Music (with CourseMate Printed Access Card)

by Campbell, Michael

• ISBN13: 9780495004684
• ISBN10: 0495004685
• Edition: 1st
• Format: Paperback
• Copyright: 2011-01-01
• Publisher: Schirmer

Summary

In both content and design, MUSIC aims to meet the course challenges of cost, brevity, and relevance to students. Created through a "student-tested, faculty-approved" review process with hundreds of students and 200 faculty, MUSIC is an engaging and accessible solution to the diverse lifestyles of today's learners. MUSIC integrates classical works and vernacular music by introducing a broad range of styles and genres from the Middle Ages through the twenty-first century and the connections and contrasts between them. The result is a well-rounded view of musical life in each era. MUSIC is designed to meet the needs of instructors who want to give their students an inexpensive and brief text that has an appealing magazine style with short chapters that can easily be read in a sitting, as well as a strong technology component. The text is accompanied by an audio CD set, an interactive eBook, and a CourseMate website with streaming music, interactive listening guides, interactive demos of musical elements, interactive style comparisons, quizzing, flashcards, and more.

Table of Contents

The Elements of Music

Points of Entry

Sound and Silence

Dynamics and Instrumentation

Rhythm

Melody

Organizing Music

Harmony and Texture

Form

Style

Seven Centuries of Music

Musical Life, 1000-1700

Medieval, Renaissance, and Early Baroque Music

The Middle Ages

Chant

Secular Song and Dance in France

Keys to Medieval Music

The Renaissance

Josquin des Prez and Renaissance Polyphony

Music in Elizabethan England

Keys to Renaissance Music

Early and Middle Baroque Opera

Monteverdi and Early Opera

Henry Purcell and Middle Baroque Opera

Music in the Americas

The Eighteenth Century

Musical Life in the Eighteenth Century

From Baroque to Classical

Late Baroque Instrumental Music

Sonata and Suite

The Baroque Concerto

Late Baroque Vocal Music

Late Baroque Opera... and "Opera" in England

Sacred Vocal Music: Cantata and Oratorio

Keys to Baroque Style

Music and Politics

The Classical Style

Classical Sonata and String Quartet

The Classical Symphony

Mozart and Opera

The Classical Concerto

Keys to Classical Styl

The Nineteenth Century

Musical Life in the Nineteenth Century

The Romantic Era

Beethoven

Beethoven and the Piano Sonata

Beethoven and the Symphony

Vocal Music in the Nineteenth Century

Schubert and the Art Song

Spiritual Music: The Requiem

Operetta and Op?ra Comique

Opera and Music Drama

Romantic Instrumental Music

Early Romantic Piano Music

The Romantic Orchestra and Program Music

The Symphony and Concerto in the Romantic Era

Music and Dance: The Waltz

Nationalism

Keys to Romantic Styl

The Twentieth Century and Beyond

Musical Life in the Twentieth Century and Beyond

The Twentieth Century and Beyond

"Isms": European Concert Music in the Early Twentieth Century

Expressionism

Impressionism and Beyond

Primitivism

American Classical and Classic Music in the Early Twentieth Century

Charles Ives: Toward an American Art Music

"Lift Ev'ry Voice": The African American Spiritual

The Jazz Age

The Broadway Musical and American Popular Song

European Concert Music Between the Wars

Serialism

Stravinsky and Neoclassicism

Art and the People: The Americas

Art and the People: Eastern Europe

Sound Frontiers

The American Avant-Garde After 1945

The Avant-Garde in Europe

From Vernacular to Art

Jazz: America's Art Music

Musical Theater After Show Boat

Latin Dance Music

The Rock Revolution

Late Twentieth-Century Music for Concert and Film

Uncommon Women

Music and Film

Minimalism

Keys to Twentieth-Century Style Index

LIST OF MUSIC

Hildegard of Bingen, "Nunc aperuit nobis" Machaut, "Puis qu'en oubli"

Anonymous, "La ultime estampie real" Anonymous, "L'homme arm?" tune

Josquin, Kyrie, from Missa l'homme arm? sexti toni

Luther, "Ein' feste Burg ist unser Gott"

Luther/Walter, "Ein' feste Burg ist unser Gott"

Bach, Chorale, from "Ein' feste Burg ist unser Gott"

Wilbye, "Adew, Sweet Amarillis"

Morley, "O Mistresse Mine" (vocal)

Morley, "O Mistresse Mine" (instrumental)

Monteverdi, "Possente spirto,"

Orfeo Purcell, "Thy Hand, Belinda,"

Dido and Aeneas Purcell, "When I Am Laid in Earth,"

Dido and Aeneas Plains Indians War Dance

Anonymous, Song for Odudua Anonymous, "Barbara Allen"

Guinchard, "Boston Laddie"

Corelli, Sonata in C major, 1st & 2nd movements

Bach, Gigue, from Orchestral Suite No. 3 Vivaldi, Violin

Concerto in E major ("Spring"), 1st movement

Bach, Brandenburg Concerto No. 3, 1st movement

Handel, "E pur cos?" and "Pianger?,"

Giulio Cesare in Egitto Gay/Pepusch, "I'm Bubbled," "Cease Your Funning," and "How Now, Madam Flirt?"

The Beggar's Opera Bach, "Und wenn die Welt voll

Teufel w?r," from Cantata No. 80, Ein' feste Burg ist unser

Gott Handel, Hallelujah Chorus, from Messiah Anonymous, "God Save the King"

Haydn, "Gott erhalte Franz den Kaiser"

Billings, "Chester" Mozart, Sonata in F major, 1st movement

Haydn, String Quartet in C major ("Bird"), 1st movement

Haydn, Symphony No. 94 in G major, 1st movement

Mozart, "L? ci darem la mano,"

Don Giovanni Mozart, "A cenar teco,"

Don Giovanni Mozart, Concerto in C minor, 1st movement

Beethoven, Sonata No. C minor ("Path?tique"), 1st movement

Beethoven, Symphony No. 5 in C minor, 1st-4th movements

Schubert, Erlk?nig Schubert, Gretchen am Spinnrade

Foster, "Jeanie with the Light Brown Hair"

Foster, "De Camptown Races" The Duhks, "Camptown Races"

Brahms, "Wie lieblich sind deine Wohnungen," from Ein deutsches

Requiem Adams/Mason, "Nearer, My God, to Thee"

Newton, "Amazing Grace"

Gilbert/Sullivan, "I Am the Very Model of a Modern Major-General,"

The Pirates of Penzance Bizet, "L'amour est un oiseau rebelle,"

Carmen Verdi, "Dite alla giovine,"

La traviata Wagner, Act 1 conclusion

Die Walk?re C. Schumann, Romance in G minor

R. Schumann, "Aufschwung," from Fantasiest?cke

Chopin, Etude in C minor ("Revolutionary")

Chopin, Prelude No. 3 in G major

Chopin, Prelude No. 4 in E minor

Berlioz, "Songe d'une nuit de sabbat,"

Symphonie fantastique, 5th movement

Brahms, Symphony No. 2 in D major, 3rd movement

Tchaikovsky, Violin Concerto in D major, 3rd movement

Strauss, The Emperor Waltz, excerpt

Tchaikovsky, Waltz, from The Sleeping Beauty

Dvor?k, Slavonic Dance in G minor Schoenberg, "Nacht,"

Pierrot lunaire Debussy, "Voiles," from Preludes

Debussy, "Minstrels," from Preludes

Stravinsky, "Introduction," "The Augurs of Spring," and "Mock Abduction," from The Rite of Spring Sousa, "The Stars and Stripes Forever"

Joplin, "The Entertainer" Ives, "Putnam's Camp, Redding, Connecticut," from Three Places in New

England Hayes, "Lord, I Can't Stay Away" Smith, "Empty Bed Blues"

Armstrong, "Hotter Than That"

Gershwin, Rhapsody in Blue

Kern/Hammerstein, "Can't Help Lovin' Dat Man,"

Show Boat Webern, Concerto for Nine Instruments, 2nd movement Stravinsky, Symphony of Psalms, 1st movement

Chavez, Sinfon?a India, excerpt Copland, Appalachian Spring, 1st & 2nd sections

Bart?k, Music for Strings, Percussion, and Celesta, 2nd movement

Prokofiev, "Peregrinus expectavi," from Alexander

Nevsky Cage, Sonata V from Sonatas and Interludes

Babbitt, Ensembles for Synthesizer, excerpt Penderecki, Tren (Threnody for the Victims of Hiroshima), excerpt

Parker/Gillespie, "Salt Peanuts" Bernstein/Sondheim, "Cool,"

West Side Story Machito, "Carambola"

Piazzolla, "Chiqu?"

Berry, "Sweet Little 16"

Wilson, "Surfin' U.S.A."

Dylan, "Subterranean Homesick Blues"

Tower, Fanfare for the Uncommon Woman

Zwilich, Concerto Grosso 1985, 1st movement

Williams, "Main Title/Rebel Blockade Runner,"

Star Wars Episode IV Tan, "Farewell,"

Crouching Tiger, Hidden Dragon

Reich, Music for 18 Musicians

Section IIIA P?rt

Kyrie, from Berlin Mass

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