Mammoth Bones & Contemporary Beef
February 6, 2011
Mammoth Bones & Contemporary Beef, a witty new chap that may be small but wallops a strong punch that will knock you silly and leave you begging for more.
The editor in me kept looking for that one line that needed help. I finally gave in to his sparse economy of language which flows with an unconscious rhythm and wry dry humor. So dry it made me thirst for more, and I read the entire 36-page chap in one setting that went more quickly than I liked.
Congrats Alain, you made a big hit with me - and so what? You thought I would leave it at that because we used to edit the same mag? Gimme a break. I laughed so hard my eyes teared up and I cried. Not once but several times over in a few short hours. The honesty is over the top handed to us on a pedestal. The chapbook's cover, with its mammoth creatures mimic the poems. They are bigger than life and than all of us together. Thank his mom, Anatholie Alain for that, for keeping the organic life form emerging from Alainís third eye blind.
The pain more severe
disturbances of the
sitting in a dory
not giving a ratís [censored]
Only a poet (and sometime even poets donít) know how to lay out the work so true to form that it remains poetically true to its sparseness and economic wording. He references other poets to let us know he wonders if he matches up, makes the cut or has he been circumcised like most of us. He experiments with sounds and placements of vowels instinctually letting the poem find its own roots and meaning. He lets the poem decide where it needs to go,
The slow process of submission
Arriving at some maniacal correction
For the sís
So obsessed he
who was he kidding
even Blake thought he mightíve liked the
The words evolve to take us on a journey Ė a rampage inside ourselves where we explore to learn more about why we are who we are. Who else but writers would care where we are spiritually talent wise in life, and who but a writer would mix the two.
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