The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Rental copy of this book is not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.
With Music: The Art of Listening, students practice engaging with music critically, and with an appreciative ear. Presenting music within a broadened cultural and historical context, The Art of Listening
encourages students to draw on the relationships between: music and the other arts; musical characteristics of different periods; as well as Western music and various non-Western musics and concepts.
Learning to appreciate music is a skill. Together with McGraw-Hill's Connect Music, The Art of Listening helps students develop that skill by encouraging them to be active and thoughtful participants in their own listening experience.
Whether listening through headphones or at a live performance, The Art of Listening will develop students' ability to hone the skills required to listen to, reflect upon, and write about music.
Part Two: Ancient Greece, the Middle Ages, the Renaissance (c. 500 BCE-1600 CE) 7. The Music of Anceient Greece 8. Medieval Music 9. The Renaissance: General Characteristics 10. Sacred Music of the Renaissance 11. Secular Music in the Renaissance
Part Three: The Baroque (1600-1750) 12. Toward the Baroque 13. The Baroque: General Characteristics 14. Dramatic Music of the Baroque 15. Baroque Instrumental Music
Part Four: The Classical Period (1750-1820) 16. Toward Classicism 17: The Classical Period: General Characteristics 18. Formal Design in the Classical Period 19. Vocal Music in the Classical Period
Part Five: The Age of Romanticism (1820-1910) 20. Toward Romanticism 21. The Romantic Style: General Characteristics 22. The Romantic Style: Orchestral Music 23. The Romantic Style: Music for Solo Instrument and for Voice 24. Dramatic Music of the Romantic Period
Part Six: Revolution and Evolution: Music in the Twentieth Century and Beyond 25. Toward a New Music 26: The Twentieth Century and Beyond: General Characteristics 27: Musical Revolutionaries 28: Musical Evolutionaries 29: Music for Stage and Films 30: Jazz Postlude: The New Internationalism