The Musician's Guide to Theory and Analysis

by Clendinning, Jane Piper; Marvin, Elizabeth West

• ISBN13: 9780393976526
• ISBN10: 0393976521
• Format: Hardcover
• Copyright: 2004-08-17
• Publisher: W. W. Norton & Company

Summary

The much-anticipated Musician's Guide series offers a comprehensive four-semester introduction to the skills of complete musicianship, seamlessly integrating theory and analysis, aural training, and performance in one pedagogical program. The Musician's Guide series is divided into two main components, each represented by a core text. While complete enough to be used alone, these dynamic texts are fully coordinated, sharing the same pedagogical approach and structure. Each book relies on a core repertoire of real music that is revisited throughout in a variety of theory- and performance-based contexts. These texts are complemented by a rich collection of learning resources.

Table of Contents

Building a Musical Vocabulary: Basic Elements of Pitch and Rhythm
Pitch and Pitch Class	p. 2
Beat, Meter, and Rhythm: Simple Meters	p. 19
Pitch Collections, Scales, and Major Keys	p. 38
Minor Keys and the Diatonic Modes	p. 54
Beat, Meter, and Rhythm: Compound Meters	p. 78
Pitch Intervals	p. 94
Triads and Seventh Chords	p. 112
Linking Musical Elements in Time
Intervals in Action (Two-Voice Composition)	p. 134
Melodic and Rhythmic Embellishment in Two-Voice Composition	p. 153
Notation and Scoring	p. 172
Voicing Chords in Multiple Parts: Instrumentation	p. 183
The Phrase Model
The Basic Phrase Model: Tonic and Dominant Voice-Leading	p. 198
Embellishing Tones	p. 220
Chorale Harmonization and Figured Bass	p. 235
Expanding the Basic Phrase: Leading-Tone, Predominant, and 6/4 Chords	p. 250
Further Expansions of the Basic Phrase: Tonic Expansions, Root Progressions, and the Mediant Triad	p. 276
The Interaction of Melody and Harmony: More on Cadence, Phrase, and Melody	p. 298
Diatonic Sequences	p. 323
Intensifying the Dominant: Secondary Dominants and Secondary Leading-Tone Chords; New Voice-Leading Chords	p. 350
Phrase Rhythm and Motivic Analysis	p. 372
Further Expansion of the Harmonic Vocabulary
Tonicizing Scale Degrees Other Than V	p. 396
Modulation to Closely Related Keys	p. 418
Binary and Ternary Forms	p. 440
Color and Drama in Composition: Modal Mixture and Chromatic Mediants and Submediants	p. 457
Chromatic Approaches to V: The Neapolitan Sixth and Augmented Sixths	p. 478
Musical Form and Interpretation
Popular Song and Art Song	p. 508
Variation and Rondo	p. 530
Sonata-Form Movements	p. 551
Chromaticism	p. 574
Into the Twentreth Century
Modes, Scales, and Sets	p. 614
Music Analysis with Sets	p. 635
Sets and Set Classes	p. 653
Ordered Segments and Serialism	p. 671
Twelve-Tone Rows and the Row Matrix	p. 685
New Ways to Organize Rhythm, Meter, and Duration	p. 698
New Ways to Articulate Musical Form	p. 725
The Composer's Materials Today	p. 745
Appendixes
Try it Answers	p. A3
Glossary	p. A55
Guidelines for Part-Writing	p. A77
Ranges of Orchestral Instruments	p. A81
Set-Class Table	p. A85
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