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| Basic Concepts | |
| Sound | |
| Rhythm | |
| Melody | |
| Harmony | |
| Timbre | |
| Ancient Greece, The Middle Ages, The Renaissance | |
| The Music of Ancient Greece | |
| Medieval Music | |
| The Renaissance: General Characteristics | |
| Sacred Music of the Renaissance | |
| Secular Music in the Renaissance | |
| The Baroque (1600-1750) | |
| Toward the Baroque | |
| The Baroque: General Characteristics | |
| Dramatic Music of the Baroque | |
| Instrumental Music of the Baroque | |
| The Classical Period (1750-1820) | |
| Toward Classicism | |
| The Classical period: General Characteristics | |
| Formal Design in the Classical Period | |
| Vocal Music in the Classical Period | |
| The Age of Romanticism (1820-1910) | |
| Toward Romanticism | |
| The Romantic Style: General Characteristics | |
| The Romantic Style: Orchestral Music Program Music | |
| The Romantic Style: Music for Solo | |
| Dramatic Music of the Romantic Period | |
| Music in Nineteenth-Century America | |
| Revolution and Evolution: Music in the Twentieth Century Concert and Beyond | |
| Toward a New Music | |
| Twentieth-Century Arts: General Characteristics | |
| Musical Revolutionaries | |
| Musical Evolutionaries | |
| Music for Stage and Films | |
| Jazz Postlude. The New Internationalism Codetta | |
| Table of Contents provided by Publisher. All Rights Reserved. |
