More New and Used
from Private Sellers
Usually Ships in 3-5 Business Days
Starting at $34.51
Questions About This Book?
Why should I rent this book?
Renting is easy, fast, and cheap! Renting from eCampus.com can save you hundreds of dollars compared to the cost of new or used books each semester. At the end of the semester, simply ship the book back to us with a free UPS shipping label! No need to worry about selling it back.
How do rental returns work?
Returning books is as easy as possible. As your rental due date approaches, we will email you several courtesy reminders. When you are ready to return, you can print a free UPS shipping label from our website at any time. Then, just return the book to your UPS driver or any staffed UPS location. You can even use the same box we shipped it in!
What version or edition is this?
This is the edition with a publication date of 2/15/2013.
What is included with this book?
- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
- The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.
From Egypt's Abu Simbel to South Dakota's Mount Rushmore to Tan Swie Hian's Earth Art Museum in China's Quingdao National Forest, mountains have long been shaped to resemble human personages, including pharaohs, presidents, and painters. Mountains and Memoryexplores this practice and traces the history of anthropomorphism-the attribution of human qualities to non-human nature-as expressed in the form of carvings on mountainous rock formations. Anthropomorphism can be understood as either perceptual, wherein natural forms are perceived as bearing human likeness, as is the case with New Hampshire's Old Man of the Mountain, or conceptual, wherein mountains are shaped sculpturally into human form, exemplified by Mount Rushmore. In both cases, the author argues, memory is enlisted to impose meaning on otherwise inchoate rock formations. In addition to exploring the theme through examples of actual mountains, the author also considers paintings and prints that impose human forms onto mountains and discusses projects that are still in development. In its range and attention, Mountains and Memoryoffers a unique look at mountains as the subject of both art and collective experience.