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This is the 9th edition with a publication date of 3/15/2007.
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This best-selling introductory photography text teaches students how to use the medium confidently and effectively by emphasizing both technique and visual awareness. Comprehensive in scope, this book features superb instructional illustrations and examples in its clear presentation of both black and white and color photography. London offers extensive coverage of digital imaging and the latest technological developments, such as Web page design and formatting photos on CD-ROMs.
Table of Contents
|Camera and Film|
|Loading Film into the Camera|
|Focusing and Setting the Exposure|
|Taking Your Picture|
|What Will You Photograph?|
|Basic Camera Controls|
|Using Shutter and Aperture Together|
|Choosing a Camera|
|Keeping the Camera Steady|
|Photographer at Work: Photojournalist James Nachtwey|
|From Pinhole to Lens|
|Lens Focal Length|
|Focusing Your Lens|
|Focus and Depth of Field|
|How to Make a Close-up Photograph|
|Guidelines for Buying a Lens|
|Getting the Most from Your Camera and Lens|
|Light and Film|
|Selecting and Using Film|
|How Film Responds to Light|
|Photographer at Work: Another Angle on Sports-Walter Iooss|
|How to Meter|
|Developing the Negative|
|How to Process Black-and-White Roll Film|
|Processing Black-and-White Roll Film Step by Step|
|How Film Processing Affects Your Picture|
|Exposure and Development: Under, Normal, Over|
|Printing the Positive|
|Making a Black-and-White Print Step by Step|
|Evaluating Density and Contrast in a Print|
|Dodging and Burning|
|Archival Processing for Maximum Permanence|
|Toning for Color and Other Effects|
|Finishing and Mounting|
|Spotting to Remove Minor Flaws|
|Mounting a Print|
|Color: Additive or Subtractive|
|Color Photographs: Three Image Layers|
|Choosing a Color Film|
|Developing Color Film|
|Making a Color Print from a Negative|
|Making a Color Print from a Transparency|
|Photographer at Work: Advertising Photographer Chris Clemens|
|A Computer with a Lens|
|Using a Digital Camera|
|Choosing a Digital Camera|
|Digital Imaging: An Overview|
|Scanning a Photograph|
|The Digital Photograph|
|Working Memory, Storage, and Transmission|
|Your Work Area and Tools|
|Adjusting the Image Overall|
|Printing and Display|
|Ethics and Digital Imaging|
|Using Digital Imaging|
|Photographer at Work: Merging Photography and Illustration-William Duke|
|Direction of Light|
|Degree of Diffusion: From Hard to Soft Light|
|The Main Light: The Dominant Source|
|The Fill Light: To Lighten Shadows|
|Lighting with Flash|
|Simple Portrait Lighting|
|Multiple-Light Portrait Setups|
|Lighting Textured Objects|
|Lighting Reflective Objects|
|Lighting Translucent Objects|
|Photographer at Work: Dance Photographer Lois Greenfield|
|Special Printing Techniques|
|Inside a View Camera|
|View Camera Movements|
|Using a View Camera to Control the Image|
|Equipment You'll Need|
|What to Do First-and Next|
|Loading and Processing Sheet Film|
|Table of Contents provided by Publisher. All Rights Reserved.|