More New and Used
from Private Sellers
Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
Questions About This Book?
What version or edition is this?
This is the 1st edition with a publication date of 4/19/2012.
What is included with this book?
- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
The Piscator Notebookis a political and professional autobiography which bridges the work of two iconic figures: Erwin Piscator, who pioneered 'epic theatre' with Brecht; and Judith Malina, co-founder of the extraordinarily influential Living Theatre. This is Malina's account, and analysis, of her time as Piscator's student. It is a compelling record of the genealogy of political theatre from Europe to the US and back again.
Table of Contents
|List of Plates||p. vii|
|List of Figures||p. xi|
|Weimer to the Dramatic Workshop||p. 1|
|Personal History||p. 3|
|Erwin Piscator: Germany to New York City||p. 3|
|The Founding of The Dramatic Workshop, 1940||p. 11|
|The Studio Theatre||p. 12|
|The Teachers at Piscator's School||p. 13|
|The Students||p. 17|
|My Personal Struggle to Enter The Dramatic Workshop||p. 31|
|Valeska Gert||p. 32|
|Lunar Bowels: An Audition Piece||p. 32|
|The Notebook||p. 35|
|The Ongoing Epic||p. 121|
|End of the Notebook and First Workshop Plays||p. 123|
|Julian Beck||p. 124|
|By Any Other Name and Maurice Schwartz's Yiddish Art Theatre||p. 125|
|Piscator's Basic Question: The Role of the Audience||p. 125|
|Becoming a Director: A Confession||p. 126|
|The Inspiration of Joseph Urban's Architecture||p. 127|
|Eleanor Fitzgerald||p. 127|
|The Classes||p. 128|
|The Plays||p. 135|
|Kandinsky's Great Insight||p. 149|
|Piscator and the Audience||p. 150|
|Objective Acting||p. 152|
|Between Two Worlds||p. 155|
|Piscator: Success and Failure||p. 159|
|Piscator's Return to Germany - and to Berlin||p. 160|
|Eric Bentley||p. 164|
|Piscator's Influence||p. 167|
|Piscator's Influence: The Work of The Living Theatre||p. 170|
|Afterword: Political Theatre, Theatrical Politics: Epic Theatre in the 21st Century||p. 194|
|Table of Contents provided by Ingram. All Rights Reserved.|