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9780072830460

Music : The Art of Listening

by
  • ISBN13:

    9780072830460

  • ISBN10:

    0072830468

  • Edition: 6th
  • Format: Paperback w/CD-ROM
  • Copyright: 2002-08-15
  • Publisher: McGraw-Hill College
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Summary

Emphasizing music in the context of the society that surrounds it, Music: The Art of Listening weaves the development of Western music into the fabric of cultural history, paying special attention to the biographies of significant composers.

Table of Contents

Listening Examples
xxv
Optional Listening Guides xxvii
Preface xxix
Overture xxxii
Part One BASIC CONCEPTS 2(60)
Sound
5(6)
Pitch
5(2)
Naming Pitches
6(1)
Notating Pitches
7(1)
Intervals
7(1)
Dynamics
7(1)
Listening Example 1: Richard Strauss, Introduction to Also sprach Zarathustra
8(1)
Summary
9(1)
Critical Thinking
9(1)
Terms to Review
9(1)
Encore
10(1)
Optional Listening Examples
10(1)
Suggestion for Further Listening
10(1)
Rhythm
11(8)
Tempo
11(1)
Meter
12(2)
Accent
13(1)
Listening Example 2. Scott Joplin: ``Maple Leaf Rag''
14(1)
Conducting Patterns
15(1)
Summary
15(1)
Critical Thinking
16(1)
Terms to Review
16(1)
Encore
17(2)
Optional Listening Example
17(1)
Suggestions for Further Listening
17(1)
Suggestion for Viewing
17(2)
Melody
19(8)
Melodic Types
21(1)
Scales
21(2)
Major and Minor Scales
22(1)
Tonic Note
22(1)
Listening Example 3. Camille Saint-Saens: ``My heart opens to your voice'' from Samson and Delilah
23(1)
Chromatic Scale
24(1)
Whole-Tone Scale
24(1)
Listening Example 4. Claude Debussy: ``Voiles'' from Preludes, Book I
24(1)
Pentatonic Scale
24(1)
Summary
25(1)
Critical Thinking
25(1)
Terms to Review
26(1)
Encore
26(1)
Optional Listening Examples
26(1)
Suggestions for Further Listening
26(1)
Harmony
27(8)
Chords
27(1)
Tonality
28(1)
Consonance and Dissonance
29(1)
Texture
29(1)
Listening Example 5. Keith Jarrett (arr.): ``Shenandoah'' (excerpt)
30(1)
Listening Suggestion
31(1)
Summary
32(1)
Critical Thinking
32(1)
Terms to Review
32(1)
Encore
33(2)
Optional Listening Examples
33(1)
Suggestions for Further Listening
33(2)
Timbre
35(14)
Vocal Timbres
36(1)
Instruments of the Orchestra
36(6)
String Instruments
37(1)
Woodwinds
37(2)
Brass Instruments
39(1)
Percussion Instruments
40(2)
Listening Example 6. Benjamin Britten: The Young Person's Guide to the Orchestra
42(1)
Keyboard Instruments
43(2)
Harpsichord
43(1)
Piano
44(1)
Pipe Organ
44(1)
Electronic Instruments
45(2)
Electronic Synthesizer
45(1)
MIDI
46(1)
Summary
47(1)
Critical Thinking
47(1)
Terms to Review
47(1)
Encore
48(1)
Suggestion for Viewing
48(1)
Attending Performances
49(13)
Performance Procedures
50(1)
Orchestral Performances
50(3)
Orchestral Forms
52(1)
The Printed Program
52(1)
Band Performances
53(1)
Other Performances
54(3)
Chamber Music
54(1)
Choral Music
55(1)
Dance
55(1)
Music Theater
56(1)
How to Write about Music
57(2)
Different Kinds of Performances
58(1)
Subjective Reactions
58(1)
Summary
59(1)
Critical Thinking
59(1)
Terms to Review
59(3)
Part Two ANCIENT GREECE, THE MIDDLE AGES, THE RENAISSANCE 62(54)
The Music of Ancient Greece
65(8)
Historical Perspective
65(1)
Music in Greek Life
66(2)
The Greeks' Lasting Influence
68(2)
Music and Words
68(1)
Stories and Myths
69(1)
The Philosophy of Music
69(1)
Scientific Theories of Music
70(1)
Classicism versus Romanticism in Art
70(1)
Summary
71(1)
Critical Thinking
71(1)
Terms to Review
72(1)
Medieval Music
73(18)
Historical Perspective
74(1)
Artistic Style
74(2)
Early Christian Music
76(3)
Modes
77(1)
Further Characteristics of Medieval Music
77(1)
Gregorian Chant
78(1)
Listening Example 7. Kyrie IV from ``Cunctipotens genitor''
79(1)
Rise of Polyphony
79(1)
Secular Music
80(1)
Song
80(1)
The English Sound
81(1)
Instrumental Music
81(1)
Listening Example Anonymous: ``Sumer is icumen in''
81(2)
Hildegard of Bingen (1098-1179)
83(1)
The New Art
84(2)
Historical Perspective
85(1)
Listening Example 9. Hildegard of Bingen: ``Nunc aperuit nobis''
86(3)
Artistic Style
86(2)
Music
88(1)
The Mass
88(1)
Summary
89(1)
Critical Thinking
89(1)
Terms to Review
89(1)
Key Figures
90(1)
Encore
90(1)
Optional Listening Examples
90(1)
Suggestions for Further Listening
90(1)
The Renaissance: General Characteristics
91(8)
Historical Perspective
91(2)
The Reformation
92(1)
The Counter-Reformation
93(1)
Artistic Style
93(3)
Architecture
96(1)
Sculpture
96(1)
Music
96(1)
Timbre
97(1)
Texture
97(1)
Renaissance Modes
97(1)
Summary
97(1)
Critical Thinking
98(1)
Terms to Review
98(1)
Key Figures
98(1)
Religious Music of the Renaissance
99(8)
Renaissance Motet
99(2)
Josquin des Prez (c. 1445-1521)
100(1)
Renaissance Mass
101(1)
Giovanni Pierluigi da Palestrina (c. 1524-1594)
101(1)
Listening Example Giovanni Pierluigi da Palestrina: Agnus Dei I from Missa Papae Marcelli
102(1)
Protestant Worship Music
102(3)
Chorale
103(1)
Psalm Tunes
104(1)
Summary
105(1)
Critical Thinking
105(1)
Terms to Review
105(1)
Key Figures
105(1)
Encore
106(1)
Optional Listening Examples
106(1)
Suggestions for Further Listening
106(1)
Secular Music in the Renaissance
107(9)
Madrigal
107(1)
Listening Example 11. Thomas Weelkes: ``As Vesta Was from Latmos Hill Descending''
108(1)
Instrumental Music
109(2)
String Instruments
109(1)
Keyboard Instruments
110(1)
Listening Example 12. John Dowland: ``Queen Elizabeth's Galliard''
111(2)
Wind Instruments
112(1)
Ensembles
112(1)
Summary
113(1)
Critical Thinking
113(1)
Terms to Review
113(1)
Key Figures
114(1)
Encore
114(2)
Suggestions for Further Listening
114(2)
Part Three THE BAROQUE, CLASSICAL, AND ROMANTIC PERIODS 116(158)
Toward the Baroque
119(12)
Historical Perspective
119(1)
Artistic Style
119(4)
Music
123(1)
Carlo Gesualdo (c. 1560-1613)
123(1)
Venetian School
123(1)
Listening Example 13. Carlo Gesualdo: ``Moro Lasso''
124(2)
Giovanni Gabrieli (1557-1612)
125(1)
Listening Example 14. Giovanni Gabrieli: Sonata Pian' e Forte
126(1)
Florentine Camerata
127(1)
Summary
127(1)
Critical Thinking
128(1)
Terms to Review
128(1)
Key Figures
128(1)
Encore
129(2)
Suggestion for Further Listening
129(2)
The Baroque: General Characteristics
131(10)
Historical Perspective
131(2)
Religion
131(1)
Science and Philosophy
132(1)
Artistic Style
133(3)
Literature
133(1)
Painting
134(1)
Sculpture
135(1)
Music
136(2)
Contrasts
137(1)
Texture
137(1)
Rise of Tonality
138(1)
Summary
138(1)
Critical Thinking
138(1)
Terms to Review
139(1)
Key Figures
139(2)
Dramatic Music of the Baroque
141(14)
Claudio Monteverdi (1567-1643)
141(1)
First and Second Practice
142(1)
Early Opera
143(2)
Recitative
143(1)
Aria
144(1)
Henry Purcell (c. 1659-1695)
145(1)
Listening Example 15. Henry Purcell: ``Thy hand, Belinda, darkness shades me'' and ``When I am laid in earth'' from Dido and Aeneas
146(1)
Late Baroque Opera
146(1)
Bel Canto
147(1)
Ballad Opera
147(1)
George Frideric Handel (1685-1759)
148(1)
Oratorio
148(2)
Messiah
148(2)
Listening Example 16. George Frideric Handel: ``Hallelujah'' Chorus from Messiah
150(1)
Johann Sebastian Bach (1685-1750)
150(1)
Cantata
151(1)
Listening Example 17. Johann Sebastian Bach: Cantata no. 140, ``Wachet auf'' (``Sleepers Wake''), first movement
152(1)
Summary
153(1)
Critical Thinking
153(1)
Terms to Review
153(1)
Key Figures
154(1)
Encore
154(1)
Optional Listening Examples
154(1)
Suggestions for Further Listening
154(1)
Baroque Instrumental Music
155(12)
Music for Keyboards
155(2)
Fugue
156(1)
Prelude
156(1)
Listening Example 18. Johann Sebastian Bach: Fugue in G Minor (``Little'' Fugue)
157(1)
Toccata
157(1)
Suite
158(1)
The Continuo
158(1)
Chamber Music
159(1)
Sonata
159(1)
Orchestral Music
159(1)
Antonio Vivaldi (1678-1741)
160(1)
Listening Example 19. Antonio Vivaldi: ``Spring'' Concerto from The Four Seasons, first movement
160(2)
Concerto Grosso
161(1)
Listening Example 20. Johann Sebastian Bach: Brandenburg Concerto no. 2 in F Major
162(1)
Summary
163(1)
Critical Thinking
163(1)
Terms to Review
164(1)
Key Figures
164(1)
Encore
165(2)
Optional Listening Examples
165(1)
Suggestions for Further Listening
165(2)
Toward Classicism
167(8)
Historical Perspective
167(1)
Visual Arts
168(1)
Music
169(2)
Expressive Style
171(1)
Listening Example 21. Francois Couperin: ``Le tic-toc-choc'' from Ordre 18
172(1)
Summary
172(1)
Critical Thinking
173(1)
Terms to Review
173(1)
Key Figures
173(1)
Encore
173(2)
Suggestions for Further Listening
173(2)
The Classical Period: General Characteristics
175(14)
Historical Perspective
175(1)
The Enlightenment
176(1)
Artistic Style
176(2)
Painting
177(1)
Sculpture and Architecture
178(3)
Literature
181(1)
Music in Europe
181(2)
General Characteristics
182(1)
Viennese Style
183(1)
Music in America
183(3)
Singing School Movement
183(2)
Art Music
185(1)
Summary
186(1)
Critical Thinking
186(1)
Terms to Review
186(1)
Key Figures
187(1)
Encore
187(2)
Optional Listening Examples
187(2)
Formal Design in the Classical Period
189(14)
The Orchestra
189(1)
Symphony
190(2)
Sonata-Allegro
191(1)
Listening Example 22. Wolfgang Amadeus Mozart: Symphony no. 40 in G Minor, K. 550, first movement
192(1)
Wolfgang Amadeus Mozart (1756-1791)
193(1)
Minuet and Trio
193(1)
Solo Concerto
194(1)
Rondo
194(1)
Listening Example 23. Wolfgang Amadeus Mozart: Symphony no. 40 in G Minor, K. 550, third movement
195(1)
Franz Joseph Haydn (1732-1809)
196(1)
Listening Example 24. Franz Joseph Haydn: Trumpet Concerto in E-Flat Major, third movement
196(1)
Chamber Music
197(1)
Theme and Variations
198(1)
Sonata
198(1)
Listening Example 25. Franz Joseph Haydn: String Quartet in C Major (``Emperor''), op. 76, no. 3, second movement
199(1)
Summary
199(1)
Critical Thinking
200(1)
Terms to Review
200(1)
Key Figures
200(1)
Encore
201(2)
Optional Listening Examples
201(1)
Suggestions for Further Listening
201(1)
Suggestion for Viewing
201(2)
Vocal Music in the Classical Period
203(10)
Opera
203(4)
Comic Opera
204(1)
Mozart's Operas
205(2)
Listening Example 26. Wolfgang Amadeus Mozart: The Marriage of Figaro, excerpt from Act I
207(1)
Religious Music
208(2)
Summary
210(1)
Critical Thinking
210(1)
Terms to Review
211(1)
Key Figures
211(1)
Encore
211(2)
Optional Listening Examples
211(1)
Suggestions for Further Listening
211(2)
Toward Romanticism
213(14)
Literature
214(1)
Painting
214(1)
Music
215(2)
Ludwig van Beethoven (1770-1827)
217(2)
The Symphonies
218(1)
Franz Schubert (1797-1828)
219(1)
Listening Example 27. Ludwig van Beethoven: Symphony no. 5 in C Minor, first movement
220(3)
Schubert's Instrumental Music
221(1)
Art Song
222(1)
Listening Example 28. Franz Schubert: ``Erlkonig'' (``Erlking'')
223(1)
Summary
224(1)
Critical Thinking
225(1)
Terms to Review
225(1)
Key Figures
225(1)
Encore
226(1)
Optional Listening Examples
226(1)
Suggestions for Further Listening
226(1)
Suggestion for Viewing
226(1)
The Romantic Style; Orchestral Music
227(22)
Characteristics of Romanticism
227(2)
Fascination with the Unknown
227(1)
Love of Nature
228(1)
Art for Art's Sake
228(1)
History versus Science
228(1)
The Romantic Psyche
228(1)
Artistic Style
229(3)
Painting
230(2)
Romantic Music-An Overview
232(1)
Melodic Techniques
232(1)
Harmony
232(1)
Individualism
232(1)
Nationalism and Internationalism
233(1)
Orchestral Program Music
234(3)
Concert Overture
234(1)
Peter Ilich Tchaikovsky (1840-1893)
234(2)
Program Symphony
236(1)
Hector Berlioz (1803-1869)
236(1)
Listening Example 29. Hector Berlioz: Symphonie fantastique, fifth movement, ``Dream of a Witch's Sabbath''
237(3)
Symphonic Poem
238(1)
Franz Liszt (1811-1886)
239(1)
Absolute Music
240(2)
Solo Concerto
240(1)
Felix Mendelssohn (1809-1847)
240(1)
Fanny Mendelssohn Hensel (1805-1847)
241(1)
Symphony
242(1)
Johannes Brahms (1833-1897)
242(1)
Music in Nineteenth-Century America
243(1)
Bands
244(1)
Orchestral Music
244(1)
Summary
244(1)
Critical Thinking
245(1)
Terms to Review
246(1)
Key Figures
246(1)
Encore
247(2)
Optional Listening Examples
247(1)
Suggestions for Further Listening
247(1)
Suggestion for Viewing
248(1)
The Romantic Style: Piano and Vocal Music
249(12)
Robert Schumann (1810-1856)
249(1)
Clara Wieck Schumann (1819-1896)
250(1)
Song in America
251(1)
Stephen Foster (1826-1864)
251(1)
Choral Music
252(1)
Piano Music
253(2)
Frederic Chopin (1810-1849)
253(2)
Character Pieces
255(1)
Piano Music in America
255(1)
Louis Moreau Gottschalk (1829-1869)
255(1)
Listening Example 30. Frederic Chopin: Polonaise in A-Flat Major, op. 53
256(1)
American Music Comes of Age
256(2)
Amy Cheney Beach (1867-1944)
257(1)
Edward MacDowell (1860-1908)
257(1)
Summary
258(1)
Critical Thinking
258(1)
Terms to Review
259(1)
Key Figures
259(1)
Encore
260(1)
Optional Listening Examples
260(1)
Suggestions for Further Listening
260(1)
Suggestions for Viewing
260(1)
Music Theater in the Nineteenth Century
261(13)
Opera in France
261(1)
Italian Romantic Opera
262(1)
Verismo
262(1)
Music Drama
263(1)
Listening Example 31. Giuseppe Verdi: ``Celeste Aida'' (``Heavenly Aida'') from Aida
264(3)
Richard Wagner (1813-1883)
265(2)
Listening Example 32. Richard Wagner: ``Liebestod'' (``Love-Death'') from Tristan und Isolde
267(1)
Operetta
268(2)
Gilbert and Sullivan
269(1)
Listening Example 33. Arthur Sullivan. ``I am the very model of a modern major general'' from The Pirates of Penzance
270(1)
Music Theater in America
271(1)
Summary
272(1)
Critical Thinking
272(1)
Terms to Review
272(1)
Key Figures
273(1)
Encore
273(1)
Optional Listening Examples
273(1)
Suggestions for Further Listening
273(1)
Suggestion for Viewing
273(1)
Part Four TWENTIETH-CENTURY CONCERT MUSIC 274(80)
Toward a New Music
277(22)
Richard Strauss (1864-1949)
277(1)
Gustav Mahler (1860-1911)
278(1)
Impressionism
279(6)
Literature
279(1)
Painting
279(2)
Music
281(2)
Claude Debussy (1862-1918)
283(2)
Listening Example 34. ``Kebjar Hudjan Mas'' (gamelan music)
285(1)
Listening Example 35. Claude Debussy: Prelude a ``L'apres-midi d'un faune'' (Prelude to ``The Afternoon of a Faun'')
285(2)
Other Impressionists
286(1)
Primitivism
287(2)
Painting
287(2)
Music
289(1)
Listening Example 36. Igor Stravinsky: Excerpts from Part I of Le sacre du printemps
289(2)
Igor Stravinsky (1882-1971)
290(1)
Expressionism
291(2)
Painting
291(1)
Literature
292(1)
Music
293(1)
Arnold Schoenberg (1874-1951)
293(1)
Listening Example 37. Arnold Schoenberg: ``Mondestrunken'' from Pierrot Lunaire
294(1)
Summary
295(1)
Critical Thinking
296(1)
Terms to Review
296(1)
Key Figures
296
Encore
287(12)
Optional Listening Examples
297(1)
Suggestions for Further Listening
297(2)
Twentieth-Century Arts: General Characteristics
299(10)
Visual Arts
299(3)
Pablo Picasso (1881-1973)
300(2)
Music: an Overview
302(6)
Melody
304(1)
Harmony
305(1)
Rhythm and Meter
306(1)
Timbre
306(1)
Texture
307(1)
Form
307(1)
Summary
308(1)
Critical Thinking
308(1)
Terms to Review
308(1)
Key Figure
308(1)
Encore
308(1)
Suggestion for Viewing
308(1)
The Revolutionaries
309(24)
Twelve-Tone Technique
310(3)
Total Serialism
311(1)
Anton Webern (1883-1945)
311(2)
Listening Example 38. Anton Webern: Five Pieces for Orchestra, op. 10
313(1)
Alban Berg (1885-1935)
313(1)
Experimentalism
314(2)
Charles Ives (1874-1954)
314(2)
Listening Example 39. Charles Ives: ``At the River''
316(2)
Henry Cowell (1897-1965)
316(2)
Listening Example 40. Henry Cowell: ``The Banshee''
318(1)
Edgard Varese (1883-1965)
319(1)
Electronic Music
319(2)
Milton Babbitt (b. 1916)
320(1)
Listening Example 41. Milton Babbitt: Ensembles for Synthesizer (excerpt)
321(1)
Indeterminate Music
322(3)
John Cage (1912-1992)
324(1)
Listening Example 42. John Cage: The Perilous Night, No. 1
325(2)
Pauline Oliveros (b. 1932)
327(1)
European Revolutionaries
327(1)
Pierre Boulez (b. 1925)
327(1)
Listening Example 43. Pauline Oliveros: Sound Patterns
328(2)
Karlheinz Stockhausen (b. 1928)
328(1)
Krzysztof Penderecki (b. 1933)
329(1)
Summary
330(1)
Critical Thinking
330(1)
Terms to Review
330(1)
Key Figures
331(1)
Encore
332(1)
Optional Listening Examples
332(1)
Suggestions for Further Listening
332(1)
The Evolutionaries
333(21)
Les Six
334(1)
Twentieth-Century Nationalism
335(4)
Bela Bartok (1881-1945)
335(2)
Aaron Copland (1900-1990)
337(2)
Listening Example 44. Aaron Copland: Variations on ``Simple Gifts'' from Appalachian Spring Suite
339(2)
George Gershwin (1898-1937)
340(1)
Listening Example 45. George Gershwin: ``Bess, You is My Woman Now'' from Porgy and Bess
341(1)
William Grant Still (1895-1978)
341(1)
Listening Example 46. William Grant Still: Afro-American Symphony, third movement
342(1)
Neoclassicism
342(3)
Sergei Prokofiev (1891-1953)
343(2)
Listening Example 47. Sergei Prokofiev: Symphony no. 1 (``Classical''), first movement
345(2)
Paul Hindemith (1895-1963)
346(1)
Neoromanticism
347(1)
Samuel Barber (1910-1981)
347(1)
Listening Example 48. Samuel Barber: Adagio for Strings
348(1)
Minimalism
349(1)
Philip Glass (b. 1937)
349(1)
Steve Reich (b. 1936)
349(1)
Religious Concert Music
350(1)
Summary
351(1)
Critical Thinking
351(1)
Terms to Review
352(1)
Key Figures
352(1)
Encore
352(2)
Optional Listening Examples
352(1)
Suggestions for Further Listening
353(1)
Suggestions for Further Reading
353(1)
Part Five MUSIC IN THE VERNACULAR 354(30)
American Popular Music
357(16)
Folk Music
357(3)
Ballads
358(1)
Folk and Art Music
358(1)
Folk and Popular Music
359(1)
Ragtime
360(1)
Scott Joplin (1868-1917)
360(1)
Evolution of Rock `n' Roll
361(4)
British Invasion
362(1)
From Rock `n' Roll to Rock
363(1)
Rap
363(1)
Toward the Future
364(1)
Evolution of Musicals
365(2)
Golden Age of Broadway Musicals
365(2)
Listening Example 49. Leonard Bernstein: ``Tonight'' Ensemble from West Side Story
367(4)
Search for New Directions
369(2)
Summary
371(1)
Critical Thinking
371(1)
Terms to Review
371(1)
Key Figures
372(1)
Encore
372(1)
Optional Listening Examples
372(1)
Suggestion for Further Listening
372(1)
Jazz
373(11)
Blues
374(1)
Listening Example 50. Bessie Smith: ``Lost Your Head Blues''
375(1)
Instrumental Jazz
375(2)
New Orleans Jazz
376(1)
Jazz Moves North
377(1)
Concert Jazz
378(1)
Listening Example 51. Charlie Parker: ``Bloomdido''
379(1)
Edward Kennedy ``Duke'' Ellington (1899-1974)
379(1)
Recent Developments
380(1)
Summary
381(1)
Critical Thinking
382(1)
Terms to Review
382(1)
Key Figures
383(1)
Encore
383(1)
Optional Listening Examples
383(1)
Suggestions for Further Listening
383(1)
Suggestion for Viewing
383(1)
Part Six CULTURAL CONNECTIONS: EIGHT MUSICAL ENCOUNTERS 384
Musical Encounter 1. Music of Africa
387(1)
General Characteristics
387(1)
Melody
387(1)
Texture
387(1)
Listening Example 52. Anonymous: ``Amahamba'' (pastoral song)
388(1)
Rhythm
388(1)
Musical Instruments
388(1)
Listening Example 53. Anonymous: Yoruba pressure drums
389(1)
Performance Practice
390(1)
African Music Today
390(1)
Critical Thinking
390(1)
Musical Encounter 2. Music of India
391(1)
Melody
391(1)
Raga
391(1)
Rhythm
392(1)
Tala
392(1)
Tempo
392(1)
Form
393(1)
Musical Instruments
393(1)
Performance Practice
393(1)
Listening Example 54. Ravi Shankar: Dadra (sitar improvisation)
394(1)
Cultural Interactions
394(1)
Critical Thinking
394(1)
Listening Example 55. Anonymous: ``Pahan Chunariya'' (``Flickering Lamps'') (Hindi song)
395(1)
Musical Encounter 3. Music of Islam
396(1)
Search for Ecstasy
396(1)
Pan-Islamic Scales
396(1)
Rhythm
396(3)
Texture
399(1)
Listening Example 56. Anonymous: Islamic call to prayer
399(1)
Musical Instruments
399(1)
Iranian Classical Music
400(1)
Listening Example 57. Anonymous: ``Mahur'' (santur piece)
400(1)
Turkish Music
400(1)
Critical Thinking
401(1)
Musical Encounter 4. Music of China
402(1)
An International Language?
402(1)
Significance of Music
402(1)
Pitches and Scales
403(1)
Musical Instruments
403(1)
Vocal Music
404(1)
Listening Example 58. Lui Tsun-Yuen: ``The Running Brook'' (piece for pipa)
405(1)
Opera
406(1)
Folk Music
406(1)
Listening Example 59. Lui Man-Sing: ``The Choice of a Lover'' (Chinese folk song)
406(1)
Music in Modem China
406(1)
Critical Thinking
407(1)
Musical Encounter 5. Music of Japan
408(1)
General Characteristics
408(1)
Scales and Pitches
408(1)
Rhythm
408(1)
Form
409(1)
Musical Instruments
409(1)
Folk Music
410(1)
Listening Example 60. Anonymous: ``Sakura'' (``Cherry Blossoms'')
410(1)
Music for the Theater
411(1)
Kabuki
411(1)
Listening Example 61. Anonymous: Nagauta
411(1)
Critical Thinking
411(1)
Musical Encounter 6. Native American Music
412(1)
General Characteristics
412(1)
Song
413(1)
Melody
413(1)
Form
414(1)
Texture
414(1)
Listening Example 62. Anonymous: ``Crazy Dog Song'' (Native American dance song)
414(1)
Dance Songs
415(1)
Sound Instruments
415(1)
Listening Example 63. Anonymous: Flute Call
415(1)
Recent Native American Music
415(1)
Concert Music
416(1)
Critical Thinking
416(1)
Musical Encounter 7. Music of Latin America
417(1)
African Influences
418(1)
Religious Music
419(1)
Cuban Social Music
419(1)
Listening Example 64. Mariachi Music
420(1)
Mexican Folk Music
421(1)
Critical Thinking
421(1)
Musical Encounter 8. The New Internationalism
422(2)
Listening Example 65. Tan Dun: Excerpt from ``Heaven'' from Symphony 1997
424(1)
Critical Thinking
425
Codetta 1(1)
Appendix: Chronology of Western Events 1(1)
Glossary 1(1)
Credits 1(1)
Index 1

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