening Lessons
289(1)
Techniques for Teaching Students to Listen to Music
290(17)
Visual Representations
290(3)
Written Listening Guides
293(1)
The Familiar Song in a Musical Composition
294(3)
Moving to Music
297(1)
Playing Instruments
298(4)
Sample Lesson Plans
302(5)
Integrating Listening Experiences into the Classroom
307(18)
Music and Drama: Opera
307(2)
Music and Drama: Oratorio
309(3)
Music and Dance: Ballet
312(2)
Program Music
314(11)
Preparing Students to Attend a Concert
325(4)
Sample Concert
325(4)
Questions for Discussion
329(2)
8 TEACHING MUSIC THROUGH MOVEMENT
331(46)
Developing Body Awareness in Space
332(6)
Movement As an Expression of Problem Solving
332(1)
Movement As an Expression of Imagery
333(3)
Movement with No External Beat
336(1)
Movement to a Beat with a Sense of Timing
336(2)
Expressing Musical Concepts Through Movement: The Dalcroze Approach
338(8)
Concept: Beat/Meter
338(4)
Concept: Fast, Slow, Getting Faster, Getting Slower
342(1)
Concept: Accents
343(1)
Concept: Dynamics
344(1)
Concept: Rhythm Patterns
345(1)
Concept: Melodic Contour
346(1)
Interpreting Musical Ideas Through Movement
346(12)
What Inspires Interpretative Movement?
346(1)
General Guidelines for Planning Movement Experiences
347(1)
Abstract Interpretative Movement
348(1)
Dramatic Interpretative Movement
349(9)
Playing Singing Games and Dancing
358(18)
Additional Singing Games and Dances Appearing in Other Areas of This Book
375(1)
Questions for Discussion
376(1)
9 CREATIVE EXPERIENCES WITH MUSIC
377(28)
The Orff Approach
378(1)
Improvising and Organizing Sounds
378(8)
Rhythm in Speech
379(1)
Rhythm Speech Canons
380(1)
Improvising Melodies
381(1)
Ostinato Patterns (Rhythmic and Melodic)
382(2)
Improvising an Accompaniment to a Song
384(2)
Improvising Rhythms with Classroom Instruments
386(1)
Creative Experiences with Vocal Sounds
386(1)
Creative Experiences with Instrumental Sounds
387(3)
Creative Experiences with Environmental Sounds
390(1)
Creative Experiences with Body Sounds
390(4)
Creating a Musical Video
392(1)
Creating a Percussion Accompaniment to a Song
392(1)
Creating a Percussion Composition
393(1)
Creative Experiences with Writing Melodies or Songs
394(10)
What Makes an Interesting Melody?
395(1)
Preparing Students to Write Melodies or Songs
395(1)
Writing a Melody Using a Pentatonic Scale
396(1)
Writing a Melody Using a Seven-Note Scale (Major/Minor)
397(1)
Setting a Poem to Music
398(3)
Writing an Original Poem and Setting It to Music
401(3)
Questions for Discussion
404(1)
10 INTEGRATING MUSIC WITH THE STUDY OF PEOPLES, PLACES, AND CULTURES
405(52)
Some Suggested Classroom Experiences
406(1)
Music of African Peoples
407(11)
Background Information for the Class
407(1)
Some General Characteristics of African Music
408(1)
Teaching African Music: Suggestions for Lessons
409(9)
Music of Asian Peoples: China and Japan
418(11)
Background Information for the Class
418(1)
Some General Characteristics of Chinese and Japanese Music
419(1)
Teaching Chinese and Japanese Music: Suggestions for Lessons
420(9)
Music of European Peoples
429(10)
Background Information for the Class
429(1)
Some General Characteristics of European Music
430(1)
Teaching European Music: Suggestions for Lessons
430(9)
American Music
439(16)
Background Information for the Class
439(1)
Teaching American Music: Suggestions for Lessons
440(15)
Questions for Discussion
455(2)
11 EXPERIENCES WITH MUSIC AND OTHER ARTS
457(46)
Using Analogous Concepts in Relating Music and the Arts
458(12)
Using a Thematic Approach in Relating Music and the Arts
470(9)
Using a Historical Approach in Relating Music and the Arts
479(9)
Using a Cross-Cultural Approach in Relating Music and the Arts
488(2)
Planning and Presenting a Program
490(12)
Purpose
490(1)
Planning
490(1)
Rehearsals
490(11)
Committees
501(1)
Additional Ideas for Festivals or Programs
501(1)
Questions for Discussion
502(1)
EPILOGUE: THE CONTINUING PLACE OF MUSIC IN THE LIVES OF CHILDREN 503(4)
A Trip to Buy a Recording 503(1)
Attending Concerts 504(1)
Performing with Friends 505(2)
APPENDIX A: SELECTED SOPRANO RECORDER FINGERINGS (BAROQUE SYSTEM) 507(1)
APPENDIX B: COMMON CHORD FINGERINGS FOR THE GUITAR 508(1)
GLOSSARY 509(3)
INDEX OF SONGS 512(1)
TWO-CHORD SONGS 513(1)
THREE-CHORD SONGS 513(1)
INDEX OF NATIONALITY SONGS 514(1)
INDEX OF LISTENING EXAMPLES 515(1)
GENERAL INDEX 516


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