Norton Scores Vol. 2 : An Anthology for Listening: Gregorian Chant to Beethoven

by Forney, Kristine

• ISBN13: 9780393973419
• ISBN10: 0393973417
• Edition: 8th
• Format: Paperback
• Copyright: 1999-05-01
• Publisher: W W Norton & Co Inc

Table of Contents

Preface	ix
How to Follow the Highlighted Scores	xii
A Note on the Recordings	xiv
A Note on the Performance Practice of Early Music	xv
Gregorian Chant, Gradual Haec dies	1	(2)
Notre Dame School Organum Haec dies, excerpt	3	(2)
Anonymous (13th century), Motet O mitissima/Virgo/Haec dies	5	(2)
Hildegard von Bingen Ordo virtutum (The Play of the Virtues), Scene 4	7	(3)
Moniot D'Arras (fl. 1213--1239) Ce fut en mai	10	(3)
Guillaume de Machaut (c. 1300--1377) Puis qu'en oubli	13	(1)
Anonymous (13th century) Royal estampie No. 4	14	(2)
Guillaume Du Fay (c. 1397--1474) L'homme arme Mass, Kyrie	16	(6)
Robert Morton? (c. 1430--c. 1476) or Guillaume Du Fay? Il sera pour vous/L'homme arme	22	(3)
Josquin Desprez Ave (c. 1440-1521) Maria...virgo serena	25	(8)
Giovanni Pierluigi Da Palestrina (c. 1525--1594), Pope Marcellus Mass, Gloria	33	(8)
Giovanni Gabrieli (c. 1557--1612), O quam suavis	41	(10)
Claudio Monteverdi (1567--1643), A un giro sol	51	(6)
Monteverdi L'incoronazione di Poppea (The Coronation of Poppea), Act III, scene 7	57	(9)
John Farmer (fl. 1591--1601), Fair Phyllis	66	(4)
Henry Purcell Dido and Aeneas, Act III, Dido's Lament	70	(3)
Elisabeth-Claude Jacquet De La Guerre Suite No. 1, 2nd Gigue, from Pieces de clavecin (Pieces for Harpsichord)	73	(71)
Antonio Vivaldi (1678--1741), La primavera, from Le quattro stagioni (Spring, from The Four Seasons)
First movement	75	(11)
Second movement	86	(4)
Third movement	90	(14)
George Frideric Handel (1685--1759), Water Music, Suite in D major
No. 1. Allegro	104	(5)
No. 2. Alla hornpipe	109	(6)
Handel Messiah
No. 1. Overture	115	(6)
Nos. 14--16. Recitative, ``There were shepherds abiding in the field''	121	(2)
No. 17. Chorus, ``Glory to God''	123	(5)
No. 18. Aria, ``Rejoice greatly''	128	(6)
No. 44. Chorus, ``Hallelujah''	134	(10)
Johann Sebastian Bach (1685--1750), Ein feste Burg ist unser Gott (A Mighty Fortress Is Our God)	144	(28)
Bach Brandenburg Concerto No. 2 in F major
First movement	149	(20)
Second movement	169	(3)
Bach Prelude and Fugue in C minor, from The Well-Tempered Clavier, Book I	172	(60)
Bach, Cantata No. 80, Ein feste Burg ist unser Gott (A Mighty Fortress Is Our God)
No. 1. Choral fugue	176	(27)
No. 2. Duet	203	(8)
No. 5. Chorus	211	(18)
No. 8. Chorale	229	(3)
John Gay (1685--1732), The Beggar's Opera, end of Act II	232	(5)
Joseph Haydn (1732--1809) Symphony No. 94 in G major (Surprise), second movement	237	(12)
Haydn String Quartet, Op. 76, No. 2 (Quinten), fourth movement	249	(24)
Haydn Die Schopfung (The Creation), Part I
No. 12. Recitative, ``And God said, Let there be lights''	257	(1)
No. 13. Recitative, ``In splendour bright''	258	(2)
No. 14. Chorus, ``The heavens are telling''	260	(13)
Wolfgang Amadeus Mozart (1756--1791) Piano Sonata in A major, K. 331, third movement	273	(72)
Mozart Piano Concerto in G major, K. 453
First movement	277	(32)
Second movement	309	(11)
Third movement	320	(25)
Mozart Le nozze di Figaro (The Marriage of Figaro) Overture	345	(76)
Act I, scene 6: Aria, ``Non so piu''	367	(7)
Act I, scene 6: Recitative, ``Ah, son perduto!''	374	(8)
Act I, scene 7: Terzetto, ``Cosa sento!''	382	(17)
Mozart, Eine kleine Nachtmusik, K. 525
First movement	399	(7)
Second movement	406	(5)
Third movement	411	(1)
Fourth movement	412	(9)
Mozart, Symphony No. 40 in G minor, K. 550, first movement	421	(42)
Ludwig van Beethoven (1770--1827), Piano Sonata in C minor, Op. 13 (Pathetique)
First movement	447	(7)
Second movement	454	(3)
Third movement	457	(6)
Beethoven, Violin Concerto in D major, Op. 61, third movement	463	(160)
Beethoven, Symphony No. 5 in C minor, Op. 67
First movement	486	(30)
Second movement	516	(21)
Third movement	537	(19)
Fourth movement	556	(67)
Appendix A. Reading a Musical Score	623	(2)
Appendix B. Instrumental Names and Abbreviations	625	(5)
Appendix C. Glossary of Musical Terms Used in the Scores	630	(7)
Appendix D. Concordance Table for Recordings and Listening Guides	637	(4)
Acknowledgments	641	(3)
Index of Forms and Genres	644