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| Denotes selection is new to this edition | |
| The Romantics and their Contemporaries | |
| Perspectives: The Sublime, the Beautiful, and the Picturesque | |
| From A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and the Beautiful | |
| From Three Essays on Picturesque Beauty, on Picturesque Travel, and on Sketching Landscape | |
| From A Vindication of the Rights of Men | |
| From Pride and Prejudice | |
| From Northhanger | |
| From Modern Painters | |
| The Mouse's Petition to | |
| On a Lady's Writing | |
| Inscription for an Ice-House | |
| To a Little Invisible Being Who Is Expected Soon to Become Visible | |
| To the Poor | |
| Washing-Day | |
| Eighteen Hundred and Eleven | |
| Response | |
| From A Review of Eighteen Hundred and Eleven | |
| The First Fire | |
| On the Death of the Princess Charlotte | |
| Charlotte Smith | |
| Elegiac Sonnets and Other Poems | |
| To the Moon | |
| "Sighing I see yon little troop at play." | |
| To melancholy. Written on the banks of the Arun October, 1785 | |
| Far on the Sands | |
| To tranquillity | |
| Written in the church-yard at Middleton in Sussex | |
| On being cautioned against walking on an headland overloooking the sea | |
| Table of Contents provided by Publisher. All Rights Reserved. |
