Questions About This Book?
- The Used copy of this book is not guaranteed to include any supplemental materials. Typically, only the book itself is included.
- The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.
Ken Donelson and Alleen Nilsen, professors of English at Arizona State University, became friends and colleagues before they met each other. They both earned their Ph.D. degrees at the University of Iowa from G. Robert Carlsen, a pioneer in the field of young adult literature. Ken was Carlsen’s first Ph.D. student, with Alleen coming along a decade later. When Alleen and her husband moved to Arizona State in 1973, one of the first people she visited was Ken because Professor Carlsen had talked about him in class and had recruited Alleen as a writer for the Arizona English Bulletin, which Ken was editing.
Nevertheless, Professor Carlsen was surprised when his two former students, who happened to find themselves in the same part of the country, started working together because he thought they were so different. Ken writes like a historian, focusing on what’s old, while Alleen writes like a journalist, focusing on what’s new. And while Ken was a leader in fighting censorship, Alleen was a leader in fighting sexist language, which some people interpret as a form of censorship. She is the one who suggested they take turns with whose name goes first on each edition. In spite of their differences, what they learned from Professor Carlsen brought them together in support of the academic study of young adult literature. In 1973, they helped found ALAN (Assembly on Literature for Adolescents of NCTE); both have received ALAN’s Award for “Outstanding Contributions to the Field of Young Adult Literature,” and both served as presidents of ALAN. In 1974, they were the founding editors of The ALAN Newsletter, the forerunner of what is now The ALAN Review. After proving that they respected each other and could work together, they applied to be coeditors of the English Journal, a job they held from 1980 to 1987 when they wrote the first edition of Literature for Today’s Young Adults.
Thanks to Ken’s knowledge of history and his interest in censorship, the book was more complete than other textbooks of the time which mostly focused on realistic problem novels–books sometimes identified as bildungsroman or
apprenticeship novels–which are still the books most obviously identified as YA. But what Ken and Alleen demonstrated was that every genre, from adventure and biography to mysteries, fantasy, poetry, and the supernatural, were being written for teenagers and deserved a place in schools and libraries. And because Alleen’s first job at Arizona State University was teaching in the Department of Library Science in the College of Education, it seemed natural for them to bring in the work of librarians and reading teachers as well as of English teachers.
What has kept Literature for Today’s Young Adults the leading textbook in the field is the authors’ continuing love and enthusiasm for their chosen field of study. For each edition they have highlighted new and interesting trends and illustrated them with lively discussions of well-written books. It has helped that they are well-rounded scholars and have remained active in education as a whole.
Ken has published over five hundred articles, mostly on censorship, YA books, and problems in teaching secondary English reflecting his thirteen years of teaching high school English in Iowa. His articles, as well as others related to college teaching, have appeared in such journals as Clearing House, English Journal, High School Journal, and School Library Journal. Ken collected YA books published from 1850 through 1950 and when he retired from ASU he donated some eight hundred historical YA books and a nearly complete run of The Dime Novel Round-Up to ASU’s Hayden Library. The collection is strong in books by Kirk Munroe, Ralph Henry Barbour, and John Tunis, and in two Stratemeyer Literary Syndicate heroes, Tom Swift and Nancy Drew. Alleen has worked with her husband, linguistics Professor Don L. F. Nilsen, to promote a new approach to the teaching of vocabulary, as explained in Vocabulary Plus: High School and Up: A Source-Based Approach and Vocabulary Plus K—8: A Source-Based Approach (Pearson, 2004). Their Encyclopedia of 20th-Century American Humor (Oryx/Greenwood) was chosen by the American Library Association as one of the twenty best reference books published in 2000. In 2007, they published Names and Naming in Young Adult Literature as part of the Scarecrow Series in Young Adult Literature, edited by Patty Campbell. Alleen is also the author of Joan Bauer, the first book in Greenwood Press’s series Teen Reads: Student Companions to Young Adult Literature (2007), edited by James Blasingame.
Table of Contents
|Special Features||p. xiv|
|Understanding Young Adults and Books||p. 1|
|Young Adults and Their Reading||p. 1|
|What Is Young Adult Literature?||p. 1|
|A Word about Spoilers||p. 9|
|Stages of Literary Appreciation||p. 10|
|A University of Exeter Study on the Qualities of Good YA Books||p. 17|
|The Honor List: The Best of the Best, 1980-2007||p. 21|
|A Brief History of Young Adult Literature||p. 39|
|1800-1900: A Century of Purity with a Few Passions||p. 41|
|1900-1940: From the Safety of Romance to the Beginning of Realism||p. 50|
|1940-1960: From Certainty to Uncertainty||p. 59|
|1960-1980: Uncertainty Becomes Turbulence||p. 65|
|New Technology, New Attitudes, and New|
|A New Kind of Democracy with an Emphasis on Youth||p. 84|
|Critical Literacy||p. 92|
|Visual Literacy for the Eye Generation||p. 95|
|Religious and Ethnic Literacy||p. 95|
|Global Literacy||p. 97|
|Deciding on the Literary Canon||p. 103|
|Teaching Ethnic Literature||p. 106|
|Modern Young Adult Reading||p. 111|
|Contemporary Realistic Fiction: From Tragedies to|
|What Do We Mean by Realism?||p. 113|
|The Modern Problem Novel||p. 114|
|What Are the Problems?||p. 122|
|More Optimistic Novels||p. 132|
|Concluding Comments||p. 145|
|Poetry, Drama, Humor, and New Media||p. 147|
|A New Day for Poetry||p. 147|
|The Teaching of Poetry||p. 154|
|Making Drama a Class Act||p. 155|
|Humor Matters||p. 163|
|Comic Books and Graphic Novels||p. 174|
|Video Games as Interactive Literature||p. 177|
|Concluding Comments||p. 182|
|Adventure, Sports, Mysteries, and the|
|Adventure Stories||p. 183|
|Sports and the Game of Life||p. 193|
|Stories of the Supernatural||p. 208|
|Concluding Comments||p. 214|
|Fantasy, Science Fiction, Utopias, and|
|What Is Fantasy?||p. 216|
|What Is Science Fiction?||p. 231|
|Utopias and Dystopias||p. 238|
|Concluding Comments||p. 241|
|History and History Makers: Of People and|
|istorical Fiction||p. 243|
|Table of Contents provided by Publisher. All Rights Reserved.|