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This is the edition with a publication date of 7/15/2012.
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A new approach to a director whose contribution to cinema is often overshadowed by the events of his personal life, Polanski and Perception focuses on Roman Polanski's interest in the nature of perception and how this is manifested in his films. The incorporation of cognitive research into film theory is becoming increasingly widespread, with novel cinematic technologies and recent developments in digital projection making a strong grasp of perceptual psychology critical to fostering cognitive engagement.
Davide Caputo studied psychology and film at the University of Manitoba and completed his Ph.D. at the University of Exeter.
Table of Contents
|'Locating' Polanski||p. 11|
|Establishing a Conceptual Framework||p. 29|
|Schizophrenia and the City||p. 71|
|Rosemary's Baby||p. 115|
|The Tenant||p. 145|
|Approaching the Investigations||p. 165|
|A Tale of Two Doctors: Frantic and Death and the Maiden||p. 199|
|The Ninth Gate||p. 221|
|The Ghost: A Bridge Between Trilogies||p. 247|
|Concluding Remarks||p. 261|
|Roman Polanski Filmography||p. 269|
|Table of Contents provided by Ingram. All Rights Reserved.|