Opera and Sovereignty

by Feldman, Martha

• ISBN13: 9780226241135
• ISBN10: 0226241130
• Edition: Reprint
• Format: Paperback
• Copyright: 2011-10-30
• Publisher: Univ of Chicago Pr

Summary

Performed throughout Europe during the eighteenth century, Italian heroic opera, or opera seria, was the century's most significant and popular musical art form, engaging such figures as Handel, Haydn, and Mozart. InOpera and Sovereignty, Martha Feldman takes a groundbreaking anthropological approach to the study of the genre. Employing a widely interdisciplinary argument that opera seria must be understood in light of the period's social and political upheavals,Opera and Sovereigntywill continue to interest a broad range of scholars, from musicologists to historians of the Enlightenment. Opera and Sovereigntytraces Italian opera's shift from asserting sovereignty to fomenting questions about absolute ideals. Against the backdrop of eighteenth-century Italian culture, Feldman shows how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in an increasingly democratic world. "A book of astounding breadth of subject matter, rich source materials, and provocative methodologies."Geoffrey Burgess,Current Musicology "Opera and Sovereigntyis a massive achievement."Reinhard Strohm,Early Music

Author Biography

Martha Feldman is professor of music at the University of Chicago.

Table of Contents

Evenings at the opera	p. 1
Arias : form, feeling, exchange	p. 42
Programming nature, Parma, 1759 : first case study	p. 97
Festivity and time	p. 141
Abandonments in a theater state, Naples, 1764 : second case study	p. 188
Myths of sovereignty	p. 226
Bourgeois theatrics, Perugia, 1781 : third case stdy	p. 284
Morals and malcontents	p. 348
Death of the sovereign, Venice, 1797 : fourth case study	p. 389
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