Norton Anthology of Western Music Vol. 1 : Ancient to Baroque

by Burkholder, J. Peter; Palisca, Claude V.

• ISBN13: 9780393979909
• ISBN10: 0393979903
• Edition: 5th
• Format: Paperback
• Copyright: 2005-07-07
• Publisher: W. W. Norton & Company

Summary

The ideal companion toA History of Western Music, Seventh Edition, the two-volumeNorton Anthology of Western Music, Fifth Edition, includes 172 historically significant scores, 71 of them new to this edition, with a strengthened emphasis on twentieth-century music. Revised and enlivened commentaries closely examine the scores to clarify their historical significance, and professional recordings of all works in the anthology are included on CDs, many in dynamic new performances.

Table of Contents

Making Connections: How to Use This Anthology	xi
Acknowledgments	xix
Recordings	xxi
The Ancient and Medieval Worlds
Music in Antiquity
Epitaph of Seikilos, song (epigram)	1	(3)
Euripides: Orestes, Greek tragedy, excerpt: Stasimon chorus	4	(3)
Roman Liturgy and Chant
Mass for Christmas Day, Gregorian chant Mass	7	(19)
Introit: Puer natus est nobis	8	(3)
Kyrie	11	(1)
Gloria	12	(2)
Gradual: Viderunt omnes	14	(2)
Alleluia: Dies sanctificatus	16	(1)
Credo	17	(3)
Offertory: Tui sunt caeli	20	(2)
Sanctus	22	(1)
Agnus Dei	23	(1)
Communion: Viderunt omnes	24	(1)
Ite, missa est	25	(1)
Chants from Vespers for Christmas Day, Gregorian chant Office
First Antiphon: Tecum principium, with psalm Dixit Dominus	26	(1)
Hymn: Christe Redemptor omnium	27	(3)
Ascribed to Wipo of Burgundy: Victimae paschali laudes, sequence	30	(2)
Tropes on Puer natus: Quem queritis in presepe and Melisma	32	(4)
Hildegard of Bingen: Ordo virtutum, sacred music drama: Chorus, In principio omnes	36	(3)
Song and Dance Music in the Middle Ages
Bernart de Ventadorn: Can vei la lauzeta mover, canso (troubadour song)	39	(4)
Comtessa de Dia: A chantar, canso (troubadour song)	43	(3)
Adam de la Halle: Jeu de Robin et de Marion: Rondeau, Robins m'aime	46	(2)
Walther von der Vogelweide: Palastinalied (Nu alrest lebe ich mir werde), Minnelied	48	(3)
Cantiga 159: Non sofre Santa Maria, from Cantigas de Santa Maria	51	(4)
La quarte estampie royal, from Le manuscrit du roi	55	(3)
Polyphony through the Thirteenth Century
Organa from Musica enchiriadis
Tu patris sempiternus es filius	58	(1)
Sit gloria domini	58	(1)
Rex caeli domine	59	(2)
Alleluia Justus ut palma, free organum, from Ad organum faciendum	61	(2)
Jubilemus, exultemus, versus in Aquitanian polyphony	63	(4)
Leonin: Viderunt omnes, organum duplum	67	(9)
Clausulae on Dominus from Viderunt omnes
Dominus, clausula No. 26	76	(1)
Dominus, clausula No. 29	77	(2)
Perotin: Viderunt omnes, organum quadruplum	79	(16)
Ave virgo virginum, conductus	95	(3)
Motets on Tenor Dominus
Factum est salutare/Dominus	98	(2)
Fole acostumance/Dominus	100	(4)
Super te/Sed fulsit/Primus tenor/Dominus	104	(5)
Adam de la Halle: De ma dame vient/Dieus, comment porroie/Omnes, motet	109	(7)
Sumer is icumen in, rota	116	(5)
French and Italian Music in the Fourteenth Century
Philippe de Vitry: In arboris/Tuba sacre fidei/Virgo sum, motet	121	(6)
Guillaume de Machaut: La Messe de Nostre Dame, mass: Kyrie	127	(6)
Guillaume de Machaut: Rose, liz, printemps, verdure, rondeau	133	(4)
Johannes Ciconia: Sus une fontayne, virelai	137	(7)
Jacopo da Bologna: Fenice fu, madrigal	144	(2)
Gherardello da Firenze: Tosto che l'alba, caccia	146	(6)
Francesco Landini: Non avra ma' pieta, ballata	152	(4)
The Renaissance
England and Burgundy in the Fifteenth Century
Alleluia, A newe work, carol	156	(3)
John Dunstable: Quam pulchra es, motet or cantilena	159	(4)
Binchois (Gilles de Bins): De plus en plus, rondeau	163	(3)
Guillaume Du Fay: Resvellies vous, ballade	166	(4)
Guillaume Du Fay: Conditor alme siderum, hymn in fauxbourdon style	170	(3)
Guillaume Du Fay: Se la face ay pale
Se la face ay pale, ballade	173	(1)
Missa Se la face ay pale, cantus-firmus mass: Gloria	174	(13)
Franco-Flemish Composers, 1450-1520
Jean de Ockeghem: Missa De plus en plus, mass: Agnus Dei	187	(7)
Henricus Isaac: Innsbruck, ich muss dich lassen, Lied	194	(4)
Josquin des Prez: Ave Maria . . . virgo serena, motet	198	(9)
Josquin des Prez: Missa Pange lingua, mass
Kyrie	207	(4)
Credo, excerpt: Et incarnatus est and Crucifixus	211	(6)
Josquin des Prez (?): Mille regretz, chanson	217	(4)
Sacred Music in the Era of the Reformation
Martin Luther: Nun komm, der Heiden Heiland and Ein' feste Burg, chorales
Attributed to St. Ambrose: Veni redemptor gentium, hymn	221	(1)
Martin Luther: Nun komm, der Heiden Heiland	222	(1)
Martin Luther: Ein' feste Burg	223	(2)
Johann Walter: Ein' feste Burg, setting for four voices	225	(3)
Loys Bourgeois: Psalm 134, Or sus, serviteurs du Seigneur, metrical psalm
Psalm 134, Or sus, serviteurs du Seigneur	228	(1)
William Kethe: Psalm 100, All people that on earth do dwell	229	(2)
William Byrd: Sing joyfully unto God, full anthem	231	(11)
Giovanni Pierluigi da Palestrina: Pope Marcellus Mass
Credo	242	(11)
Agnus Dei I	253	(6)
Tomas Luis de Victoria: O magnum mysterium
O magnum mysterium, motet	259	(4)
Missa O magnum mysterium, mass: Kyrie	263	(4)
Orlando di Lasso: Tristis est anima mea, motet	267	(6)
Madrigal and Secular Song in the Sixteenth Century
Juan del Encina: Oy comamos y bebamos, villancico	273	(3)
Marco Cara: Io non compro piu speranza, frottola	276	(3)
Jacques Arcadelt: Il bianco e dolce cigno, madrigal	279	(4)
Cipriano de Rore: Da le belle contrade d'oriente, madrigal	283	(6)
Luca Marenzio: Solo e pensoso, madrigal	289	(13)
Carlo Gesualdo: ``Io parto'' e non piu dissi, madrigal	302	(6)
Claudin de Sermisy: Tant que vivray, chanson	308	(4)
Claude le Jeune: Revecy venir du printans, chanson	312	(8)
Thomas Morley: My bonny lass she smileth, ballett	320	(4)
Thomas Weelkes: As Vesta was, madrigal	324	(15)
John Dowland: Flow, my tears, air or lute song	339	(5)
The Rise of Instrumental Music
Pierre Attaingnant (publisher): Dances from Danseries a 4 parties, second livre
No. 1: Basse danse	344	(1)
No. 36: Branle gay, Que je chatoulle ta fossette	345	(4)
Luis de Narvaez: From Los seys libros del Delphin, intabulation and variations for vihuela
Cancion Mille regres, intabulation of Josquin's Mille regretz	349	(2)
Cuatro diferencias sobre ``Guardame las vacas,'' variations	351	(4)
William Byrd: Pavana Lachrymae, pavane variations	355	(6)
Giovanni Gabrieli: Canzon septimi toni a 8, from Sacrae symphoniae, ensemble canzona	361	(13)
The Seventeenth Century
New Styles in the Seventeenth Century
Claudio Monteverdi: Cruda Amarilli, madrigal	374	(6)
Giulio Caccini: Vedro I mio sol, solo madrigal	380	(6)
The Invention of Opera
Jacopo Peri: Le musiche sopra l'Euridice, opera: Excerpts
Prologue: lo, che d'alti sospir, strophic aria	386	(1)
Aria: Nel pur ardor	387	(2)
Dialogue in recitative: Per quel vago boschetto	389	(8)
Claudio Monteverdi: L'Orfeo, opera: Excerpt from Act II
Aria/canzonetta: Vi ricorda o boschi ombrosi	397	(8)
Recitative: Mira, deh mira Orfeo	405	(1)
Dialogue in recitative: Ahi, caso acerbo	406	(6)
Recitative: Tu se' morta	412	(2)
Choral madrigal: Ahi, caso acerbo	414	(7)
Claudio Monteverdi: L'incoronazione di Poppea, opera: Act I, Scene 3	421	(13)
Antonio Cesti: Orontea, opera: Excerpt from Act II
Scene 16: E che si fa?	434	(1)
Scene 17, opening aria: Intorno all' idol mio	435	(7)
Music for Chamber and Church in the Early Seventeenth Century
Barbara Strozzi: Lagrime mie, cantata	442	(10)
Alessandro Grandi: o quam tu pulchra es, solo motet (solo concerto)	452	(5)
Giacomo Carissimi: Historia de Jephte, oratorio: Excerpt
Recitative: Plorate colles	457	(6)
Chorus: Plorate filii Israel	463	(8)
Heinrich Schutz: O lieber Herre Gott, SWV 287, sacred concerto, from Kleine geistliche Konzerte I	471	(6)
Heinrich Schutz: Saul, was verfolgst du mich, SWV 415, sacred concerto, from Symphoniae sacrae III	477	(18)
Girolamo Frescobaldi: Toccata No. 3	495	(3)
Girolamo Frescobaldi: Ricercare after the Credo, from Mass for the Madonna, in Fiori musicali	498	(4)
Biagio Marini: Sonata IV per il violino per sonar con due corde, sonata for violin and continuo	502	(9)
France, England, Spain, and the New World in the Seventeenth Century
Jean-Baptiste Lully: Armide, opera: Excerpts
Overture	511	(2)
Act II, Scene 5: Enfin il est en ma puissance	513	(9)
Elisabeth-Claude Jacquet de la Guerre: Suite in A Minor, keyboard suite, from Pieces de clavecin
Prelude	522	(3)
Allemande	525	(1)
Courante I and II	526	(2)
Sarabande	528	(1)
Gigue	529	(1)
Chaconne	530	(2)
Gavotte	532	(1)
Menuet	533	(4)
Henry Purcell: Dido and Aeneas, opera: Conclusion
Recitative: Thy hand, Belinda	537	(1)
Lament (ground bass aria): When I am laid in earth	538	(2)
Chorus: With drooping wings	540	(5)
Tomas de Torrejon y Velasco, La purpura de la rosa, opera: Excerpt	545	(10)
Juan de Araujo: Los coflades de la estleya, villancico	555	(12)
Italy and Germany in the Late Seventeenth Century
Alessandro Scarlatti: Clori vezzosa, e bella, cantata: Conclusion
Recitative: Vivo penando	567	(1)
Aria: Si, si ben mio	568	(5)
Arcangelo Corelli: Trio Sonata, Op. 3, No. 2
Grave	573	(1)
Allegro	574	(2)
Adagio	576	(1)
Allegro	577	(5)
Dieterich Buxtehude: Praeludium in E Major, BuxWV 141, organ prelude	582	(5)
The Eighteenth Century
The Early Eighteenth Century in Italy and France
Antonio Vivaldi: Concerto for Violin and Orchestra in A Minor, Op. 3, No. 6
Allegro	587	(15)
Largo	602	(2)
Presto	604	(16)
Francois Couperin: Vingt-cinquieme ordre, keyboard suite: Excerpts
La visionaire	620	(2)
La muse victorieuse	622	(4)
Jean-Philippe Rameau: Hippolyte et Aricie, opera: Conclusion of Act IV	626	(21)
German Composers of the Late Baroque
Johann Sebastian Bach: Prelude and Fugue in A Minor, BWV 543	647	(8)
Johann Sebastian Bach: Chorale Prelude on Durch Adams Fall, BWV 637	655	(3)
Johann Sebastian Bach: Nun komm, der Heiden Heiland, BWV 62, cantata
No. 1, Chorus: Nun komm, der Heiden Heiland	658	(11)
No. 2, Aria (tenor): Bewundert, o Menschen	669	(7)
No. 3, Recitative (bass): So geht aus Gottes Herrlichkeit und Thron	676	(1)
No. 4, Aria (bass): Streite, siege, starker Held!	676	(3)
No. 5, Accompanied recitative (soprano and alto): Wir ehren diese Herrlichkeit	679	(1)
No. 6, Chorale: Lob sei Gott, dem Vater, ton	680	(4)
George Frideric Handel: Giulio Cesare, opera: Act II, Scenes 1-2
Eseguisti	684	(3)
V'adoro pupille	687	(7)
George Frideric Handel: Saul, oratorio: Act II, Scene 10
No. 66, Accompanied recitative: The Time at length is come	694	(1)
No. 67, Recitative: Where is the Son of Jesse?	695	(2)
No. 68, Chorus: O fatal Consequence of Rage	697	(28)
Appendixes and Indexes
Instrument Names and Abbreviations	725	(3)
Glossary of Score and Performance Indications	728	(4)
Index of Composers	732	(2)
Index of Titles	734	(2)
Index of Forms and Genres	736