List of maps and figures | p. xi |
List of plates | p. xiii |
Acknowledgements | p. xv |
Abbreviations | p. xvii |
The ancient Greek systema teleion and the south-German gamut | p. xix |
Introduction | p. 1 |
The South-German Circle: An Historical Introduction | p. 11 |
Eleventh-century monastic reforms | p. 11 |
Reform and friendship networks | p. 15 |
Reichenau and the beginnings of the south-German circle | p. 18 |
Bern of Reichenau | p. 18 |
Herman of Reichenau | p. 23 |
St Emmeram and the development of the south-German circle | p. 31 |
William of Hirsau | p. 31 |
Theoger of Metz | p. 34 |
Aribo | p. 37 |
Frutolf of Michelsberg | p. 40 |
The wider south-German circle | p. 43 |
The 'Wolf Anonymous' | p. 44 |
Master Henry of Augsburg | p. 45 |
John | p. 47 |
Questiones in musica | p. 50 |
Other theorists | p. 52 |
Ancient Doctors and Modern Master: The South-German Circle at Work | p. 55 |
Classical sources for music theory | p. 55 |
Boethius | p. 56 |
The influence of the Carolingian theorists | p. 60 |
The influence of Bern of Reichenau upon the south-German circle | p. 62 |
The impact of Herman of Reichenau upon the reception of Prologus in tonarium | p. 62 |
The interpolated version of Prologus in tonarium | p. 72 |
The influence of Guido of Arezzo | p. 80 |
Guido and Herman of Reichenau | p. 82 |
Guido and the wider south-German circle | p. 85 |
The transmission of ideas within the south-German circle | p. 93 |
Frutolf of Michelsberg | p. 94 |
Dialectic and The Theory of Music | p. 109 |
Dialectical texts in German libraries | p. 110 |
Attitudes to dialectic in the eleventh century | p. 113 |
The ars logica in eleventh-century literature | p. 116 |
Dialectic in the south-German music treatises | p. 120 |
The two sets of tetrachords | p. 122 |
Tetrachords and the 'seats of die modes' | p. 125 |
'Species' theory | p. 126 |
Taxonomy of modes | p. 130 |
The division of music according to Henry of Augsburg | p. 132 |
Anonymous I and the Wolf Anonymous on the species of consonance | p. 135 |
Dialectic in Aribo's De musica | p. 138 |
Conclusion | p. 145 |
Plato, His Interpreters and The South-German Circle | p. 147 |
Manuscript sources for Platonic texts in eleventh-century Germany | p. 148 |
Timaeus in Calcidius' translation and commentary | p. 148 |
Macrobius' Commmtarius in Somnium Scipionis | p. 150 |
Martianus Capella's De nuptiis Philologiae et Mercurii | p. 151 |
Platonic influence in the south-German music treatises | p. 152 |
The significance of number | p. 152 |
Platonic metaphor and vocabulary | p. 158 |
Aribo and Platonic language | p. 162 |
God and natura | p. 168 |
Conclusion | p. 171 |
'Textbook Codices': Music Theory Manuscripts of The Eleventh and Twelfth Centuries | p. 175 |
The textbook codex tradition | p. 175 |
Bernold of St Blasien: a compiler and adapter of texts | p. 176 |
Doctrinal handbooks | p. 178 |
Hartwic of Stemmeram | p. 179 |
Textbooks in die linguistic arts | p. 181 |
Music theory compilations and textbooks | p. 182 |
Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel, 4° Mss Math. I | p. 183 |
Music theory textbooks | p. 196 |
Guido of Arezzo | p. 200 |
Pseudo-Odo of Cluny | p. 203 |
Bern of Reichenau | p. 203 |
Herman of Reichenau | p. 205 |
William of Hirsau | p. 205 |
Theoger of Metz | p. 206 |
Aribo | p. 207 |
Frutolf of Michelsberg | p. 208 |
The Wolf Anonymous, Master Henry of Augsburg, John and Quaestiones in musica | p. 208 |
Carolingian works | p. 208 |
Classical authors | p. 210 |
Tonaries | p. 210 |
Notated didactic verses | p. 211 |
Measurement texts | p. 211 |
Other miscellaneous texts | p. 213 |
Conclusions | p. 214 |
Conclusion | p. 217 |
Bibliography | p. 229 |
Index | p. 255 |
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