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Table of Contents
|Elements of Film Structure|
|Structure and the Camera|
|Structural Design and Creative Choice|
|The Camera and Human Perception: Cinema's Dual Capability|
|Collaboration and Previsualization|
|The Essentials of Cinematography|
|Cinematography and the Digital Domain|
|Visual Style and Design Quotations|
|Whatthe Production Designer Does|
|Basic Tools of Production Design|
|The Design Concept|
|Production Design and Special Effects|
|Acting in Film and Theater|
|Categories of Film Performers|
|Method and Technical Approaches to Performing|
|The Performer as an Element of Visual Design|
|Performance, Emotion, and the Viewerrsquo;s Response|
|Editing: Making the Cut|
|What Is Editing?|
|Linear and Nonlinear Systems|
|Functions of Editing|
|The Principles of Continuity Editing|
|Alternatives to Continuity Editing|
|Principles of Sound Design|
|Sound in Contemporary Film|
|Evolution of Film Sound|
|Types of Sound|
|The Nature of Narrative in Film|
|Story and Script|
|The Turn to Narrative in Early Film History|
|Elements of Narrative|
|The Classical Hollywood Narrative|
|The Viewer's Contribution to Narrative|
|Modes of Screen Reality|
|Fantasy and the Fantastic|
|The Global Dominance of Hollywood|
|International Influence of Hollywood Style|
|Film Criticism and Interpretation|
|Why Criticism Exists|
|The Task of the Critic|
|Modes of Criticism|
|Models of Film Theory|
|Table of Contents provided by Publisher. All Rights Reserved.|