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Music for Analysis Examples from the Common Practice Period and the Twentieth Century Includes CD

by ; ;
Edition:
6th
ISBN13:

9780195188158

ISBN10:
0195188152
Format:
Spiral Bound
Pub. Date:
3/16/2006
Publisher(s):
Oxford University Press
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This is the 6th edition with a publication date of 3/16/2006.
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  • Music for Analysis : Examples from the Common Practice Period and the Twentieth Century
    Music for Analysis : Examples from the Common Practice Period and the Twentieth Century
  • Music for Analysis : Examples from the Common Practice Period and the Twentieth Century
    Music for Analysis : Examples from the Common Practice Period and the Twentieth Century




Summary

This superbly varied collection offers more than 400 pieces of music from the Baroque period to the present. Selected by Thomas Benjamin, Michael Horvit, and Robert Nelson--three nationally respected composers and music theory teachers--the selections enable students to analyze a wide variety of genres, styles, textures, and composers that illustrate standard usage and idiomatic procedures. Featuring both excerpts and many complete pieces, Music for Analysis, Sixth Edition, is the perfect vehicle for analysis of style, musical idiom, small forms, tonal harmony, and contemporary techniques. "Questions for Analysis" in each unit provide pointed, perceptive guidance throughout the book. A detailed checklist and model analysis in Appendix A provide a useful summary for students who are learning to analyze music. Features of the Sixth Edition: * Includes a free audio CD of more than 140 examples from the text played on the piano, harpsichord, or organ by Dr. Rosilee Walker Russell, Artist-in-Residence at the University of Arkansas - Fort Smith * In addition to the complete pieces included from the previous edition, the authors have added several new complete works, including "Gavea" by Darius Milhaud and a complete Mozart sonata * Integrates many new model analyses into the body of the text, helping students to achieve a comprehensive analysis of the music * Includes contrapuntal examples from composers other than Bach * Provides precise measure numbers for all excerpts from larger pieces * Adds an index of all complete pieces (supplementing the index of composers and making selections easier to find)

Table of Contents

CD Track List xvi
Preface to the Sixth Edition xix
Suggestions for Using This Book xxi
Part I Diatonic Materials Suggestions for Discussion
Tonic Triad Questions for Analysis
Haydn, Sonatina in G major, Hob. XVI: 8
3(1)
Czerny, Sonatina, op. 792, no. 8
3(1)
Rimsky-Korsakov, Le Coq d'Or: Hymn to the Sun
3(1)
Beethoven, Leonora Overture No. 2, op. 72
4(1)
Beethoven, Trio, op. 70, no. 2
4(1)
Chopin, Polens Grabgesang, op. 74
5(1)
Chopin, Valse (Posthumous)
6(1)
Beethoven, Symphony No. 5, op. 67
6(1)
Couperin, Carnival
7(1)
Dominant Triad in Root Position Questions for Analysis
Mozart, Rondo
8(1)
Kuhnau, Biblical Sonata No. 1: Victory Dance and Festival
8(1)
Beethoven, Fur Elise
9(1)
Schumann, Album for the Young, op. 68: Reiterstuck
9(1)
Weber, Euryanthe, op. 81: Overture
10(1)
Beethoven, Symphony No. 5, op. 67
10(2)
Dominant Seventh and Ninth in Root Position Questions for Analysis Model Analysis
Weber, German Dance
12(1)
Mozart, Sonata, K. 332
12(1)
Schubert, Wiegenlied, op. 98, no. 2
13(1)
Verdi, Rigoletto, Act I, no. 2
13(1)
Haydn, Sonata in E major, Hob. XVI: 13
14(1)
Beethoven, Symphony No. 4, op. 60
15(1)
Weber, Oberon: Overture
15(1)
Schubert, Landler
16(1)
Schubert, Valses Nobles, op. 77
16(1)
Mozart, Valse
17(1)
Subdominant Triad in Root Position Questions for Analysis
Scheidt, Bergamasca
18(1)
Schumann, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino
18(1)
Chopin, Mazurka, op. 17, no. 1
19(1)
Beethoven, Egmont Overture, op. 84
19(1)
Verdi, Rigoletto, Act I, no. 7
20(1)
Schubert, Impromptu, op. 90, no. 4, D. 899
21(1)
Kern, Look for the Silver Lining
22(1)
Beethoven, Seven Country Dances, no. 7
23(1)
Schubert, Landler
23(1)
Cadential Tonic Six-Four Chord Questions for Analysis
Schubert, Valses Sentimentales, op. 50, no. 18
24(1)
Chopin, Mazurka, op. 24, no. 3
24(1)
Donizetti, Lucia di Lammermoor, Act II, no. 6
25(1)
Beethoven, Trio, op. 97
26(1)
Tonic, Subdominant, and Dominant Triads in First Inversion Questions for Analysis
Bach, Lobt Gott, ihr Christen, allzugleich
27(1)
Mozart, Bastien und Bastienne, K. 46B, no. 9
27(1)
Mozart, Sonata, K. 332
28(1)
Haydn, Sonata in D major, Hob. XVI:37
28(1)
Mozart, Abendempfindung, K. 523
29(1)
Beethoven, Symphony No. 5, op. 67
29(1)
Beethoven, Fidelio, Act I, no. 9
30(1)
Mozart, Sonata, K. 570
30(1)
Mendelssohn, Elijah, op. 70, no. 29
30(1)
Couperin, Le Petit Rien
31(1)
Dandrieu, Les Fifres
31(2)
Supertonic Triad Questions for Analysis
Anonymous, Dir, dir, Jehovah, will ich singen
33(1)
Schubert, Waltz, op. 9, no. 3, D. 365
33(1)
Beethoven, Six Variations on ``Net cor piu non mi sento''
33(1)
Mozart, Die Zauberflote, K. 620, Act II, no. 21
34(1)
Chopin, Zwei Leichen
34(1)
Beethoven, Trio, op. 121A
35(1)
Verdi, Rigoletto, Act II, no. 14
36(1)
Chopin, Mazurka, op. 33, no. 2
37(1)
Haydn, Sonata in E minor, Hob. XVI: 34
37(1)
Inversions of the Dominant Seventh Chord Questions for Analysis
J. C. F. Bach, Nun danket alle Gott
38(1)
Haydn, Sonata in C major, Hob. XVI: 35
38(1)
Paisiello, Le donne sur balcone
38(1)
Mozart, Quartet, K. 464
39(1)
Beethoven, Sonata, op. 31, no. 3
39(1)
Rameau, Sarabande I, vol. I
40(1)
Haydn, Trio in C major, Hob. XV: 3
40(1)
Kuhlau, Sonatina, op. 20, no. 1
41(1)
Beethoven, Symphony No. 2, op. 36
42(1)
Beethoven, Minuet in C
42(1)
Linear (Embellishing) Six-Four Chords Questions for Analysis
Beethoven, Concerto No. 1 for Piano, op. 15
43(1)
Schubert, Valses Sentimentales, op. 50, no. 1, D. 779
43(1)
Mozart, Rondo, K. 485
44(1)
Haydn, Quartet, op. 3, no. 5
45(1)
Schubert, Waltz, op. 9, no. 1, D. 365
45(1)
Kuhlau, Sonatina, op. 88, no. 3
46(1)
Mozart, Symphony No. 35, K. 385
46(1)
Beethoven, Sonatina in G major
47(1)
Beethoven, Symphony No. 7, op. 92
47(2)
Mozart, Symphony No. 41, K. 551
49(1)
Haydn, Sonata in D major, Hob. XVI: 37
49(1)
Beethoven, Contradanse
50(1)
Buxtehude, Passacaglia
50(1)
Beethoven, Symphony No. 3, op. 55
51(1)
Gounod, Faust, Act I, no. 6
51(2)
Sullivan, H.M.S. Pinafore, ``I'm Called Little Buttercup''
53(1)
Submediant and Mediant Triads Questions for Analysis
Cruger, Herzliebster Jesu, was hast du verbrochen
54(1)
Anonymous, Dir, dir, Jehovah, will ich singen
54(1)
Bach, Schmucke dich, o liebe Seele
54(1)
Mozart, Bastien und Bastienne, K. 46B, no. 1
55(1)
Mozart, Sonata, K. 545
55(1)
Handel, Sonata in F for Flute and Continuo
56(1)
Verdi, Rigoletto, Act I, no. 1
56(1)
Brahms, Symphony No. 4, op. 98
56(1)
Corelli, Sonata for Violin and Continuo, op. 5, no. 9
57(1)
Schubert, Quartet in D major, D. 74
57(1)
Beethoven, Trio, op. 1, no. 3
58(1)
Mozart, Sonata, K. 283
59(1)
J. C. F. Bach, Menuet
59(1)
Tessier, Au joli bois je m'en vais
60(1)
Strauss, Der Rosenkavalier, Act III
60(1)
Brahms, Romance, op. 118, no. 5
61(1)
Schumann, Phantasiestucke, op. 12, no. 4, Grillen
62(1)
Schubert, Im Abendroth (Posthumous)
62(1)
Schubert, Symphony in C major (``The Great'')
63(2)
Leading Tone Triad Questions for Analysis
Teschner, Schatz uber alle Schatze
65(1)
Bach, Aus meines Herzens Grunde
65(1)
Schumann, Album for the Young, op. 68: Soldatenmarsch
65(1)
Handel, Courante
65(1)
Haydn, Sonata in E major, Hob. XVI: 49
66(1)
Haydn, Sonatina in D major, Hob. XVI: 4
66(1)
Mozart, Sonata, K. 280
67(1)
Daquin, La Joyeuse
68(1)
Variant Qualities of Diatonic Triads Questions for Analysis Scalar Variants in Minor
Bach, Herr, ich habe mibgehandelt
69(1)
Pachelbel, Chaconne
69(1)
Telemann, Fantasie No. 8
69(1)
Byrd, Pavana ``The Earle of Salisbury''
70(1)
A. Scarlatti, Folia
70(1)
Mattheson, Minuet
71(1)
Mozart, Sonata, K. 310
71(1)
Modal Borrowing
Verdi, La Traviata, Act I, no. 4
72(1)
Donizetti, Linda di Chamounix, ``O luce di quest'anima''
73(1)
Mozart, Sonata for Violin and Piano, K. 306
74(1)
Haydn, Sonatina in C major, Hob. XVI: 7
75(1)
Schubert, Aufenthalt
75(1)
Schubert, Der Wanderer
76(1)
Brahms, Symphony No. 3, op. 90
77(1)
Verdi, Il Trovatore, Act II, no. 11
78(1)
Beethoven, Symphony No. 5, op. 67
79(1)
Brahms, Symphony No. 4, op. 98
80(1)
Supertonic Seventh Chord Questions for Analysis
Anonymous, Herr, wie du willst, so schick's mit mir
81(1)
Bach, Straf' mich nicht in deinem Zorn
81(1)
Haydn, Sonata in A major, Hob. XVI: 46
81(1)
Grieg, Voegtersang
82(1)
Beethoven, Symphony No. 6, op. 68
82(1)
Schubert, Quartet, op. 168, D. 112
83(1)
Mozart, Sonata, K. 310
83(1)
Schubert, Standchen
84(1)
Beethoven, Symphony No. 2, op. 36
85(1)
Beethoven, Sonata, op. 14, no. 2
85(1)
Beethoven, Symphony No. 6, op. 68
86(1)
Bizet, Carmen, Act II: Entr'acte
87(1)
Rodgers, Blue Moon
87(2)
Leading Tone Seventh Chord Questions for Analysis
Dvorak, Quartet, op. 96
89(1)
Mozart, Sonata, K. 457
89(1)
Schumann, Carnaval, op. 9: Chiarina
89(1)
Brahms, Ballade, op. 10, no. 4
90(1)
Handel, Sonata for Flute and Continuo
90(1)
Haydn (?), Allegro
91(1)
Haydn, Trio in G major, Hob. XV: 25
91(1)
Mozart, Requiem, K. 626: Offertorium
92(1)
Haydn, Sonatina in G major, Hob. XVI: 11
93(1)
Handel, Judas Maccabaeus, Part III: no. 53, Introduction
94(1)
Wagner, Das Rheinghold, Scene 1
95(2)
Gluck, Orphee, Act I, no. 1
97(1)
Handel, Aria con Variazioni, Lecon No. 1
98(1)
Telemann, Fantasia, 1er Dozzina, no. 5
99(1)
Mozart, Sonata for Violin and Piano, K. 306
99(2)
Other Diatonic Seventh Chords Questions for Analysis
Bach, O Ewigkeit, du Donnerwort
101(1)
Mozart, Rondo. K. 494
101(1)
Mendelssohn, Kinderstuck, op. 72, no. 1
101(1)
Pachelbel, Fantasie
102(1)
Handel, Sonata for Flute and Continuo
102(1)
Handel, Lecon No. 2, Menuet
103(1)
Tchaikovsky, Symphony No. 4, op. 36
103(1)
Bach, French Suite in D minor
104(1)
Complete Pieces for Analysis I Checklist for Analysis
Beethoven, Minuet
105(1)
Schubert, Dance
106(1)
Schubert, German Dance, op. 33, no. 12
106(1)
Beethoven, Scottish Dance
107(1)
Purcell, Rigadoon
108(1)
Rameau, Minuet
109(1)
Witt, Passacaglia
110(2)
Grieg, Norsk
112(6)
Part II Chromatic Materials Suggestions for Discussion
Secondary (Applied, Borrowed) Dominants Questions for Analysis Model Analysis
Beethoven, Trio, op. 1, no. 1
118(1)
Mozart, Sonata, K. 281
118(1)
Schubert, Impromptu, op. 142, no. 3
119(1)
Haydn, Trio in D major
119(1)
Beethoven, Sonatina in G major
120(1)
Weber, Oberon: Overture
120(1)
Beethoven, Trio, op. 1, no. 1
121(1)
Schumann, Sonata, op. 118, Andante
122(1)
Beethoven, Symphony No. 1, op. 21
122(1)
Handel, Suite XI
123(1)
Schumann, Arabeske, op. 18
123(1)
Beethoven, Symphony No. 4, op. 60
124(1)
Schumann, Widmung, op. 25, no. 1
125(1)
Schubert, Symphony No. 8 (``Unfinished'')
126(1)
Schumann, Sonata, op. 118, Puppenwiegenlied
126(1)
Schubert, Quintet (``Die Forelle''), op. 114, D. 667
127(1)
Beethoven, Quintet, op. 29
128(1)
Beethoven, Trio, op. 11
129(1)
Verdi, Rigoletto, Act II, no. 7
130(2)
Handel, Suite XVI
132(1)
Beethoven, Sonata, op. 53
132(1)
Schubert, Symphony in C major (``The Great'')
132(1)
Beethoven, Trio, op. 1, no. 3
133(1)
Schubert, Mass in E major: Benedictus
134(1)
Mendelssohn, Midsummer Night's Dream, op. 61: Wedding March
135(1)
Verdi, Rigoletto, Act II, no. 14
136(1)
Bach, Christmas Oratorio, no. 4: Introduction
136(1)
Handel, Sonata VII for Flute and Continuo
137(1)
Chopin, Mazurka, op. 67, no. 2
138(1)
Chopin, Valse, op. 69, no. 1
138(1)
Chopin, Valse Brillante, op. 34, no. 3
139(1)
Gershwin, Someone to Watch Over Me
140(1)
Tchaikovsky, Morning Prayer
141(1)
Kern, Can I Forget You?
142(2)
Modulation to Closely Related Keys Questions for Analysis
Modulation to Dominant
Mozart, Symphony No. 39, K. 543
144(1)
Mozart, Sonata, K. 331
144(1)
Beethoven, Symphony No. 2, op. 36
145(1)
Haydn, Minuet
145(1)
Schubert, Quartet, D. 173
146(1)
Haydn, Sonata in C# minor, Hob. XVI: 36
146(1)
Mozart, Symphony No. 41, K. 551
147(1)
Chopin, Mazurka, op. 7, no. 2
148(1)
Haydn, Sonata in G major, Hob. XVI: 39
148(1)
Mozart, Sonata, K. 282, Menuet I
149(1)
Schubert, Quartet, D. 173
150(2)
Modulation to Relative Major
Haydn, Trio in F# minor, Hob. XV: 26
152(1)
Haydn, Sonata in E minor, Hob. XVI: 34
153(1)
Mozart, Sonata, K. 330
153(1)
Donizetti, Lucia di Lammermoor, Act I, Cavatina
154(1)
Brahms, Quintet, op. 115
155(1)
Beethoven, Symphony No. 7, op. 92
156(1)
Haydn, Symphony No. 104, Hob. I: 104
156(2)
Modulation to Other Closely Related Keys
Haydn, Sonatina, Hob. XVI: 1
158(1)
Bononcini, Deh piu a me non vascondete
158(1)
Saint-Saens, Carneval des Animaux: Le Cygne
159(2)
Brahms, Waltz, op. 39, no. 15
161(1)
Beethoven, Quartet, op. 18, no. 2
161(1)
Purcell, Dido and Aeneas, Act I, scene I
162(1)
Bach, French Suite in C Minor
163(1)
Complete Pieces for Analysis II Checklist for Analysis
Bach, Wachet auf, ruft uns die Stimme
164(1)
Bach, In dulci jubilo
165(1)
Bach, Christ lag in Todesbanden
166(1)
Handel, Menuet
167(1)
Beethoven, Sonata, op. 26
168(1)
Schumann, Sonata, op. 118, Abendlied
169(1)
Brahms, Waltz, op. 39
170(1)
Handel, Prelude
171(1)
Beethoven, Sonatina in F major
172(2)
Haydn, Sonata in G major, Hob. XVI: 27
174(3)
Rodgers, You Took Advantage of Me
177(4)
Linear (Embellishing) Diminished Seventh Chords Questions for Analysis
Haydn, Symphony No. 104, Hob. I: 104, Menuet
181(1)
Beethoven, Symphony No. 7, op. 92
181(1)
Liszt, Les Preludes
182(1)
Beethoven, Contradanse
183(1)
Tchaikovsky, Symphony No. 6, op. 74
183(1)
Beethoven, Quartet, op. 18, no. 3
184(1)
Schubert, Sonata, op. 53
184(1)
Gounod, Faust, Act IV, no. 18
185(1)
Schumann, Carnaval, op. 9: Arlequin
186(1)
Mozart, Waltz, K. 567
186(1)
Wagner, Rienzi: Overture
187(1)
Bellini, I Puritani, Act II, scene 3
187(1)
Haydn, Symphony No. 104, Hob. I: 104
188(1)
Rodgers, The Girl Friend
189(2)
Brahms, Liebeslieder Walzer, op. 52, no. 4
191(2)
Neapolitan Triad Questions for Analysis
Mozart, Concerto in A major, K. 488
193(1)
Schubert, Der Muller und der Bach
193(2)
Bach, Ach Gott, vom Himmel sieh' darein
195(1)
Bach, Invention No. 13
195(1)
Verdi, II Trovatore, Act II, no. 8
196(1)
Brahms, Intermezzo in A major, op. 118, no. 2
197(1)
Chopin, Prelude, op. 28, no. 20
198(1)
Beethoven, String Quartet, op. 59, no. 2
199(1)
Brahms, Wie Melodien zieht es mir, op. 105
200(1)
Beethoven, Quartet, op. 18, no. 3
200(1)
Schubert, Mass in E major: Credo
201(1)
Bach, The Well-Tempered Clavier, Vol. II, Fugue 17
202(1)
Chopin, Prelude, op. 28, no. 6
203(2)
Augmented Sixth Chords, Submediant Degree as Lowest Note Questions for Analysis
Italian
Bach, Ich hab' mein' Sach' Gott heimgestellt
205(1)
Beethoven, Bagatelle, op. 119, no. 1
205(1)
Beethoven, Coriolan Overture, op. 62
205(1)
Tchaikovsky, Mazurka
206(1)
Schubert, Quartet, op. 168, D. 112
206(1)
Beethoven, Symphony No. 1, op. 21
207(1)
German
Mozart, Sonata, K. 457
208(1)
Beethoven, Sonata, op. 109
209(1)
Haydn, Trio, Hob. XV: 25
209(1)
Beethoven, Thirty-Two Variations, Var. 30
210(1)
Sibelius, Chanson Sans Paroles, op. 40, no. 2
210(1)
Strauss, Der Rosenkavalier, Act I
211(1)
French
Mendelssohn, Elijah, op. 70, no. 1
212(1)
Schubert, Mass in G major: Kyrie
213(1)
Bach, Wer nur den lieben Gott lat walten
214(1)
Schubert, Sonata, op. 42
214(1)
Verdi, La Traviata, Act III: Prelude
215(1)
Schubert, Symphony in C major (``The Great'')
215(1)
Grieg, Alfedans, op. 12
216(1)
Herbert, Gypsy Love Song
217(1)
Enharmonic German
Schumann, Dichterliebe, op. 48, no. 12: ``Am leuchtenden Sommermorgen''
218(2)
Augumented Sixth Chords, Other Scale Degrees as Lowest Note Questions for Analysis
Mozart (?), Adagio
220(1)
Granados, Valses Poeticos
220(1)
Schubert, Symphony No. 8 (``Unfinished'')
221(1)
Moussorgsky, Songs and Dances of Death, no. 4
222(1)
Gluck, Orphee, Act I, nos. 6 and 7
223(1)
Augumented Sixth Chords, Other Uses Question for Analysis
Linear
Verdi, Rigoletto, Act I: Prelude
224(1)
Tchaikovsky, Song Without Words
224(1)
Tchaikovsky, Romeo and Juliet
225(1)
Schubert, Waltz
226(1)
Brahms, Intermezzo, op. 76, no. 4
226(1)
Tchaikovsky, The Witch
227(1)
Secondary
Chopin, Prelude, op. 28, no. 22
228(1)
Schubert, Mass in G major: Benedictus
228(2)
Schubert, Die Allmacht, op. 79, no. 2
230(1)
Altered Dominants
Schubert, Quintet, op. 163
231(1)
Liszt, Liebestraum, no. 3
232(1)
Rimsky-Korsakov, Snowmaiden, Chanson du Bonhomme Hiver
232(1)
Grieg, Solvejg's Lied
233(1)
Other Means of Modulation Question for Analysis
Schubert, Mass in G major: Gloria
234(1)
Brahms, Wenn du nur zuweilen lachelst, op. 57, no. 2
235(1)
Beethoven, Symphony No. 5, op. 67
236(1)
Schubert, Waltz, op. 9, no. 14, D. 365
237(1)
Mozart, Die Entfuhrung aus dem Serail, K. 384, Act III, no. 18
237(2)
Schumann, Symphony No. 2, op. 61
239(1)
Beethoven, Symphony No. 7, op. 92
239(1)
Haydn, String Quartet, op. 76, no. 6
240(1)
Beethoven, Sonata, op. 13
241(1)
Beethoven, Trio, op. 70, no. 1
241(2)
Scriabin, Prelude, op. 13, no. 3
243(1)
J. Strauss, Die Fledermaus: Overture
244(1)
Brahms, Wie bist du meine Konigen, op. 32, no. 9
244(2)
Schubert, Mass in A major: Agnus Dei
246(2)
Beethoven, Trio, op. 11
248(2)
Rachmaninoff, Melodie, op. 3, no. 3
250(1)
Schubert, Symphony No. 8 (``Unfinished'')
251(1)
Ninth Chords Questions for Analysis
Dominant Ninths
J. Strauss, Artist's Life Waltzes, op. 316, no. 3
252(1)
Franck, Sonata for Violin and Piano
252(1)
Beethoven, Andante
253(1)
Chopin, Valse Brillante, op. 34, no. 1
254(1)
Schumann, Waldesgesprach, op. 39, no. 3
254(1)
Chopin, Prelude, op. 28, no. 15
255(2)
Secondary Dominant Ninths
Bach, St. Matthew Passion, no. 78
257(1)
Schumann, Genoveva, op. 81: Overture
257(2)
Grieg, Grandmother's Minuet, op. 68, no. 2
259(1)
Schumann, Kinderszenen, op. 15, no. 7: Traumerei
259(1)
Nondominant Ninths
Grieg, Wedding Day at Troldhaugen, op. 65, no. 6
260(1)
Mendelssohn, Midsummer Night's Dream, op. 21: Overture
261(1)
Faure, Apres un Reve
261(2)
Extended Linear Usages Questions for Analysis
Chopin, Mazurka, op. 6, no. 1
263(1)
Brahms, ``Der Tod, das ist die kuhle Nacht,'' op. 96, no. 1
264(1)
Weber, Euryanthe: Overture
265(1)
Brahms, Variations on a Theme by Handel, var. 20
265(1)
Franck, Symphony in D minor
266(1)
Wagner, Lohengrin, Act I, scene 2
267(1)
Wagner, Wotan's Farewell, Die Walkure, Act III
268(2)
Rodgers, Lover
270(1)
Chopin, Prelude, op. 28, no. 9
271(1)
Beethoven, Quartet, op. 18, no. 6
272(3)
Complete Pieces for Analysis III Checklist for Analysis
Mozart, Minuet, K. 355
275(3)
Schumann, Myrthen, op. 25, no. 24
278(1)
Mendelssohn, Lieder ohne Worte, op. 30, no. 3
279(2)
Chopin, Mazurka, Op. posth. 67, no. 2
281(2)
Schumann, Phantasiestucke, op. 12, no. 3: Warum?
283(2)
Grieg, Erotikon
285(2)
Liszt, Il pensieroso, from Annees de Pelerinage
287(2)
R. Strauss, Morgen, op. 27, no. 4
289(3)
Wagner, Der Engel
292(4)
Beethoven, Sieben Variationen: Uber das Volkslied: God Save the King
296(6)
Mozart, Symphony No. 40, K. 550
302(5)
Beach, Phantoms
307(3)
Scott Joplin, A Breeze from Alabama: March and Two-Step
310(4)
Kern, Smoke Gets in Your Eyes
314(3)
Mozart, Sonata, K. 309
317(19)
Allegro con spirito
317(5)
Andante, un poco Adagio
322(4)
Allegretto grazioso
326(10)
Examples of Counterpoint Questions for Analysis
Bach, Ein' feste Burg ist unser Gott
336(1)
Bach, Es ist genug, so nimm, Herr
337(1)
Bach, Cantata No. 4: Sinfonia
338(1)
Bach, Chorale Prelude on ``In Dulci Jubilo''
339(3)
Bach, Chorale Prelude on ``Christ lag in Todesbanden''
342(1)
Brahms, Chorale Prelude on ``O Wie selig seid ihr doch, ihr Fommen''
343(2)
Purcell, ``Thy hand Belinda'', from Dido and Aeneas
345(4)
Bach, Invention No. 4, BWV 775
349(2)
Bach, Invention No. 13, BWV 775
351(1)
Bach, Sinfonia 3, BWV 789
352(2)
Bach, The Well-Tempered Clavier, Vol. I, Fugue 2
354(3)
Bach, The Well-Tempered Clavier, Vol. II, Fugue 9
357(3)
Mendelssohn, Fugue No. 2, op. 35
360(5)
Additional Examples for the Study of Contrapuntual Techniques
Part III Contemporary Materials Suggestions for Discussion
Extended and Altered Tertian Harmony Questions for Analysis
Hanson, Symphony No. 2, op. 30
365(1)
Kabalevsky, Sonatina, op. 13
365(1)
Hovhaness, Mysterious Mountain
366(1)
Shostakovich, Prelude, op. 34, no. 24
367(1)
Debussy, Pelleas et Mellisande, Act I, scene 1
367(1)
Scriabin, Poem, op. 32, no. 2
368(1)
Ravel, Valses Nobles et Sentimentales
369(1)
Rodgers, Slaughter on Tenth Avenue
370(1)
Weill, September Song
371(1)
Ellington, Prelude to a Kiss
372(1)
Duke Jordan, Jordu
373(1)
Berg, Four Songs, op. 2, no. 3
374(2)
Diatonic (Church) Modes Questions for Analysis
Bartok, Little Pieces for Children, no. III
376(1)
Chavez, Ten Preludes, no. 1
377(1)
Poulenc, Valse
377(2)
Debussy, Trois Chansons, no. 1
379(1)
Kabalevsky, Toccatina
379(1)
Britten, Ceremony of Carols, no. 8
380(2)
Debussy, Suite bergamasque, Passepied
382(1)
Floyd, Susannah, Act II, scene 3
382(1)
Stravinsky, Five Fingers: Lento
383(1)
Bartok, Fourteen Bagatelles, op. 6, no. 4
384(1)
Casella, Siciliana
385(2)
Adderley, Work Song
387(1)
Pandiatonicism and Additive Harmony Questions for Analysis
Ravel, Mother Goose Suite: The Magic Garden
388(1)
Milhaud, Touches Blanches
389(1)
Cowell, The Irishman Dances
389(1)
Copland, The Young Pioneers
390(1)
Barber, Excursions, III
390(1)
Stravinsky, Petroushka, Danse Russe
391(1)
Poulenc, Gloria, Laudamus te
392(1)
Exotic (Artificial, Synthetic) Scales Questions for Analysis
Milhaud, Touches Noires
393(1)
Bartok, Mikrokosmos, no. 78: Five Tone Scale
393(1)
Kodaly, Valsette
394(1)
Vaughan Williams, London Symphony
395(1)
Debussy, Preludes, II: Voiles
395(1)
Bartok, Mikrokosmos, no. 136: Whole Tone Scale
396(1)
Debussy, Pelleas et Melisande, Act II, scene 1
396(1)
Bartok, Fourteen Bagatelles, op. 6, no. 10
397(1)
Lutoslawski, Bucolic, no. 3
397(1)
Bartok, Mikrokosmos, no. 101: Diminished Fifth
398(1)
Bartok, Sketches, op. 9, no. 6
399(2)
Bartok, Fourteen Bagatelles, op. 6, no. 6
401(1)
Quartal and Secundal Harmony Questions for Analysis
Hindemith, Mathis der Maler: Grablegung
402(1)
Ives, Majority
402(1)
Krenek, Piano Piece, op. 39, no. 5
403(1)
Hindemith, Ludus Tonalis, Fuga secunda in G
404(1)
Bartok, Concerto for Orchestra
404(2)
Berg, Wozzeck, Act II
406(1)
Bartok, Mikrokosmos, no. 107: Melody in the Mist
407(1)
Berg, Wozzeck, Act II
408(1)
Cowell, Tiger
409(1)
Ives, Majority
410(1)
Brubeck, Blue Rondo a la Turk
411(2)
Polyharmony and Polytonality Questions for Analysis
Honegger, Symphony No. 5
413(1)
Schuman, A Three-Score Set, II
413(1)
Kraft, Allegro Giocoso
414(1)
Stravinsky, The Rake's Progress: Prelude
415(1)
Stravinsky, Petroushka, Scene 2
416(1)
Milhaud, Saudades do Brazil, no 7: Corcovado
417(1)
Bartok, Forty-Four Violin Duets, no. 33
417(1)
Brubeck, Strange Meadowlark
418(2)
Free Atonality Questions for Analysis
Schonberg, Drei Klavierstucke, op. 11, no. 1
420(1)
Schonberg, Klavierstucke, op. 19, no. 2
421(1)
Schonberg, Pierrot Lunaire, op. 21, no. 1: Mondestrunken
422(3)
Webern, Five Movements for String Quartet, op. 5, no. 4
425(1)
Bartok, Mikrokosmos, no. 144: Minor Seconds, Major Sevenths
426(1)
Bartok, Fourth String Quartet
427(2)
Sessions, From My Diary, III
429(1)
Berger, Two Episodes, I
430(2)
Twelve-Tone Serialism Questions for Analysis
Krenek, Dancing Toys, op. 83, no. 1
432(2)
Schonberg, Suite fur Klavier, op. 25: Gavotte
434(1)
Dallapiccola, Cinque Frammenti di Saffo
435(3)
Webern, Drei Lieder, op. 25, no. 1
438(2)
Music Since 1945 Questions for Analysis
Stockhausen, Klavierstucke, no. 2
440(1)
Lutoslawski, String Quartet (1965)
441(1)
Penderecki, String Quartet, no. 2
442(3)
Crumb, Madrigals, Book IV
445(1)
Druckman, Valentine, for solo contrabass
446(1)
Rouse, Valentine
447(1)
Horne, Six Short Studies, Sixteenth Notes
448(2)
Complete Pieces for Analysis IV Suggestion for Analysis
Ravel, Sonatine, Mouvt II
450(3)
Debussy, Pour le Piano: Sarabande
453(4)
Debussy, Preludes, X: La Cathedrale engloutie
457(5)
Milhaud, Saudades do Brazil, No. 6: Gavea
462(3)
Prokofiev, Classical Symphony, op. 25
465(2)
Prokofiev, March from The Love of Three Oranges
467(3)
Hindemith, Ludus Tonalis, Fuga undecima in B (Canon)
470(2)
Ruggles, Evocations, no. 1
472(1)
Schonberg, Suite fur Klavier, op. 25: Menuett
473(3)
Porter, Night and Day
476(5)
Gershwin, Porgy and Bess, ``Summertime''
481(4)
Stravinsky, Sonata for Two Pianos, II: Theme with Variations
485(11)
Hindemith, Piano Sonata, No. 2
496(4)
Macmillan, Piano Sonata, I
500(3)
Appendix A. Checklist for Analysis and Sample Analysis 503(4)
Appendix B. For Further Reference 507(1)
Appendix C. Textbook Correlation Chart 508(7)
Index of Composers and Their Compositions 515(6)
Index of Complete Pieces 521


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