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Introduction | |
Literary Criticism as an Institution | |
Contexts and conditions of literary criticism: 1830-1914 | |
Literary studies and the academy | |
Women and literary criticism Kimberly | |
National Developments in Literary Criticism | |
Literature and nationalism | |
Germany: from Restoration to consolidation: classical and Romantic legacies | |
France: the continuing debate over Classicism | |
England: Romantic legacies | |
England: literature and culture | |
Literary nationalism and US Romantic aesthetics | |
Russia: literature and society | |
Critical Movements and Patterns of Influence | |
Literary autonomy: the growth of a modern concept | |
Hegel's aesthetics and their influence | |
Marx, Engels and early Marxist criticism | |
Later Nineteenth-Century Developments: Realism, Naturalism, Symbolism and Decadence | |
Realism, naturalism and symbolism in France | |
Symbolism and realism in Germany | |
American literary realism | |
Decadence and fin de siècle | |
The avant-garde in early twentieth-century Europe | |
Some Major Critics of the Period: 20. Charles-Augustin Sainte-Beuve (1804-69) | |
Hippolyte Taine (1828-93) | |
Francesco De Sanctis (1817-83) | |
Matthew Arnold (1822-88) | |
Henry James (1843-1916) | |
George Brandes (1842-1927) | |
Genre Criticism | |
Theories of genre | |
Theories of the novel | |
Theories of poetry | |
Theories of drama | |
Literature and Other Disciplines | |
Literary criticism and models of science | |
Literature and the arts | |
Biblical scholarship and literary criticism | |
Bibliography | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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