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9780534592301

Music of the Peoples of the World

by
  • ISBN13:

    9780534592301

  • ISBN10:

    0534592309

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2005-09-16
  • Publisher: Schirmer
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List Price: $160.66

Summary

Part 1: FUNDAMENTALS OF MUSIC. 1. Introduction. 2. Pitch. 3. Melody. 4. Rhythm. 5. Timbre and Texture. 6. Musical Instruments. Part 2: SUB-SAHARAN AFRICA. 7. Introduction to the Region. 8. Characteristics of Traditional African Music. 9. Traditional African Instruments. 10. Drumming in West Africa. 11. Music of the Jalolu. 12. Mbira Music. 13. African Popular Music. Part 3: THE MIDDLE EAST AND NORTH AFRICA. 14. Introduction to the Region. 15. Elements of Middle Eastern Music. 16. The Instruments of the Region. 17. Arab Music. 18. Arabic Music Performance. 19. Music in Iran. 20. Jewish Music. Part 4: CENTRAL ASIA. 21. Introduction to the Region. 22. Characteristics of Central Asian Music. 23. Tibetan Music. 24. Mongolian Music. Part 5: INDIA. 25. Introduction to the Region. 26. Elements of Indian Classical Music. 27. Indian Instruments and their Functions. 28. Raga, The Melodic Dimension Of Indian Music. 29. Performance of the Alap and Conclusion from Raga Khamaj. 30. Tala, The Rhythmic Dimension Of Indian Music. 31. Vocal Music in India. 32. Influences of Indian Music on Contemporary Western Music. Part 6: CHINA. 33. Introduction to the Region. 34. Characteristics of Traditional Chinese Music. 35. Traditional Chinese Instruments. 36. Guqin Music. 37. Folk and Contemporary Music. 38. Chinese Dramatic Music. Part 7: JAPAN. 39. Introduction to the Region. 40. Characteristics of Japanese Music. 41. GagakuAncient Orchestral Music of the Japanese Court. 42. Japanese Instrumental Music. 43. Music of the Japanese Theatre. Part 8: INDONESIA. 44. Introduction to the Region. 45. Characteristics of Gamelan Music. 46. Java, Its Gamelan and Instruments. 47. Javanese Composition. 48. A Javanese Gamelan Performance. 49. Bali, Its Gamelan and Instruments. 50. Balinese Composition and Performance. 51. Lou Harrison & the American Gamelan. Part 9: EASTERN EUROPE. 52. Introduction to the Region. 53. Characteristics of Eastern European Folk Music. 54. Hungarian Folk Music. 55. Bulgarian Folk Music. 56. Russian Folk Music. Part 10: LATIN AMERICA. 57. Introduction to the Region. 58. Characteristics of Traditional Latin American Music. 59. Music in Mexico. 60. Music in Brazil. 61. Music in Andean Countries.

Table of Contents

Preface ix
Part 1 ELEMENTS OF MUSIC
1 Introduction
2(4)
The Round Continuum of Music
2(2)
The Graceland Controversy
3(1)
Music and Culture
4(1)
Sound and Cultural Conventions
4(2)
The Functions of Music
5(1)
Listening
6(1)
2 Pitch in Music
6(6)
What Is Pitch?
6(6)
Introduction to Tuning Systems
8(4)
3 Melody
12(6)
Characteristics of Melodies
13(1)
Ornamentation
14(1)
Motives and Themes
15(1)
Structure
15(3)
4 Rhythm
18(5)
5 Timbre and Texture
23(6)
Timbre
23(1)
Texture
24(4)
Loudness in Music
28(1)
6 Musical Instruments
29(17)
Classification
30(1)
Chordophones
31(4)
Aerophones
35(3)
Membranophones
38(4)
Idiophones
42(4)
Part 2 SUB-SAHARAN AFRICA
7 Introduction to the Region
46(2)
First Listen: CD 1:1. Atsia Suite
46(2)
8 Characteristics of Traditional African Music
48(3)
Polyrhythm
49(1)
Music and Language
50(1)
9 Traditional African Instruments
51(6)
Membranophones
51(1)
Idiophones
51(2)
Aerophones
53(1)
Chordophones
54(3)
10 Drumming in West Africa
57(7)
Listening Guide: CD 1:1. Atsia Suite
60(3)
A Drumming Orchestra Performance
63(1)
11 Music of the lalolu
64(2)
12 Mbira Music
66(4)
An Mbira Performance
66(4)
Listening Guide: CD 1:5. Nyamaropa (excerpt)
69(1)
13 African Popular Music
70(8)
Popular Forms in West Africa
71(1)
Popular Forms in Southern Africa
71(7)
Part 3 THE MIDDLE EAST AND NORTH AFRICA
14 Introduction to the Region
78(2)
First Listen: CD 1:8. Dastgah Mahur
78(2)
15 Elements of Middle Eastern Music
80(3)
The Middle East and Religion
80(1)
Islam and Music
81(2)
16 The Instruments of the Region
83(4)
17 Arabic Music Theory
87(4)
The Maqam Scale
87(2)
Other Characteristics of a Maqam
89(1)
Rhythm in Arabic Music
90(1)
18 Arabic Music Performance
91(5)
Music Forms and Practice in Arabic Music
91(2)
Waslah in Maqam Huzam
93(3)
Listening Guide: CD 1:7. Waslah in Mariam Huzam
94(2)
19 Music in Iran
96(4)
Iranian Classical Music
96(4)
Listening Guide: CD 1:8. Dastgah Mahur
98(2)
A Performance of an Iranian Dastgah
100(1)
20 Jewish Music
100(8)
Religious Music
100(2)
Klezmer
102(1)
Modern Israeli Music
102(6)
Part 4 CENTRAL ASIA
21 Introduction to the Region
108(2)
First Listen: CD 1:9. Invocation from Mahakala Puja
108(2)
22 Elements and Characteristics of Central Asian Music
110(1)
23 Tibetan Music
111(8)
Ritual Music and Its Instruments in Tibet
112(2)
A Tibetan Music Performance
114(1)
Folk and Art Music in Tibet
115(4)
Listening Guide: CD 1:9. Excerpt from Invocation from Mahakala Puja
116(3)
24 Mongolian Music
119(8)
Traditional Songs
120(1)
Höömii Singing
121(1)
Instruments
121(6)
Part 5 INDIA
25 Introduction to the Region
127(2)
First Listen: CD 1:10. Alap from Raga Khamaj
127(2)
26 Elements of Indian Classical Music
129(2)
The Nature of Improvisation in Indian Music
129(1)
Training for Performance of Indian Music
130(1)
27 Indian Instruments and Their Functions
131(5)
The Soloist
131(3)
The Drummer
134(1)
The Drone
135(1)
Chordophones in Indian Music
135(1)
28 Raga—The Melodic Dimension of Indian Music
136(6)
The Tuning of Ragas
136(1)
The Scales of Ragas
137(1)
Arohalia/Avaroharm (Ascending/Descending Scale)
138(2)
The Hierarchy of Pitches
140(1)
Gamak (Ornamentation)
140(1)
Pakar—Important Motives in Indian Music
141(1)
Extramusical Associations
141(1)
29 Tala—The Rhythmic Dimension of Indian Music
142(3)
Patterns of Beats in the Tala
143(2)
30 Performance of Raga Khamaj
145(4)
Raga Khamaj
145(4)
Listening Guide CD 1:10&1:11. Raga Khamaj
146(3)
31 Vocal Music in India
149(8)
North Indian Vocal Music
149(2)
South Indian Vocal Music
151(1)
Performance of the Kriti, Ninnada nela
152(1)
Folk Song in India
153(1)
Baul Music
153(12)
Listening Guide: CD 1:14. Ninnada nela
154(3)
32 The Influence of Indian Music on Contemporary Western Music
157(5)
Part 6 CHINA
33 Introduction to the Region
162(3)
First Listen: CD 1:15. Ping sha lo yen
162(3)
34 Characteristics of Traditional Chinese Music
165(3)
Religion and Music in China
165(2)
Traditional Music Theory in China
167(1)
35 Traditional Chinese Instruments
168(6)
Chordophones
168(4)
Wind Instruments
172(1)
Percussion
173(1)
36 Guqin Music
174(3)
A Guqin Performance
175(2)
Listening Guide: CD 1:15. Ping sha lo yen
176(1)
37 Folk and Contemporary Music
177(3)
Instrumental Folk Ensembles
177(1)
Sizhu
178(1)
Reform and Popular Music
179(1)
38 Chinese Dramatic Music
180(10)
Narrative Song and Folk Dramas
180(1)
Regonal Opera
180(1)
Jingxi—Beijing Opera
181(2)
A Jingxi Performance: The Drunken Concubine
183(9)
Listening Guide: CD 1:16. "An Island in the Sea," The Drunken Concubine
184(6)
Part 7 JAPAN
39 Introduction to the Region
190(2)
First Listen: CD 2:1. Daiwa gaku
190(2)
40 Characteristics of Japanese Music
192(4)
Kagura—Shinto Music
193(1)
Shomyo—Buddhist Chants
194(1)
Modes in Japanese Music
194(2)
41 Gagaku—Ancient Court Orchestral Music
196(8)
A Gagaku Performance
198(6)
Listening Guide: CD 2:3. Etenraku, Nokorigaku Sanben
200(4)
42 Japanese Instrumental Music
204(6)
Music for the Shamisen
204(1)
Music for the Shakuhachi
204(2)
Music for the Koto
206(1)
A Koto Performance
207(3)
Listening Guide: CD 2:4. Rokudan no shirabe
208(2)
43 Music of the Japanese Theater
210(8)
Noh Classical Theater
210(2)
Kabuki Classical Theater
212(6)
Part 8 INDONESIA
44 Introduction to the Region
218(2)
First Listen: CD 2:5. Ladrang Pangkur, Gamelan Paguyuban "Suko Raras"
218(2)
45 Characteristics of Gamelan Music
220(2)
46 Java, Its Gamelan and Instruments
222(5)
Javanese Culture
222(1)
The Javanese Gamelan
223(1)
Javenese Gamelan Instruments
223(4)
47 Javanese Composition
227(5)
The Balungan
227(1)
The Kembangan
228(1)
Patet (Mode)
228(1)
Colotomic Structure
229(1)
Irama and Stratification of Rhythm
230(2)
48 A Javanese Gamelan Performance
232(5)
Listening Guide: CD 2:5. Ladrang Pangkur, Gamelan Paguyban "Suko Raras"
234(3)
49 Bali, Its Gamelan and Instruments
237(5)
Characteristics of the Balinese Gamelan
238(1)
The Gamelan Gong Kebyar
239(2)
The Kebyar Instruments
241(1)
50 Balinese Composition and Performance
242(7)
The Topeng (Mask Dance) and Kebyar
242(2)
Kecak
244(4)
Listening Guide: CD 2:11 Gending Pengalang Bebarongan
246(2)
A Balinese Gamelan Performance
248(1)
51 Lou Harrison and the American Gamelan
249(5)
Part 9 EASTERN EUROPE
52 Introduction to the Region
254(3)
First Listen: CD 2:14. Dilmano, Dilbero
255(2)
53 Characteristics of Eastern European Folk Music
257(4)
Epic Songs
258(1)
Asymmetrical Meters
258(1)
Socialist Realism
259(1)
Professional Folk Ensembles
260(1)
54 Hungarian Folk Music
261(6)
Historical Background
261(1)
The Characteristics of Hungarian Folk Song
262(1)
Representative Hungarian Instruments
262(1)
Dance House Music
263(3)
Listening Guide: CD 2:13. Téglaporos a kalapom
264(2)
Romani Folk Song
266(1)
A Performance of a Romani Szájbögö-Mouth Bass Song
266(1)
55 Bulgarian Folk Music
267(5)
Historical Background
267(1)
Bulgarian Folk Songs
267(1)
Bulgarian Rhythm
268(1)
Representative Bulgarian Instruments and Their Performance
269(3)
Listening Guide: CD 2:14. Dilmano, Dilbero
270(2)
A Performance of a Bulgarian Folk Song
272(1)
56 Russian Folk Music
272(8)
Folk Songs and Genres
272(2)
Igor Stravinsky's The Wedding
274(6)
Part 10 LATIN AMERICA
57 Introduction to the Region
280(2)
58 Characteristics of Traditional Latin American Music
282(5)
Latin American Dance Rhythms
283(2)
Harmony
285(1)
Latin American Musical Instruments
286(1)
59 Music in Mexico
287(8)
The Son and Other Mestizo Forms
287(1)
Folk Bands in Mexico
288(2)
A Performance of a Son Jarocho
290(1)
Conjunto
290(1)
Art Music in Mexico
291(4)
Listening Guide: CD 2:15. Siquisiri
292(3)
60 Music in Brazil
295(5)
The Afro-Brazilian Heritage
295(2)
The Samba
297(1)
MPB—Música Popular Brasileira
298(1)
Art Music in Brazil
299(1)
61 Music in Andean Countries
300(5)
Credits 305(2)
Index 307

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