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Questions About This Book?
What version or edition is this?
This is the edition with a publication date of 4/30/2008.
What is included with this book?
What is unique and essential about theater? What separates it from other arts? Do we need "theater" in some fundamental way? The art of theater, as Paul Woodruff says in this elegant and unique book, is as necessary - and as powerful - as language itself. Defining theater broadly, including sporting events and social rituals, he treats traditional theater as only one possibility in an art that - at its most powerful - can change lives and (as some peoples believe) bring a divine presence to earth. The Necessity of Theater analyzes the unique power of theater by separating it into the twin arts of watching and being watched, practiced together in harmony by watchers and the watched. Whereas performers practice the art of being watched - making their actions worth watching, and paying attention to action, choice, plot, character, mimesis, and the sacredness of performance space - audiences practice the art of watching: paying close attention. A good audience is emotionally engaged as spectators; their engagement takes a form of empathy that can lead to a special kind of human wisdom. As Plato implied, theater cannot teach us transcendent truths, but it can teach us about ourselves. Characteristically thoughtful, pribing, and original, Paul Woodruff makes the case for theater as a unique form of expression connected to our most human insticts. The Necessity of Theater should appeal to anyone seriously interested or involved in theater or performance more broadly.
Paul Woodruff is Professor of Philosophy at University of Texas, Austin. He is also the author of Reverence: Renewing a Forgotten Virtue (OUP 2001) and First Democracy: The Challenge of an Ancient Idea (OUP 2005).
Table of Contents
|Prologue: Lighting a Dark Stage||p. 3|
|Introduction: Why We Need Theater||p. 11|
|The Art of Being Watched|
|Defining the Art||p. 31|
|What Theater Makes||p. 49|
|Action Worth Watching: Plot||p. 63|
|Staging Choices||p. 75|
|People Worth Watching: Characters||p. 93|
|Sacred Space||p. 108|
|The Art of Watching|
|Understanding Theater||p. 196|
|The Mask of Wisdom||p. 211|
|Epilogue: The Defense of Theater||p. 230|
|Table of Contents provided by Blackwell. All Rights Reserved.|