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Multimedia Companion CD-ROM 5.0 t/a Music: An Appreciation, Brief Edition,9780072966589

Multimedia Companion CD-ROM 5.0 t/a Music: An Appreciation, Brief Edition

by
ISBN13:

9780072966589

ISBN10:
0072966580
Format:
Hardcover
Pub. Date:
2/11/2005
Publisher(s):
McGraw-Hill Humanities/Social Sciences/Languages
List Price: $46.90

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Table of Contents

Preface

Part I Elements

1. Sound: Pitch, Dynamics, and Tone Color

Pitch: Highnessor Lowness of Sound

Dynamics

Tone Color

Listening Outlines, Vocal Music Guides, and the Properties of Sound

The Firebird, Scene 2 by Igor StravinskyLISTENING OUTLINE

C-Jam Blues, by Duke Ellington and His Famous Orchestra

LISTENING OUTLINE

2. Performing Media: Voices and Instruments

Voices

Musical Instruments

String Instruments
Woodwind Instruments
Brass Instruments
Percussion Instruments
Keyboard Instruments
Electronic Instruments

The Young Person's Guide to the Orchestra, Op.34, by Benjamin Britten

LISTENING OUTLINE

3. Rhythm

Beat

Meter

Accent and Syncopation

Tempo

4. Music Notation

Notating Pitch

Notating Rhythm

Notating Silence (Rests)

Notating Meter

The Score

5. Melody

6. Harmony

Consonance and Dissonance

The Triad

Broken Chords (Arpegios)

Prelude in E Minor for Piano, Op. 28, No.4, by Frederic Chopin

LISTENING OUTLINE

PEFORMANCE PERSPECTIVE: Pianist Roger Kamien playing Chopin's Prelude in E Minor

7. Key

The Major Scale

The Minor Scale

The Key Signature

The Chromatic Scale

Modulation: Change of Key

Tonic Key

8. Musical Texture

Monophonic Texture

Polyphonic Texture

Homophonic Texture

Changes of Texture

Farandole from L'Arlésienne (The Woman from Arles) Suite No.2, by Georges Bizet

LISTENING OUTLINE

9. Musical Form

Techniques That Create Musical Form

Repetition
Contrast
Variation

Types of Musical Form

Three-Part (Ternary) Form: A B A
Dance of the Reed Pipes from Nutcracker Suite, by Peter Ilyich Tchaikovsky

LISTENING OUTLINE

Two-Part (Binary) Form: A B
Contradance No. 7 in E Flat from Twelve Contradances for Orchestra, by Ludwig van Beethoven

LISTENING OUTLINE

Listening for Form

10. Musical Style

Part II The Middle Ages and Renaissance

1. Music in the Middle Ages (450-1450)

Gregorian Chant

The Church Modes

Alleluia: Vidimus stellam (We have seen his star)

VOCAL MUSIC GUIDE

O Successores (You successors) by Hildegard of Bingen

VOCAL MUSIC GUIDE

Secular Music in the Middle Ages

Estampie

The Development of Polyphony: Organum

School of Notre Dame: Measured Rhythm

Fourteenth-Century Music: The "New Art" in France

Guilaume de Machaut

Puis qu'en oubli sui de vous (Since I am forgotten by you)

VOCAL MUSIC GUIDE

Notre Dame Mass: Agnus Dei

VOCAL MUSIC GUIDE

PERFORMANCE PERSPECTIVE: Andrew Parrott conducting the Agnus Dei from Machaut's Notre Dame Mass

2. Music in the Renaissance (1450-1600)

Characteristics of Renaissance Music

Word and Music
Texture
Rhythm and Melody

Sacred Music in the Renaissance

Josquin Desprez and the Renaissance Motet
Ave Maria...virgo serena (Hail Mary...serene virgin)

VOCAL MUSIC GUIDE

Palestrina and the Renaissance Mass
Pope Marcellus Mass: Kyrie

Secular Music in the Renaissance

Vocal Music: The Renaissance Madrigal
As Vesta Was Descending, by Thomas Weelkes

VOCAL MUSIC GUIDE

Instrumental Music

Passamezzo and Galiard, by Pierre Fransisque Caroubel, from Terpsichore, by Michael Praetorius

Part III The Baroque Period

1. Baroque Music (1600-1750)

Characteristics of Baroque Music

Unity of Mood
Rhythm
Melody
Dynamics
Texture
Chords and the Basso Continuo (Figured Bass)
Words and Music

The Baroque Orchestra

Baroque Forms

2. Music in Baroque Society

3. The Concerto Grosso and Ritornello Form

Brandenburg Concerto No.5 in D Major, by Johann Sebastian Bach: First Movement

LISTENING OUTLINE

4. The Fugue

Organ Fugue in G Minor (Little Fugue), by Johann Sebastian Bach

LISTENING OUTLINE

5. The Elements of Opera

6. Opera in the Baroque Era

7. Claudio Monteverdi

Orfeo (Orpheus)

VOCAL MUSIC GUIDE: Tu se morta (You are dead)

8. Henry Purcell

Ground Bass

Dido and Aeneas

VOCAL MUSIC GUIDE: Dido's Lament

9. The Baroque Sonata

Trio Sonata in A Minor, Op.3, No.10, by Arcangelo Corelli

10. Antonio Vivaldi

La Primavera (Spring), Concerto for Violin and String Orchestra, Op.8, No.1, from The Four SeasonsLISTENING OUTLINE: First MovementPERFORMANCE PERSPECTIVE: Violinist Jeanne Lamon plays and conducts Vivaldi's 'Spring' Concerto

11. Johann Sebastian Bach

Bach's Music

12. The Baroque Suite

Suite No.3 in D Major, by Johann Sebastian Bach

13. The Chorale and Church Cantata

The Church Cantata

Cantata No.140: Wachet auf, ruft uns die Stimme (Awake, a voice is calling us) by Johann Sebastian Bach

VOCAL MUSIC GUIDES: Fourth Movement; Seventh Movement

14. The Oratorio

15. George Frideric Handel

Handel's Music

Messiah

VOCAL MUSIC GUIDES: Ev'ry Valley Shall Be Exalted; Hallelujah Chorus

Part IV The Classical Period

Performance Perspective: Murray Perahia

1. The Classical Style (1750-1820)

Characteristics of the Classical Style

Contrast of Mood
Rhythm
Texture
Melody
Dynamics and the Piano
The End of the Basso Continuo

The Classical Orchestra

Classical Forms

2. Composer, Patron, and Public in the Classical Period

Vienna

3. Sonata Form

Exposition

Development

Recapitulation

Coda

Symphony No.40 in G Minor, K.550, by Wolfgang Amadeus Mozart: First Movement

LISTENING OUTLINE

4. Theme and Variations

Symphony No.94 in G Major (Surprise), by Joseph Haydn: Second Movement

LISTENING OUTLINE

5. Minuet and Trio

Eine kleine Nachtmusik (A Little Night Music), by Wolfgang Amadeus Mozart: Third Movement

LISTENING OUTLINE

6. Rondo

String Quartet in C Minor, Op.18, No.4, by Ludwig van Beethoven: Fourth Movement

LISTENING OUTLINE

7. The Classical Symphony

8. The Classical Concerto

9. Classical Chamber Music

10. Joseph Hadyn

Haydn's Music

Trumpet Concerto in E Flat Major: Third Movement

11. Wolfgang Amadeus Mozart

Mozart's Music

Don Giovanni

Act I: Excerpt from Opening Scene
Act 1: Madamina (Leporello's catalog aria)

Symphony No.40 in G. Minor, K.550

Piano Concerto No.23 in A Major, K.488

LISTENING OUTLINE: First Movement

PERFORMANCE PERSPECTIVE: Pianist Murray Perahia playing and conducting the first movement of Mozart's Piano Concerto in A Major, K. 488

12. Ludwig Van Beethoven

Beethoven's Music

Piano Sonata in C Minor, Op.13 (Pathétique)

Symphony No.5 in C Minor, Op.67

LISTENIG OUTLINES: First Movement; Second Movement

Part V The Romantic Period

1. Romanticism in Music (1820-1900)

Characteristics of Romantic Music

Individuality of Style
Expressive Aims and Subjects
Nationalism and Exoticism
Program Music
Expressive Tone Color
Colorful Harmony
Expanded Range of Dynamics, Pitch, and Tempo
Forms: Miniature and Monumental

2. Romantic Composers and Their Public

3. The Art Song

Strophic and Through-Composed Form

The Song Cycle

4. Franz Schubert

Schubert's Music

Erlkönig (The Erlking)

VOCAL MUSIC GUIDE

5. Robert Schumann

Robert Schumann's Music

Carnaval

6. Clara Wieck Schumann

Clara Wieck Schumann's Music

Liebst du um Schönheit (If you love for beauty)

VOCAL MUSIC GUIDE

7. Frédéric Chopin

Chopin's Music

Nocturne in E Flat Major, Op.9, No.2

LISTENING OUTLINE

Étude in C Minor, Op.9, No.12

LISTENING OUTLINE

Polonaise in A Flat Major, Op.53

8. Franz Liszt

Liszt's Music

Transcendental Étude No.10 in F Minor

9. Felix Mendelssohn

Mendelssohn's Music

Concerto for Violin and Orchestra in E Minor, Op.64: First Movement

10. Program Music

11. Hector Berlioz

Berlioz's Music

Symphonie fantastique (Fantastic Symphony)

LISTENING OUTLINE: Fourth Movement

12. Nationalism in Nineteenth-Century Music

The Moldau, by Bedřich Smetana

LISTENING OUTLINE

13. Antonin Dvořák

Symphony No.9 in E Minor (From the New World)

LISTENING OUTLINE

14. Peter Ilyich Tchaikovsky

Tchaikovsky's Music

Romeo and Juliet, Overture-Fantasy

15. Johannes Brahms

Brahm's Music

Symphony No.3 in F Major, Op. 90

LISTENING OUTLINE: Third Movement

16. Giuseppe Verdi

Verdi's Music

Rigoletto

17. Giacomo Puccini

La Bohème

VOCAL MUSIC GUIDE: Act 1: From Mimi's entrance through Che gelida manina

PERFORMANCE PERSPECTIVE: Tenor Luciano Pavarotti singing the part of Rodolfo in Puccini's La Boheme

18. Richard Wagner

Wagner's Music

Die Walküre (The Valkyrie)

VOCAL MUSIC GUIDE: Act I, Love Scene, Conclusion

Part VI The Twentieth Century

Performance Perspective: Bessie Smith

1. Musical Styles: 1900-1950

1900-1945: An Age of Musical Diversity

Characteristics of Twentieth-Century Music

Tone Color
Harmony
(Consonance and dissonance; New chord structures)
Alternatives to the Traditional Tonal System
Rhythm
Melody

2. Music and Musicians in Society

3. Impressionism and Symbolism

French Impressionist Painting

French Symbolist Poetry

4. Claude Debussy

Debussy's Music

Prelude a L'Apres-midi d'un faune (Prelude to The Afternoon of a Faun

LISTENING OUTLINE

5. Neoclassicism

6. Igor Stravinsky

Stravinsky's Music

Le Sacre du printemps (The Rite of Spring)

LISTENING OUTLINE: Part I, Introduction, Omens of Spring--Dances of the Youths and Maidens, Ritual of Abduction

7. Expressionism

8. Arnold Schoenberg

Schoenberg's Music

Atonality
The Twelve-Tone System

Pierrot lunaire, Op.21VOCAL MUSIC GUIDE: Mondestrunken (Moondrunk)

A Survivor from Warsaw, Op.46

VOCAL MUSIC GUIDE

9. Alban Berg

Wozzeck

10. Anton Webern

Webern's Music

Five Pieces for Orchestra, Op.10

LISTENING OUTLINE: Third Piece

11. Béla Bartók

Bartók's Music

Concerto for Orchestra

LISTENING OUTLINE: Second Movement

12. Charles Ives

Ives's Music

Putnam's Camp, Redding, Connecticut, from Three Places in New England

13. George Gershwin

Rhapsody in Blue

14. William Grant Still

Afro-American Symphony

LISTENING OUTLINE: Third Movement

15. Aaron Copland

Appalachian Spring

LISTENING OUTLINE: Theme and Variations on Simple Gifts

16. Musical Styles Since 1945

Characteristics of Music since 1945

Increased Use of the Twelve-Tone System
Extensions of the Twelve-Tone System: Serialism
Chance Music
Minimalist Music
Musical Quotation
Return to Tonality
Electronic Music
"Liberation of Sound"
Mixed Media
Rhythm and Form

17. Music Since 1945: Four Representative Pieces

Sonatas and Interludes for Prepared Piano, by John Cage

Sonata II

Poème électronique (Electronic Poem), by Edgard Varèse

LISTENING OUTLINE: Opening Segment

Short Ride in a Fast Machine, by John Adams

LISTENING OUTLINE

Concerto Grosso 1985, by Elen Taaffe Zwilich

LISTENING OUTLINE: First Movement

18. Jazz

Jazz in Society

Roots of Jazz

Ragtime
Blues
Lost Your Head Blues, by Bessie Smith

VOCAL MUSIC GUIDE

PERFORMANCE PERSPECTIVE: Bessie Smith singing Lost Your Head Blues

Elements of Jazz

Tone Color
Improvisation
Rhythm, Melody, and Harmony

Jazz Styles

New Orleans Style
Hotter Than That, by Louis Armstrong and His Hot Five

LISTENING OUTLINE

Swing
Bebop
Bloomdido, by Charlie Parker
Cool Jazz
Free Jazz
Jazz Rock (Fusion)
Miles Runs the Voodo Down, by Miles Davis

19. The American Musical and Music in Film

Musical Theater

Elements of the Musical
Development of the Musical

Leonard Bernstein

West Side Story

LISTENING OUTLINE: Tonight Ensemble

20. Rock

Development of Rock

Elements of Rock

Tone Color
Rhythm
Form, Melody, and Harmony
Lucy in the Sky with Diamonds, from Sgt. Pepper's Lonely Hearts Club
Band, by the Beatles

Part VII Nonwestern Music

Performance Perspective: Ravi Shenkar

1. Music in Nonwestern Cultures

Characteristics of Nonwestern Music

Oral Tradition
Improvisation
Voices
Instruments
Melody, Rhythm, and Texture

Interaction between Nonwestern and Western Music

2. Music in Sub-Saharan Africa

Music in Society

Elements of African Music

Rhythm and Percussion
Vocal Music
Texture

African Instruments

Idiophones
Membranophones
Aerophones and Chordophones

Ompeh

LISTENING OUTLINE

3. Classical Music of India

Performers

Improvisation

Elements of Indian Classical Music

Melodic Structure: Raga
Rhythmic Structure: Tala

InstrumentsMaru-Bihag, by Ravi Shankar

PERFORMANCE PERSPECTIVE: Sitar player Ravi Shankar performing Maru-Bihag

Appendixes

1. Glossary and Example Locator

2. Chronology

3. Recordings

Acknowledgments

Index



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