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| Introduction: Reading, Responding To, and Writing about Literature | |
| Reading And Writing About Fiction | |
| Fiction: An Overview | |
| Stories for Study | |
| The Things They Carried | |
| Everyday Use | |
| Taking Care | |
| Plot and Structure: The Development and Organization of Stories Stories for Study | |
| The Blue Hotel | |
| A Worn Path | |
| Blue Winds Dancing | |
| Characters: The People in Fiction.Stories for Study | |
| Paul's Case | |
| Barn Burning | |
| A Jury of Her Peers | |
| Two Kinds | |
| Point of View: The Position or Stance of the Narrator or Speaker.Stories for Study | |
| An Occurrence at Owl Creek Bridge | |
| The Lottery | |
| Miss Brill | |
| How To Become A Writer. Tillie Olsen, I Stand Here Ironing | |
| A & P | |
| Setting: The Background of Place, Objects, and Culture in Stories | |
| Stories for Study | |
| The Story of an Hour | |
| And Sarah Laughed | |
| The Shawl | |
| The Cask of Amontillado | |
| Tone and Style: The Words That Convey Attitudes in Fiction | |
| Stories for Study | |
| Rape Fantasies | |
| Soldier's Home | |
| The Concert Stages of Europe | |
| The Found Boat | |
| First Confession | |
| Symbolism and Allegory: Keys to Extended Meaning | |
| Stories for Study | |
| The Fox and the Grapes | |
| Young Goodman Brown | |
| The Parable of the Prodigal Son | |
| The Fall of the House of Usher | |
| The Chrysanthemums | |
| The Thimble | |
| Idea or Theme: The Meaning and the Message in Fiction | |
| Stories for Study | |
| Araby | |
| The Horse Dealer's Daughter | |
| Home Soil | |
| Stories for Additional Study | |
| Snow | |
| Neighbors | |
| The Curse | |
| The Yellow Wallpaper | |
| The Loons | |
| A Good Man Is Hard to Find | |
| The Jilting of Granny Weatherall | |
| Reading And Writing About Poetry | |
| Meeting Poetry: An Overview | |
| Schoolsville | |
| Here a Pretty Baby Lies | |
| Sir Patrick Spens | |
| Poems for Study: | |
| My Last Duchess | |
| Because I Could Not Stop for Death | |
| Stopping by Woods on a Snowy Evening | |
| The Man He Killed | |
| Eagle Poem | |
| Loveliest of Trees | |
| The Death of the Ball Turret Gunner | |
| Ogichidag | |
| Sonnet 55: Not Marble, Nor the Gilded Monuments | |
| Words: The Building Blocks of Poetry | |
| The Naked and the Nude | |
| Poems for Study: | |
| The Lamb | |
| Green Grow the Rashes, O | |
| E.e. cummings, next to of course god america i | |
| Holy Sonnet 14: Batter My Heart, Three-Personed God | |
| The Fury of Aerial Bombardment | |
| Sonnet on the Death of Richard West | |
| Hello, Hello Henry | |
| Ethics | |
| Naming of Parts | |
| Richard Cory | |
| Dolor | |
| I Think Continually of Those Who Were Truly Great | |
| Disillusionment of Ten O'Clock | |
| Eating Poetry | |
| A Blessing | |
| Imagery: The Poem's Link to the Senses | |
| Cargoes | |
| Anthem for Doomed Youth | |
| The Fish | |
| Poems for Study: | |
| The Tyger | |
| Sonnets from the Portugese, No 14 | |
| The Pulley | |
| Gerard Manley Hopkins, Spring | |
| A Time Past | |
| Photos of a Salt Mine | |
| In a Station of the Metro | |
| Sonnet 130: My Mistress' Eyes Are Nothing Like the Sun | |
| It's Only Rock and Roll, but I Like It: The Fall of Saigon | |
| Rhetorical Figures: A Source of Depth and Range in Poetry | |
| On First Looking into Chapman's Homer | |
| Bright Star | |
| Let Us Take the Road | |
| Poems for Study: | |
| Rain Towards Morning | |
| A Red, Red Rose | |
| A Valediction: Forbidding Mourning | |
| Harlem | |
| To Autumn | |
| Portrait of a Figure Near Water | |
| Exit, Pursued by a Bear | |
| A Work of Artifice | |
| Metaphors | |
| Looking at Each Other | |
| Sonnet 18: Shall I Compare Thee to a Summer's Day? | |
| Sonnet 30: When to the Sessions of Sweet Silent Thoughts | |
| Facing West from California's Shores | |
| London, 1802 | |
| I Find No Peace | |
| Tone: The Creation of Attitude in Poetry | |
| The First-Rate Wife | |
| Dulce et Decorum Est | |
| The Workbox | |
| Epigram from the French | |
| Epigram, Engraved on the Collar of a Dog which I gave to his Royal Highness | |
| Poems for Study: | |
| London | |
| The Author to Her Book | |
| Homage to my hips | |
| She being Brand/-new | |
| Theme for English B | |
| John while swimming in the ocean | |
| The Planned Child | |
| Late Movies with Skyler | |
| From Epilogue to the Satires, Dialogue I | |
| Poem | |
| My Papa's Waltz | |
| True Love | |
| My Physics Teacher | |
| Dimensions | |
| Composed upon Westminster Bridge, September 3, 1802 | |
| Prosody: Sound, Rhythm, and Rhyme in Poetry | |
| Poems for Study: | |
| We Real Cool | |
| To Hear an Oriole Sing | |
| The Sun Rising | |
| Macavity: The Mystery Cat | |
| Upon Julia's Voice | |
| God's Grandeur | |
| Let America Be America Again | |
| A Theory of Prosody | |
| The Bells | |
| Miniver Cheevy | |
| Sonnet 73: That Time of Year Thou May'st in Me Behold | |
| Ode to the West Wind | |
| From Idylls of the King: The Passing of Arthur | |
| March for a One-Man Band | |
| Daffodills (I Wandered Lonely as a Cloud) | |
| Form: The Shape of the Poem | |
| The Eagle | |
| Anonymous, Spun in High, Dark Clouds | |
| Sonnet 116: Let Me Not to the Marriage of True Minds | |
| Reconciliation | |
| Easter Wings | |
| Poems For Study | |
| Buffalo Bill's Defunct | |
| To the Memory of Mr. Oldham | |
| Desert Places | |
| A Supermarket in California | |
| Nikki-Rosa | |
| Museum | |
| Virtue | |
| Mantle | |
| Ode to a Nightingale | |
| To His Coy Mistress | |
| When I Consider How My Light is Spent | |
| Ballad of Birmingham | |
| A Christmas Carol | |
| Ozymandias | |
| Women | |
| Do Not Go Gentle Into That Good Night | |
| Reapers | |
| The Shape of History | |
| Poetics Against the Angel of Death | |
| The Dance | |
| The Solitary Reaper | |
| Symbolism and Allusion: Windows to a Wide Expanse of Meaning | |
| Snow | |
| Poems for Study: | |
| Dover Beach | |
| In Just- | |
| The Canonization | |
| The Geese | |
| The Collar | |
| To the Virgins, to Make Much of Time | |
| The Purse- Seine | |
| La Belle Dame Sans Merci | |
| Ode on a Grecian Urn. Carol Muske, Real Estate | |
| Wild Geese | |
| A Noiseless Patient Spider | |
| Lines Written in Early Spring | |
| The Second Coming | |
| Myth: Systems of Symbolic Allusion In Poetry | |
| Leda and the Swan | |
| Poems Related to Homer's Odyssey | |
| Poems for Study: | |
| Siren Song | |
| Odysseus | |
| Penelope | |
| Odyssey: 20 Years Later | |
| Poems About the Story of Icarus | |
| Poems for Study: | |
| Flight 063 | |
| Icarus | |
| Waiting for Icarus | |
| Landscape with the Fall of Icarus | |
| Poems Related to the Phoenix | |
| Poems for Study: | |
| Berceuse | |
| The Phoenix Again | |
| A Poem about Oedipus | |
| Poems for Study: | |
| Myth | |
| Two Poetic Careers: Emily Dickinson and Robert Frost | |
| Poems by Emily Dickinson | |
| After Great Pain, a Formal Feeling Comes (Poem 341) | |
| The Bustle in a House (Poem 1078) | |
| Faith Is a Fine Invention (Poem 185) | |
| The Heart Is the Capital of the Mind (Poem 1354) | |
| I Cannot Live with You (Poem 640) | |
| I Died for Beauty but Was Scarce (Poem 449) | |
| I Heard a Fly Buzz When I Died (Poem 465) | |
| I Like to See It Lap the Miles (Poem 585) | |
| I'm Nobody! Who Are You (Poem 288)? | |
| I Never Felt at Home Below (Poem 413) | |
| I Never Lost as Much But Twice (Poem 49) | |
| I Taste a Liquor Never Brewed (Poem 214) | |
| Much Madness Is Divinest Sense (Poem 435) | |
| My Life Closed Twice Before Its Close (Poem 1732) | |
| My Triumph Lasted Till the Drums (Poem 1227) | |
| One Need Not Be a Chamber To Be Haunted (Poem 670) | |
| Safe in Their Alabaster Chambers (Poem 216) | |
| Some Keep the Sabbath Going to Church (Poem 324) | |
| The Soul Selects Her Own Society (Poem 303) | |
| Success Is Counted Sweetest (Poem 67) | |
| There's a Certain Slant of Light (Poem 258) | |
| This World Is Not Conclusion (Poem 501) | |
| Wild Nights Wild Nights! (Poem 249) | |
| Poems by Robert Frost: A Line-Storm Song (Poem 1913) | |
| Mending Wall (Poem 1914) | |
| Birches (Poem 1915) | |
| The Road Not Taken (Poem 1915) | |
| 'Out, Out ' (Poem 1916) | |
| The Oven Bird (Poem 1916) | |
| Fire and Ice (Poem 1920) | |
| Nothing Gold Can Stay (Poem 1923) | |
| Misgiving (1923) | |
| Acquainted with the Night (Poem 1928) | |
| Design (Poem 1936) | |
| A Considerable Speck (Poem 1942) | |
| Poems for Additional Study | |
| My Arkansas | |
| Anonymous, Healing Prayer from the Beautyway Chant | |
| Variation on the Word Sleep | |
| The Unknown Citizen | |
| Ka 'Ba | |
| Things We Dreamt We Died For | |
| Can. Lit | |
| A Black Man Talks of Reaping | |
| To My Dear and Loving Husband | |
| In Memory of My Father: Australia | |
| Primer for Blacks | |
| Sonnetts from the Portuguese: No. 43: How Do I Love Thee? | |
| Soliloquy of the Spanish Cloister | |
| The Destruction of Sennacherib | |
| This morning. the poet | |
| The killers that run.. | |
| Do Not Weep, Maiden, for War Is Kind | |
| Yet Do I Marvel | |
| If there are any heavens | |
| The Lifeguard | |
| Holy Sonet 6: This Is My Play's Last Scene | |
| Holy Sonet 7: At the Round Earth's Imagined Corners | |
| Holy Sonet 10: Death Be Not Proud | |
| A Hynm to God the Father | |
| Song. (Go, And Catch a Falling Star | |
| Since There's No Help | |
| Sympathy | |
| The Love Song of J. Alfred Prufrock | |
| Because One Is Always Forgotten | |
| Woman | |
| Sonnet Ending with a Film Subtitle | |
| Snapshot of Hué | |
| Hamod Leaves | |
| She's Free! | |
| Called | |
| Spring Rain | |
| Those Winter Sundays | |
| The Otter | |
| The Hair: Jacob Korman's Story | |
| Advice to Young Ladies | |
| Pied Beauty | |
| Negro | |
| The Answer | |
| Haiku | |
| Woodchucks | |
| Rhine Boat Trip | |
| A Final Thing | |
| In Computers | |
| Every Traveler Has One Vermont Poem | |
| To Lucasta, Going to the Wars | |
| Patterns | |
| Dark Pines under Water | |
| The White City | |
| What Lips My Lips Have Kissed, and Where, and Why | |
| Very Like a Whale | |
| Wahbegan | |
| Poem | |
| Ghosts | |
| A Story of How a Wall Stands | |
| Résumé | |
| Marks | |
| The Secretary Chant | |
| Last Words. Mirror | |
| Annabel Lee | |
| Archaeology | |
| The River-Merchant's Wife: A Letter | |
| Bells for John Whiteside's Daughter | |
| Diving Into the Wreck | |
| The Waking | |
| Right on: white america | |
| Chicago | |
| Dreamers | |
| I Have a Rendezvous with Death | |
| Fear No More the Heat o' the Sun | |
| Sonnet 29: When in Disgrace with Fortune and Men's Eyes | |
| Sonnet 146: Poor Soul, the Center of My Sinful Earth | |
| Auto Wreck | |
| Where Mountain Lion Lay Down with Deer | |
| Bluejays | |
| Not Waving But Drowning | |
| These Trees Stand | |
| Lost Sister | |
| Oranges | |
| Traveling Through the Dark | |
| Burying an Animal on the Way to New York | |
| The Emperor of Ice-Cream | |
| The Blue Booby | |
| A Refusal to Mourn the Death, by Fire, of a Child in London | |
| Perfection Wasted | |
| The Boxes | |
| Revolutionary Petunias | |
| Go, Lovely Rose | |
| Heart of Autumn | |
| Song of Napalm | |
| On Being Brought from Africa to America | |
| Walt Whitman, Full of Life Now. Beat! Beat! Drums! Dirge for Two Veterans | |
| The Sirens | |
| The Red Wheelbarrow | |
| Sailing to Byzantium | |
| The Day Zimmer Lost Religion | |
| Reading And Writing About Drama | |
| The Dramatic Vision: An Overview | |
| Plays For Study: | |
| Trifles | |
| Mulatto | |
| Tea Party | |
| Before Breakfast | |
| The Tragic Vision: Affirmation Through Loss | |
| Sophocles | |
| Oedipus the King | |
| Hamlet | |
| The Comic Vision: Restoring the Balance | |
| A Midsummer Night's Dream | |
| The Bear | |
| Am I Blue | |
| Plays for Additional Study | |
| A Dollhouse | |
| Death of a Salesman | |
| The Glass Menagerie | |
| Special Writing Topics About Literature | |
| Writing and Documenting the Research Essay | |
| Critical Approaches Important in the Study of Literature | |
| Taking Examinations on Literature | |
| Comparison-Contrast and Extended Comparison-Contrast: Learning by Seeing Literary Works Together | |
| Appendix: Brief Biographies of the Poets in Part III | |
| Glossary of Literary Terms | |
| Index of Authors, Titles, and First Lines | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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